Posts Tagged ‘metal bands’

George Washington commemorative jug, c.1800

Saturday, September 7th, 2019

This large creamware jug was made for the US market, most likely in the Liverpool area of London, c.1800. It stands 9 inches high and is decorated with transfer decoration commemorating George Washington and includes an eagle, American flags, and other patriotic symbols.

Over 200 years ago, someone must have slammed the pottery jug down on the bar a bit too harshly and cracked the bottom. Luckily for me, a skilled tinsmith fashioned a unique patch attached to a band at the base, which helped bring the broken vessel back to life. I hope that if George Washington were alive today, he would be approve of the inventive repair done on his jug.

This jug, identical in form and decoration, shows what mine would have looked like when it was intact.

Photo courtesy of Martyn Edgell Antiques

Coffee pot with metal lid, c.1810

Sunday, April 21st, 2019

This pearlware pottery baluster form reeded coffee pot was made in England in the early 1800s. It is decorated with delicate flowers and ribbons in shades of pink, green, and orange and stands 9.5 inches high. The underside is marked with a tiny orange leaf.

At some point in its early life, the original lid broke or went missing and the base cracked. Fear not, as a tinker made a tin replacement lid with a brass knob and attached a tin band around the base to repair the crack. Want another cup of coffee? Yes, can do!

This coffee pot with similar form and decoration, shows that the original lid on mine would have looked like.

Photo courtesy of Etsy

Rose Medallion teapot with unusual wood handle, c.1840

Sunday, March 3rd, 2019

I purchased this porcelain drum form teapot a few years ago from a dealer who found it at a flea market in Brussels. It was made in China for export, most likely to North America or Europe, between 1830 and 1850. The classic Rose Medallion decoration includes 4 panels of people, birds, and flowers, painted in the famille rose palette of green, pink, blue, yellow, black, and gilt. It measures 5.5 inches high and 9.25 inches wide from handle to spout.

What makes this striking teapot stand out in a crowd are the unusual repairs. To replace the broken cross strapped handle, a hand carved wood replacement with removable brass straps was created, along with a papier mache replacement lid, cleverly incorporating the original pomegranate shaped knob and painted to match the broken original. Quite the curiosity piece, wouldn’t you say?! I have not seen repairs such as these before and can only wonder where this type of work was done. It does not appear to be North American, European, or Continental, so my feeling is that it was done in Asia or the Middle East. If anyone knows more about this type of repair, please let me know.

This similar teapot maintains its original handle and lid

Photo courtesy of WorthPoint

Early iron metal repairs

Sunday, September 23rd, 2018

Early repairs can pop in unexpected places. For example, last May I went to visit my mother who lives in a small town in the Berkshires. Near her house is the Barnard Cemetery, with grave markers dating back to the middle 1700s, where I came across rusty iron braces holding together broken tombstones. I have seen similar early repairs on stone steps in Florence, Italy, so keep your eyes open for other repairs such as these throughout the world.

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Mocha ware mug with seaweed & rouletted decoration, c.1800

Sunday, April 29th, 2018

This mocha ware mug was made in England, c.1800. It is lavishly decorated with two bands of brown slip, “seaweed” decoration, and rouletted patterns at the top and middle. It stands nearly 6 inches high.

Strange that even with the sustained damage, which occurred over 100 years ago, the original strap handle with foliate terminals remains intact. The multiple fractures were stabilized by a tinker in the 1800s by adding two metal bands around the top and middle section. The mug no longer holds liquids as it once did, but remains a staunch symbol of survival.

I was thrilled to add this beauty, once owned by author Jonathan Rickard, to my collection. Jonathan writes: “The quart mocha mug came from a Rhode Island dealer whose name escapes me. It was at the Tolland, Connecticut annual show perhaps ten years ago. Like most dipped wares, it will remain anonymous regarding its maker.” Thank you Jonathan, the Rhode Island dealer, and all of the other previous owners for saving this wonderful mug from the trash heap.

Inventive repairs in Prague

Sunday, May 15th, 2016

I just returned from a trip to Prague where I was bowled over by the seemingly endless amount of stunning Art Nouveau architecture, paintings, and decorative arts. Naturally, I was on the lookout for ceramics and glassware with inventive repairs, and was delighted to actually stumble upon a few good examples.

The most interesting ones were hiding in plain sight within the Prague Castle walls at the Lobkowicz Palace, which houses the Princely Collections of paintings, instruments, original musical scores, and decorative arts.

Two pieces of early rare Italian maiolica have what appears to be unexceptional 19th century tinker repairs. One of the jugs has a clunky and poorly painted replacement spout. I am surprised that the repairs found on these pieces were not executed with more artistry and finesse.

