Posts Tagged ‘staples/rivets’

Royal Crown Derby footed dish, c.1905

Sunday, February 10th, 2019

This porcelain serving dish was made in England by Royal Crown Derby in 1905. It is hand painted in the Imari palette of cobalt blue, iron red, and gilt. On the underside is a red printed mark ROYAL CROWN DERBY, ENGLAND with cypher and an incised mark DERBY, 7-04, dating it to 1905. It measures 10 inches by 7 inches and is 1.75 inches high.

Although two painted metal staples on top of one of the handles hint at what is hiding below deck, it isn’t until this pretty dish is flipped over that things gets more interesting. After this dish fell to the floor and shattered into 9 pieces, it was taken to a china mender, who made it whole again by drilling 68 tiny holes and adding 34 metal staples. Typically china menders charged per staple, so this repair job must have cost the owner a pretty penny.

Copper lustre jug with badminton decoration, c.1830

Sunday, September 9th, 2018

This English copper lustre jug with canary yellow and painted over transfer decoration of a woman and child playing badminton, dates from around 1830 and stands 5.75 inches high. It is not uncommon and I have seen dozens of examples of it in various sizes, all priced affordably.

What sets this particular jug apart from the other “perfect” examples are the inventive repairs. Unable to glue the original broken handle back on, a metalsmith in the 1800s fashioned an ornate replacement and used 2 metal staples to stabilize cracks. I find the metal handle quite pleasing, and am not at all bothered but the metal staples, which can be viewed as badminton birdies flying away.

This is what the jug looks like with its original handle intact.

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Photo courtesy of Martyn Edgell Antiques

Rose Medallion coffee pot, c.1890

Sunday, August 12th, 2018

This bulbous form porcelain coffee pot was made in China during the Qing dynasty, circa 1850-1890. It is decorated with figures, birds, butterflies and flowers in the Rose Medallion palette, including green, pink, yellow, blue, black and gold enamels. It measures 7.25 inches high and 8 inches wide from handle to spout.

At first glance you may wonder why this seemingly “perfect” pot has made its way into my collection. But look closely and you will find a couple of large cracks on the the sides, held tightly together with the aid of 3 large metal grooved staples. It is neither exceptional nor rare, but I like it because it has kept its dignity intact after surviving a tumble well over 100 years ago.

Here’s a similar coffee pot, along with a matching sugar bowl and creamer.

Photo courtesy of Ruby Lane

Chinese teapot with monogram & multiple repairs, c.1780

Sunday, July 1st, 2018

This globular porcelain teapot was made in China for export, possibly for the French market, during the last quarter of the Qianlong period (1711-1799.) It measures nearly 5.5 inches high and is 8.75 inches wide from handle to spout. The delicate armorial decoration on each side consists of a gilt monogram (JEM) suspended from a shield surrounded by floral garlands and ribbons. The chipped lid has a peach shaped knob and is decorated with flowers.

It appears that on more than one occasion over the past 200+ years, this fragile teapot was rushed to surgery. The multiple repairs include a silver plated replacement spout with scalloped backplate, an iron replacement handle with a pleasing green patina, and 2 metal staples securing cracks on the body. Every surface of this noble survivor bears scars, which to me, makes it even more attractive and unique.

Yixing teapot with elaborate silver repairs, c.1700

Sunday, May 27th, 2018

This gorgeous rectangular red/brown Yixing pottery teapot was made in China, c.1700. It is decorated with 6 panels of appliqué decoration, including four-clawed dragons chasing flaming pearls amidst clouds. It measures 8 inches high, 7 inches wide, 3.75 inches deep.

Not only is the teapot itself stunning, but the elaborate replacement handle, lid and mounts are a knockout. After the original handle broke off, it was taken to a skilled silversmith who made a solid silver replacement stirrup-shaped handle with leaf mounts, along with a scalloped rim and base, spout, and a replacement lid with an ivory knob. I especially love the cutout heart at the end of the spout. The hallmark inside of the lid, W.F. over A.F. in a chamfered square, is for Fordham & Faulker (William Charles Fordham & Albert Faulkner), Orchard Works, Orchard Lane, Sheffield, UK. I have yet to research the hallmark but am looking forward to discovering the year the repair was done. Stay tuned.

