This past December, Mark and I traveled to Southeast Asia, visiting Cambodia, Thailand, and Bangkok. All the while, I was on the lookout for inventive repairs in museums and antique shops. Although I did not find any examples for sale, I did see quite a few in museums.
Here are some examples of stapled ceramics I stumbled upon at the Jim Thompson House Museum in Bangkok, where I seemed to be the only one who noticed these large stapled beauties hiding in plain sight.
Last year while working in Pittsburgh, Pennsylvania, I sublet a house in Point Breeze, just around the corner from The Frick Pittsburgh. I immediately bought a membership and whenever possible I attended exhibits, walked the grounds, and ate in the cafe.
Last August, to coincide with the opening of Crazy Rich Asians, I posted about the ceramics I used as set dressing in the movie. I received a comment from Sarah Hall, Chief Curator, Director of Collections at the Frick, who mentioned that the collection included a pair of large peach vases, similar to ones I used in the film. Soon after, I met with Sarah and Dawn Brean, Associate Curator of Decorative Arts, to discuss an upcoming exhibit Dawn was planning and asked if I would like to write a piece about ceramics used in Crazy Rich Asians.
Flash forward 6 months and I am pleased to report that the exhibit recently opened and will be on display as a part of their permanent collection through early 2020. If you are in the area, please stop by and check out the wonderful exhibit, as well as the rest of the museum and beautiful grounds, and Clayton, the former home of Henry Clay Frick, industrialist and art collector.
This past December, Mark and I took a trip to Bangkok, Cambodia, and Laos, in search of regional culture and delicious food, but not necessarily in that order. While walking the grounds of the Grand Palace in Bangkok, I stumbled upon several large ceramic planters, each with large metal staple repairs and banding wires. I imagine only I, and the fine readers of this blog, would have noticed these make-do’s hiding in plain sight.
Today I take you behind the scenes and into my office/research center/storage room, where the bulk of my collection of nearly 600 examples of antiques with inventive repairs is kept. As you can see, the shelves are filled to the rafters. Mind you, this is just the tip of the iceberg.
Fearful of the direction I seem to be heading in, I took an online test, Hoarding Symptoms Test for Adults, and thankfully discovered that I am not in danger of becoming a hoarder. At least for now.
Last weekend I had the pleasure of attending the current exhibit at Ferrin Contemporary, located at MASS MoCA in North Adams, MA. Leslie Ferrin has her finger on the pulse of what’s hot in contemporary ceramics and has cultivated a veritable “who’s who” of the best ceramic artists from around the globe.
The exhibit features ceramics by Paul Scott, a Ferrin favorite, who puts a contemporary twist on antique blue & white transferware plates and platters. Many pieces are refired, embellished, cut, reassembled and repaired with gold, utilizing the ancient kintsugi (“golden joinery”) technique.
Elizabeth Alexander is new to me but I am already a huge fan of her work, which includes deconstructed white teacups and saucers from her Heirloom collection. I especially love the grey shadows created by the negative spaces of the pierced tableware.
I am including new work by alliterative potter Peter Pincus, inspired by Josiah Wedgwood’s classic 18th century basalt pottery. None of his pieces are broken or repaired, but I am showing them here just because I love his ceramics!
I just returned home to NYC, after a 10 month gig in Pittsburgh, to be greeted by the make-do desk left out on the street. Didn’t realize how much I missed little old New York! And no, I did not take it home.
Early repairs can pop in unexpected places. For example, last May I went to visit my mother who lives in a small town in the Berkshires. Near her house is the Barnard Cemetery, with grave markers dating back to the middle 1700s, where I came across rusty iron braces holding together broken tombstones. I have seen similar early repairs on stone steps in Florence, Italy, so keep your eyes open for other repairs such as these throughout the world.
Last summer you may recall I spent 3 months in Malaysia and Singapore working as the set decorator on a movie called Crazy Rich Asians. Never in my wildest dreams did I think that our little movie would end up breaking box office records and become an overnight smash hit! I am thrilled with how the movie turned out and am happy to report that none of my favorite scenes ended up on the cutting room floor.
Combining my 2 passions, I try to incorporate ceramics as much as possible into my set decoration. Here are some examples of how I used ceramics to help bring the characters in Crazy Rich Asians to life, including some new make-do’s.
If you haven’t already seen Crazy Rich Asians, please go and enjoy! Be sure to look closely for these and other ceramics I’ve sprinkled throughout the movie.
A few staples should take care of that.
This past week I made my yearly pilgrimage to the Bohemian National Hall on New York’s Upper East Side to attend the New York Ceramics & Glass Fair. As usual, I was not disappointed. In addition to seeing stunning examples of antique ceramics and glassware from around the globe, I found many examples of inventive repairs done by contemporary ceramic artists. Leslie Ferrin of Ferrin Contemporary is a champion of artists exploring exciting new methods of repairs and creating assemblages using repurposed ceramics. Below are some of the artists she represents, as well as others exhibiting at the fair.
Steven Young Lee, Gourd Vases with Dodos, 2018. Steven made a pair of “perfect” vases and then deliberately deconstructed them, with dramatic results.
Paul Scott, The Garden Series, Tower Buddleia, 2015 and The Syria Series No: 8, Damascus, 2017. Both pieces use Japanese kintsugi (“golden joinery”) as a design element.
Stephen Bowers, Camouflage Plates, 2016. I particularly love the trompe l’oeil metal staples on the top plate.
A new addition to the fair is Michael Wainwright, an artist who designed the Mezza Collection with his own interpretation of the art of Kintsugi.
