This past December, Mark and I took a trip to Bangkok, Cambodia, and Laos, in search of regional culture and delicious food, but not necessarily in that order. While walking the grounds of the Grand Palace in Bangkok, I stumbled upon several large ceramic planters, each with large metal staple repairs and banding wires. I imagine only I, and the fine readers of this blog, would have noticed these make-do’s hiding in plain sight.
Odd, but I keep coming across the same pottery jug, each with a different replacement handle. It’s just one of those things. There must have been a design flaw in the manufacturing of the handles, rendering them too delicate to support the jugs once they were filled with liquid. I feel bad for the unsuspecting original owners, but am selfishly glad that there are so many examples out there with inventively repaired replacement handles.
This jug was made in England, circa 1850, and stands 6.5 inches high. It is decorated with pink lustre and polychrome enamels and has a stag and spotted hound in relief, along with an impressed mark EPSOM CUP, on one side, and a pair of stags on the reverse.
I was delighted to come across this image of an oil painting: Cyclamen, by Sir William Nicholson, 1937, which features the same Emsom Cup jug with a missing handle. I wonder if he ever had the handle replaced and if so, I hope to find it and add it to my collection.
And finally, here’s a jug with its original sprig-form handle, showing what my jug looked like before the handle snapped off.
Today I take you behind the scenes and into my office/research center/storage room, where the bulk of my collection of nearly 600 examples of antiques with inventive repairs is kept. As you can see, the shelves are filled to the rafters. Mind you, this is just the tip of the iceberg.
Fearful of the direction I seem to be heading in, I took an online test, Hoarding Symptoms Test for Adults, and thankfully discovered that I am not in danger of becoming a hoarder. At least for now.
For years I have resisted buying a single make-do pin cushion, the most prolific of all repairs. I am not a fan and think of them as the “Hummel figurine” of the inventive repair world. I will admit that on a couple of occasions, during moments of temporary insanity, I came close to buying one for my collection. But last year at an antiques shop in Pittsburgh, I caved in and bought this sad little example.
At home repairs like this are the most common type of make-do, with endless variations made from broken household items, including oil lamps, goblets, and candlesticks. This one was most likely made in America during the late Victorian era and stands 4.5 inches high. The base is made from a broken cut glass decanter stopper and the top is made from a ball of fabric covered in colorful wool yarn. I will try hard not to succumb the next time I encounter another one of these.
This collection of make-do pin cushions, each with a different glass base, have yarn tops similar to mine.
I purchased this porcelain drum form teapot a few years ago from a dealer who found it at a flea market in Brussels. It was made in China for export, most likely to North America or Europe, between 1830 and 1850. The classic Rose Medallion decoration includes 4 panels of people, birds, and flowers, painted in the famille rose palette of green, pink, blue, yellow, black, and gilt. It measures 5.5 inches high and 9.25 inches wide from handle to spout.
What makes this striking teapot stand out in a crowd are the unusual repairs. To replace the broken cross strapped handle, a hand carved wood replacement with removable brass straps was created, along with a papier mache replacement lid, cleverly incorporating the original pomegranate shaped knob and painted to match the broken original. Quite the curiosity piece, wouldn’t you say?! I have not seen repairs such as these before and can only wonder where this type of work was done. It does not appear to be North American, European, or Continental, so my feeling is that it was done in Asia or the Middle East. If anyone knows more about this type of repair, please let me know.
This similar teapot maintains its original handle and lid
Antiques with inventive repairs (also known as "make-do" repairs) are unique examples of necessity and thrift, made during a time before Krazy Glue was invented. Unlike today where we discard anything chipped or cracked, broken household items were repaired at home or taken to a metalsmith to be brought back to life, often with whimsical results. Once regarded merely as damaged goods by antiques dealers and collectors alike, antiques with inventive repairs are justly receiving the respect they deserve.
ABOUT ANDREW BASEMAN:
I am a film set decorator, author, and interior designer, with a passion for antiques and collecting. Please visit my website to see examples of my work: