Archive for June, 2017

Ridgway relief molded jug, c.1835

Saturday, June 24th, 2017

This relief molded salt glaze jug from 1835 was made in England by Ridgway. It is decorated with scenes from Robert Burns’ poem, “Tam O’Shanter,” written in 1790. It measures 6.75 inches tall and is incised on the underside: “Published by W. RIDGWAY & CO. MANLEY, October 1, 1835.”

Although this jug maintains its original pewter lid, its overscaled ear-shaped metal handle is a replacement, made by a tinsmith over 150 years ago.

Here’s the same jug with its original handle intact.

Photo courtesy of Andrew Dando

Character jug with stapled face, c.1924

Saturday, June 17th, 2017

Is this another monster created by Dr. Frankenstein? Not exactly, but it looks like his English relative.

This blue-glazed pottery character jug in the form of British Prime Minister Stanley Baldwin was designed by Percy Metcalfe and produced in Surrey, England, by Ashtead Potters between 1923-1929. It stands 7.5 inches high and is boldly marked on the underside and numbered 202 of a limited edition of one thousand.

We will never know for sure if the jug became broken accidentally or if it was thrown in disgust as a result of a disagreement over the political views of the Right Honorable Stanley Baldwin. Either way, four small metal staples were used to repair his broken face. Ouch, that’s gotta hurt!

Three other commemorative jugs were made in this series. Shown here in Pearl Barley glaze, they include Attorney General Lord Hailsham (Douglas McGarel Hogg), British Prime Minister David Lloyd George, and Australian Prime Minister Stanley Melbourne Bruce.

Photo courtesy of Ashtead Pottery

NUS Museum, Singapore

Saturday, June 10th, 2017

Yesterday I visited the NUS Museum, a beautifully designed and well curated museum on the campus of National University of Singapore. Naturally, I was on the lookout for antiques with inventive repairs and happily, found some examples to write about.

The Lee Kong Chian gallery on the lobby level features Chinese export ceramics from the Lee Kong Chian Museum and the archaeological collection of Dr. John Miksic. Hiding in plain sight was this vase made during the Southern Song Dynasty (1127-1279), in Jinjiang, Fujian. Its silver replacement lid and collar were added hundreds of years later.

Also on the lobby level is the Archaeology Library, which includes thousands of excavated ceramic shards and artifacts, on loan from institutions and private collectors.

I spotted this blue & white porcelain hulu (gourd-shaped) ewer from the Yuan Dynasty (1271-1368) among hundreds of ceramics, in the Resource Gallery on the top level. I have always loved galleries such as this, as they are typically more casual than curated exhibits and have a bit of an antiques shop or flea market vibe.

Make-Do’s: Curiously Repaired Antiques

Saturday, June 3rd, 2017

I am pleased to be part of Make-Do’s: Curiously Repaired Antiques, the first exhibition of its kind showcasing inventive repairs, at Boscobel, a Federal period historically restored mansion on the Hudson River in Garrison, NY. The exhibit, which opened today and runs through October 1, 2017, includes numerous forms of inventive repair, including over 150 pieces from my own collection, as well as examples on loan from historical institutions, museums, and individuals. Make-do’s are cleverly displayed within the rooms of the mansion and in a special gallery exhibit. There will be lectures, a repair cafe and other programs relating to the exhibit throughout the summer, so please check the Boscobel website for more details. An illustrated catalogue with essays by Curator Jennifer Carlquist and me is available for purchase in the Gift Shop.

Photos courtesy of Boscobel