Archive for March, 2018

Mocha ware jug with wavy slip decoration, c.1830

Sunday, March 25th, 2018

This pearlware pottery jug is decorated with cream colored wavy parallel white slip lines and dots on wide blue bands. It was most likely made in England, circa 1830. It stands 7 inches high and is 9.5 inches from handle to spout.

Many things make this jug special, including the free spirit decoration and the wonderful tin replacement handle with thumb and finger grips. An added bonus is that it was once owned by the Master of Mocha, Jonathan Rickard, who purchased it in New Hampshire about 8 years ago. Jonathan wrote Mocha and Related Dipped Wares, 1770-1939, the preeminent book on the subject. I was fortunate to buy 4 pieces from his renowned collection and will post the remaining 3 in the coming months.

This jug, with similar form and decoration, shows what the original loop handle on my jug might have looked like.

Photo courtesy of Pinterest

Brass kerosene oil lamp, c.1900

Sunday, March 18th, 2018

This small kerosene oil lamp has a brass reservoir joined to a square metal base using a hand carved wood conical stem. I found it in a small New England antiques shop a few years ago and although it is unmarked, I believe it to be American. It stands 8.75 inches tall and the base measures nearly 4 inches square.

Lamps such as this were commonly used worldwide, from the mid 1800s through the mid 1900s. They were sturdy and made to last so I am puzzled by what caused this one to become unhinged. The replacement stem appears to be a home made job, and although practical, it is less than elegant.

This brass oil lamp with similar form has all of its parts and shows what the original base on mine might have looked like.

Photo courtesy of Ruby Lane

Riveted Chinese Imari plate, c.1760

Sunday, March 4th, 2018

This porcelain plate was made in China during the Qianlong period (1736-95) and measures nearly 9 inches in diameter. It has a central motif of branches and flowers in the Japanese Imari palette of cobalt blue underglaze with red and gold overglaze washes. A fine plate, in my humble opinion, but not an extraordinary example by any means.

But…when the plate is turned over, the true beauty and the reason that I purchased it for my collection, is revealed. 34 small brass staples, seen only on the underside, clamp together the 8 broken pieces as tight as when the repair was done, over 200 years ago. Even though stapling, aka riveting, is the most common form of inventive repair, I still marvel at examples such as this. And naturally, I would proudly display it with the “wrong” side out.