![\"IMG_6950\"](\"http:\/\/blog.andrewbaseman.com\/wp-content\/uploads\/IMG_6950.jpg\")
<\/a><\/p>\nThis is what my teapot may have looked like before the original spout was replaced and before it was overpainted in London, about 75 years later.<\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n
This globular shaped porcelain teapot with straight spout, loop handle and domed cover was made in China for export to London\u00a0in the mid-1700s, where it was decorated with branches and leaves in cobalt blue underglaze. It measures 4-3\/4″ tall and 7-1\/4″ from the end of the handle to the tip of the spout. But\u00a0after living in London as blue and white teapot for nearly a century, it went through a colorful transformation.<\/p>\n
Although blue and white decorated Chinese porcelain was in high demand up until the mid-1700s, it soon fell out of favor as more colorful porcelains started appearing on the market. In trying to keep up with the sudden demand, and while attempting to get rid of the less desirable blue and white pieces, clever European merchants struck gold. They simply painted over the existing blue and white decoration with an overglaze of additional colors. This practice, called clobbering, is also known as Amsterdams Bont\u00a0when done in the Netherlands in the Imari style and palette. A translucent green wash covers most of the teapot’s surface, revealing traces of the original blue leaf decoration, now accentuated in gold. Additional stylized flowers, leaves and borders are painted in polychrome washes and heavy enamels with little regard to the pattern beneath the surface. Some artists paid more attention embellishing the original designs but on this piece you can see faint traces of the original blue peering through, like the shadow of a fish swimming in murky water.\u00a0Many purists find the colorful additions gaudy and an abomination but I rather like them, seeing it as another form of making-do.<\/p>\n
The silver spout with scalloped plate is a replacement, made in the same style and form as the porcelain original, mounted by a silversmith over 200 years ago.<\/p>\n
I originally listed this as an example of “Amsterdams Bont”, clobbered in the Imari style in Amsterdam. I was informed by one of my subscribers, an expert and author in the field of clobbered ceramics,\u00a0that my teapot was actually overpainted in London during the first quarter of the 19th century in colors better suited for the Regency \/ Brighton Pavilion taste. Thank you Helen Espir for the\u00a0much appreciated\u00a0information.<\/p>\n
This is what my teapot may have looked like before the original spout was replaced and before it was overpainted in London, about 75 years later.<\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n