Posts Tagged ‘Imari’

Small lobed teapot with metal spout & handle, c.1710

Sunday, February 21st, 2021

This small lobed porcelain teapot, appears to have been made in China during the late Kangxi period (1662-1722.) It measure 4.25 inches high, 6.25 inches wide handle to spout and is decorated in the Japanese Imari palette of blue, red, gilt on white.

I love a double repair and this one delivers on both counts. We will never know if the replacement handle and spout were added at the same time or separately. The sturdy bronze replacement handle is tightly wrapped in rattan for insulation from the hot teapot contents. The metal replacement spout is more humble but allowed the tea to flow once again.

This teapot, with similar form and decoration, has all of its original parts intact. But I still like mine, with its added character, better.

Photo courtesy of Live Auctioneers

Small mug with Imari decoration, c.1730

Sunday, September 13th, 2020

This small but sturdy porcelain bell (aka baluster) form mug is decorated with flowers in the Imari palette of red, blue, and gilt on a white ground. It was made in China for export, most likely to Europe and North America, around 1730. It stands 4 inches high.

Sometime in the 18th/19th century, this mug took a tumble, resulting in a broken handle. Rather than tossing it out, it was taken to a tinker who fashioned a bronze replacement handle. Most often metal handles on teapots, cups, and mugs were wrapped with rattan for insulation and comfort but this handle remains bare.

This small mug with similar form and decoration suggests what the original handle on my mug might have looked like.

Photo courtesy of Bearnes Hampton & Littlewood

Chinese Imari cup with dated silver rim, c.1720

Sunday, April 7th, 2019

This porcelain cup was made in China during the latter part of the Kangxi period (1662-1722) and measures 3.25 inches high. It is decorated with flowers and leaves in the Chinese Imari style and with a palette of blue, iron red, and faint traces of gilt highlights.

At some point in the middle of the 1700s, the cup broke and was brought to a silversmith, who not only rejoined the 2 broken halves using 3 metal staples, but also added a thick silver rim with scalloped bottom edge. The rim is inscribed: “In Remembrance of a Friend,” along with a date “Jan 8, 1766” and monogram “JM.” Sadly the silversmith did not leave his hallmark, but I am thrilled he added the date. Now, if only we knew who JM and his friend were…

This example shows that my cup may have had a matching top.

Photo courtesy of Bidspirit

Royal Crown Derby footed dish, c.1905

Sunday, February 10th, 2019

This porcelain serving dish was made in England by Royal Crown Derby in 1905. It is hand painted in the Imari palette of cobalt blue, iron red, and gilt. On the underside is a red printed mark ROYAL CROWN DERBY, ENGLAND with cypher and an incised mark DERBY, 7-04, dating it to 1905. It measures 10 inches by 7 inches and is 1.75 inches high.

Although two painted metal staples on top of one of the handles hint at what is hiding below deck, it isn’t until this pretty dish is flipped over that things gets more interesting. After this dish fell to the floor and shattered into 9 pieces, it was taken to a china mender, who made it whole again by drilling 68 tiny holes and adding 34 metal staples. Typically china menders charged per staple, so this repair job must have cost the owner a pretty penny.

Riveted Chinese Imari plate, c.1760

Sunday, March 4th, 2018

This porcelain plate was made in China during the Qianlong period (1736-95) and measures nearly 9 inches in diameter. It has a central motif of branches and flowers in the Japanese Imari palette of cobalt blue underglaze with red and gold overglaze washes. A fine plate, in my humble opinion, but not an extraordinary example by any means.

But…when the plate is turned over, the true beauty and the reason that I purchased it for my collection, is revealed. 34 small brass staples, seen only on the underside, clamp together the 8 broken pieces as tight as when the repair was done, over 200 years ago. Even though stapling, aka riveting, is the most common form of inventive repair, I still marvel at examples such as this. And naturally, I would proudly display it with the “wrong” side out.