Rather than write the captions for my photos, I have copied directly from the English translations found on the glass display cases:

“Examples of a large service from Savona in North Italy, late 17th century.”

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“Examples from an extensive service of maiolica, from the Pavia region of Lombardy, painted in polychrome with scenes of figures and ruined buildings in mountainous coastal landscapes, all within borders of detailed moulded and painted acanthus leaf, flowers and grotesques some with wheat husk edging: Italian, late 17th century.”

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Worcester inkwell & quill holder, c.1810

Saturday, April 2nd, 2016

This gorgeous porcelain drum form inkwell with conical reservoir and 3 quill holes is hand painted in polychrome enamels with gilt highlights. Made by Worcester around 1810, it is marked on the underside in red script “Goldfinch / Chamberlain’s Worcester.” It measures nearly 2.75 inches high with a diameter of just over 2.5 inches.

I can just imagine the dreaded day, well over 150 years ago, when this expensive inkwell dropped to the hard floor, breaking into 4 pieces. A skilled tinker or itinerant “china mender” came to the rescue by adding 7 iron staples and a copper band around the top, enabling the inkwell to function again. Putty was added to help seal gaps left along the rim and for added assurance that ink would not seep through the bonded cracks.

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This is another rare example of a Chamberlains Worcester inkwell, minus the early repairs that mine has.

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Photo courtesy of The Saleroom

Make-do’s at the MET, part 4

Saturday, June 20th, 2015

I spotted this during my last visit to the American Wing at The Metropolitan Museum of Art in New York City. The description in the showcase says more than I could possibly say:

“This extraordinary punchbowl features a remarkably faithful replica of the engraved certificate, dated December 1785, issued to Ebenezer Stevens (1751-1823) by the Society of the Cincinnati. Stevens was a major-general in command of the New York artillery and was vice president of the New York branch of the society. The decorative silver-gilt mount on the rim and around the foot were probably made during the early nineteenth century in response to an earlier crack—evidence of the extent to which the bowl was valued by its owner…”

Punch Bowl
Date: ca. 1786–90
Geography: China
Culture: Chinese, for American market
Medium: Porcelain
Dimensions: Diam. 16 in. (40.6 cm)
Classification: Ceramics
Credit Line: Gift of Lucille S. Pfeffer, 1984
Accession Number: 1984.449

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“Cat Tails & Fern” pattern goblet, c.1880

Saturday, November 23rd, 2013

This EAPG (Early American Pattern Glass) goblet was made between 1880 and 1890 in Pittsburgh, Philadelphia by Richards & Hartley Flint Glass Co. EAPG, strictly an American invention, was manufactured throughout the US during the Victorian period, from 1850 to 1910. It is estimated that there are upward of 3,000 different patterns, although closer to 1,000 patterns were most commonly used. This goblet, in the Cat Tails & Fern pattern, measures 6″ high and has a visible 3-mold mark.

After the base snapped off, I am assuming sometime in the early 1900s, an itinerate mender or perhaps the original owner attached a 6-sided brass sleeve to hold the two broken pieces back together. This subtle yet effective quick-fix repair did the trick to make the drinking vessel function again. I like the addition of the tiny red gummed label on the bottom with a cryptic “9999” written in cursive ink, the meaning known only to the original scribe.

This goblet with the same pattern is one of 1,100 donated to the Shelburne Museum in Shelburne, Vermont, by Dr. Elizabeth Garrison in 1987.

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Large toy cannon, c.1890

Saturday, July 6th, 2013

This is the last and largest of the three cannons I purchased as a lot last November. It measures 12-1/4″ long, 4-3/4″ tall and I believe it was made in America in the late 1800s. When a young boy played a bit too rough and broke the toy cannon one Fourth of July in the early 1900s, I imagine his handy dad or grandfather carved a wood base to replace the broken cast iron original, adding embellishments such as paper stars and the letters “U S” to its sides. The barrel, with remains of the original black surface, sits on a metal plate and is fastened to the wood trolley using metal straps. The carved wood wheels are connected to a wood axel with metal pins and a strip of tin edging is attached to the back tail using numerous nail heads. I love the original dark green painted surface with gold trim and alligator finish, consistent on all three of the cannons, suggesting that they were repaired by the same person or at least in the same household. Please take a look at these other two posts, including a small and a medium-sized cannon, which make up the remainder of this terrific trio.

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This intact bronze cannon with fanciful trolly shows where the inspiration came from for the carved wood base on mine.

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Photo courtesy of Live Auctioneers