I purchased this a few months ago from a dealer in the UK who said it was once in the private collection of British actress Rita Tushingham (Dr. Zhivago, etc.) Thanks, Rita for having such exquisite taste!

This teapot of similar form suggests what the original handle on mine might have looked like.

 

 

 

 

 

 

 

 

 

 

 

Photo courtesy of Woolley & Wallis

Riveted Chinese Imari plate, c.1760

Sunday, March 4th, 2018

This porcelain plate was made in China during the Qianlong period (1736-95) and measures nearly 9 inches in diameter. It has a central motif of branches and flowers in the Japanese Imari palette of cobalt blue underglaze with red and gold overglaze washes. A fine plate, in my humble opinion, but not an extraordinary example by any means.

But…when the plate is turned over, the true beauty and the reason that I purchased it for my collection, is revealed. 34 small brass staples, seen only on the underside, clamp together the 8 broken pieces as tight as when the repair was done, over 200 years ago. Even though stapling, aka riveting, is the most common form of inventive repair, I still marvel at examples such as this. And naturally, I would proudly display it with the “wrong” side out.

Chinese basin bowl with 136 metal staples, c.1865

Sunday, February 4th, 2018

This large porcelain bowl was made in China durning the Tongzhi period (1862–1874). It is decorated with warrior figures, a horse, an interior scene & flowers in the famille rose palette and measures 14.75 inches in diameter and is 4.75 inches high. Originally it would have been part of a set which most likely included a matching water jug.

But the true beauty for me lies on the underside. After the bowl broke into 2 pieces, a skilled and patient china mender used 136 metal staples, placed in pairs, to make this broken bowl whole again. The work is extraordinary and the repair is tight, making it usable. And as you can see in the last photo, Oscar demonstrates that it also makes for a comfortable cat bed.

Blue & white transferware dish, c.1830

Sunday, December 17th, 2017

This serving dish was made in England by Wedgwood, c.1830. It is decorated with a blue transfer scene depicting buildings, ships, trees, and overscaled flowers along the border. On the underside is the stamped mark “WEDGWOOD’S STONE CHINA”. It measures 9 inches square.

Well over 100 years ago when this dish broke in half, it was brought to a “china mender” who repaired it using 12 metal staples, aka rivets. Originally it had a cover but I am guessing that when it took a tumble the lid was broken beyond repair. But at least the more functional piece survived and thanks to the handiwork of a 19th century restorer, this dish can still be used today.

 

This covered dish of similar form and decoration still has its original cover.

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Photo courtesy of eBay

Mounted Kangxi dish, c.1750

Sunday, September 24th, 2017

This porcelain dish was made in China for export to Europe in the middle 1700s. It is decorated with figures in blue, red, green, and black enamels and measures 8 inches long, including the mount, with a diameter of 4.25 inches.

Not only was this dish repaired on the underside using 4 metal staples, each .25 inches long, but a fragment from another piece was added to the ornate bronze rococo mount. Please take a look at an earlier post with a similar porcelain dish and bronze mount: Kanji period dish, c.1700.

 

London shape Coalport teapot, c.1812

Sunday, August 13th, 2017

This stately London shape porcelain teapot was made by the Coalport Porcelain Works of England, c.1812. It has a linear pattern in gold with red accents of birds perched on the branches of a fantastical tree, complete with a nest resembling an upturned straw boater hat. It measures 6.5 inches high and 10 inches from handle to spout.

Naturally, I prefer the side riddled with 21 metal staples, as I feel they add a layer of unintentional whimsy to the printed pattern beneath. The final photo shows the teapot on display at the exhibit Make-Do’s: Curiously Repaired Antiques, on view now through October 1 at Boscobel House and Gardens. Come see it, along with hundreds of other examples from my collection of antiques with inventive repairs.