Chinese Imari tea cup, c.1750

Sunday, August 27th, 2017

This petite porcelain tea cup has floral decoration in the Imari palette, including cobalt blue, red, and gold. It was made in China during the Qianlong period (1736-95) and most likely would have been a part of a larger dinner service. It measures 2.5 inches high.

Well over 100 years ago, its original loop handle snapped off and was fitted with a nicely done, well proportioned metal replacement. I especially like the two-tone checkerboard pattern of the woven rattan, which might have been the calling card of the repairer. I have dozens of examples of wrapped metal handles and I like comparing the various styles and patterns of the rattan.

This cup with similar form and decoration suggests what the original handle on my cup would have looked like.

Photo courtesy of Stockspring Antiques

Chinese Imari teapot with double repair, c.1720

Sunday, May 21st, 2017

This bullet-form porcelain teapot has it all: good looks, great form, a winning personality, and two different early inventive repairs. It was made in China for export during the Kangxi period (1662-1722) and is decorated with floral sprays in the Japanese Imari palette with bold colors and strong graphics. It measures 4 inches high and 6.5 inches wide from handle to spout.

At some point in its early life, a spoutless teapot was brought to a repairer who made a simple metal replacement spout. Not long after, it was brought back to be fitted for a wicker covered bronze replacement handle. A friend once showed me a similarly shaped teapot that had met such an end. And by merely sealing up the hole left by the missing spout and grinding down the handle terminals, the original owner lost a teapot but gained a sugar bowl. As much as I marvel at the ingenuity of that transformation, I am glad my broken teapot is still a teapot.

This teapot with similar form and decoration shows what the original handle and spout might have looked like on mine.

Photo courtesy of Alain Truong

Davenport Hydra jug, c.1810

Saturday, September 10th, 2016

This octagonal shaped jug with a snake form handle was made in Staffordshire, England, in the early 1800s. It is decorated with a cobalt blue geometric border, chrysanthemums, and leaves, with red and green overpainting and gilt highlights. On the underside is the stamp “DAVENPORT STONE CHINA,” which dates this jug to 1805-1820. It stands 7 inches high and is 6.5 inches wide from lip to handle.

It appears that well over 100 years ago this jug had a great fall, but unlike Humpty Dumpty, it WAS put back together again. A “china mender” used 27 metal staples to secure the cracks, adding an unintentional secondary pattern to the already busy design. For extra precaution, red wax was applied to the cracks on the inside, as a deterrent against possible leakage.

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Chinese Imari helmet jug, c.1750

Friday, November 28th, 2014

This porcelain helmut-shaped cream jug, decorated in the Imari palette of blue, iron red and gilt, stands 4-1/4″ tall. It was made in China during the Qianlong period (1736-1795.) The hand painted decoration of floral sprigs and alternating blue panels suggests it was made for export to the Persian market.

At one point in its early life, the original porcelain handle snapped off, leaving it impossible to gracefully pass the cream at the dining table. It was brought to a tinker or metalsmith who fashioned this ornate replacement handle, possibly repurposed from an existing silver item. The delicate silver replacement is more ornate than the original branch-form handle, but adds just the right touch of class and whimsy.

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The center jug, with similar form and decoration, shows what the original handle on my jug might have looked like.

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Photo courtesy of Christie’s 

Miniature Coalport cup & saucer, c.1900

Saturday, May 17th, 2014

This minute bone china porcelain cup & saucer duo, made at the turn of the 20th century at the Coalport factory in Shropshire, England, has some of the smallest metal staple repairs I have ever seen. It has printed Japanese style floral decoration in the Japanese Imari palette, consisting of iron red, cobalt blue and gilt enamels. Both pieces are marked with a green stamp on the underside, dating them to 1890-1920. The saucer measures 3-1/4″ in diameter and the cup stands nearly 1-1/2″  high with an opening of 2″.

After the dainty saucer fell to the floor, breaking into six small fragments, it was brought to a china mender who pieced the puzzle back together. Using 10 custom made metal staples, the smallest being a mere 1/4″ long, the saucer was once again able to function as a support to the tiny cup it carried. Imagine the nimble fingers capable of creating such fine work!

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