I purchased this cylindrical form porcelain mug at auction last year, along with many lots of mugs, teapots, jugs, goblets, and oil lamps. As a result of my forced hiatus from work due to the pandemic, I was able to leisurely research and catalog the 50+ new pieces to my collection. This pretty mug in the Famille Rose palette has floral swag and tassel decoration in pink, purple, green, and orange. It was made in China during the Qianlong period (1736-95) and stands 4.5 inches high.
After the handle broke off, a bronze replacement was attached by carefully drilling through the body. Although I seem to have countless replacement handles such as this in my collection, each are a little different in size, proportion, and material. I especially enjoy the patterns created by the thinly cut rattan, woven over the handle as insulation and to help form a tighter grip.
This example, with similar form and decoration, shows what the original handle on my mug would have looked like before it took a tumble.
This small lobed porcelain teapot, appears to have been made in China during the late Kangxi period (1662-1722.) It measure 4.25 inches high, 6.25 inches wide handle to spout and is decorated in the Japanese Imari palette of blue, red, gilt on white.
I love a double repair and this one delivers on both counts. We will never know if the replacement handle and spout were added at the same time or separately. The sturdy bronze replacement handle is tightly wrapped in rattan for insulation from the hot teapot contents. The metal replacement spout is more humble but allowed the tea to flow once again.
This teapot, with similar form and decoration, has all of its original parts intact. But I still like mine, with its added character, better.
This Batavian brown glazed globular form teapot with cobalt blue decoration was made in China during the middle of the Qianlong dynasty (1736-1795). Batavia ware, aka Capuchin ware or Cafe au lait, was highly favored by the Dutch and named for the city of Batavia (today Jakarta, the capital of Indonesia), the center of Dutch trade in the 18th century.
Teapot stands 5.25 inches high, 7.5 inches from handle to spout and has double repairs: a metal replacement handle wrapped in woven rattan and a silver replacement spout with engraved decoration. As if that wasn’t enough, two silver coins from the reign of King Charles (Carlos) of Spain (1661-1700) were used as handle terminals. Judging from the precious materials used on both repairs, it’s safe to assume that the original owner was well off.
This teapot, with similar form and decoration, shows what the original handle and spout on mine might have looked like.
This baluster form porcelain teapot with applied flowers was made in China during the tail end of the Yongzheng period (1678-1735.) It measures 5 inches high, 6.75 inches from handle to spout and is decorated in the Famille Rose palette of green, orange, blue, lavender, and gilt.
Various craftspeople were kept busy making repairs on this poor injured fighter. We will never know exactly who did the repairs or when they were done but it seems likely that a metal smith made the silver replacement spout sometime in the 1700s-1800s. The rattan wrapped bronze replacement handle was most likely done in the 1800s and the wooden replacement knob could have been done as late as the early 1900s.
The last photo shows a similar teapot with all of its original parts intact, but I much prefer my mismatched sampler of various early repairs.
This teapot with similar form and decoration suggests what the original spout, handle, and knob on mine might have looked like before it took a tumble.
This Chinese porcelain cylindrical mug with chips, cracks, and a missing handle survived many a battle over the past 250 years, as is evident by its multiple scars. It was made during the Qianlong Period (1736-96) and measures 5 inches high, 9 inches wide from handle to handle. The delicate decoration, including three oval cartouches with flowers and figures in a port scene, is hand painted in the Rose Mandarin palette using pink, blue, green, orange, and brown enamels.
It seems many years ago a tinker took pity upon the poor broken mug and brought it back to life by fashioning not one but two metal replacement handles. Supported by horizontal and vertical support bands, the handles have the remains of the rattan supports and woven rattan coverings. This just proves that although you may be old, wounded, and weary, you may still be able to live a long life with dignity.
This mug, of similar form and decoration, shows what the original handle on mine might have looked like.
This globular form porcelain teapot was made in China, c.1750-1770, where it was decorated with flowers and leaves in blue under glaze. Soon after it was exported to the Netherlands, ceramics with simple blue and white decoration fell out of favor, and more colorful designs were the new trend. To keep up with the demand, this teapot was overpainted with birds and flowers in red, green, black, and gold enamels. Amsterdams Bont (colorful [work] from Amsterdam) is the term used to describe this form of decoration. Pieces with overpainted decoration done in England at around the same time are referred to as being clobbered.Teapot measures 4.75 inches high, 6.5 inches from handle to spout.
As if the skittish overpainted decoration isn’t enough for me, this teapot has an unusual woven wicker replacement handle and straps, which make it a grand slam. I have only come across a handful of entirely woven repairs/replacements, which were most likely done by basket makers, rather than tinkers or jewelers. Take a look at these other examples with similarly woven handles: Large jug with woven handle, c.1820 and Pearlware blue & white cream jug, c.1820.
This teapot of similar form shows what the original handle on mine might have looked like.
This baluster shaped milk jug with a molded spout was made in the style of European silver and decorated in the Famille Rose palette, using cobalt blue, green, puce, and iron-red enamels. It was made in China during the Qianlong period (1736-95) and measures 7 inches high.
Sometime in the late 1700s to middle 1800s, a metal handle wrapped in rattan was added, replacing the original broken one. To add insult to injury, the lid went missing at one point over the past 250+ years. It’s too bad a replacement lid wasn’t made at the time the original one was lost. I may attempt to make a new one, that is if my tin making skills improve.
This milk jug with similar form shows what the original handle on mine might have looked like.
This petite porcelain tea cup has floral decoration in the Imari palette, including cobalt blue, red, and gold. It was made in China during the Qianlong period (1736-95) and most likely would have been a part of a larger dinner service. It measures 2.5 inches high.
Well over 100 years ago, its original loop handle snapped off and was fitted with a nicely done, well proportioned metal replacement. I especially like the two-tone checkerboard pattern of the woven rattan, which might have been the calling card of the repairer. I have dozens of examples of wrapped metal handles and I like comparing the various styles and patterns of the rattan.
This cup with similar form and decoration suggests what the original handle on my cup would have looked like.
This bullet-form porcelain teapot has it all: good looks, great form, a winning personality, and two different early inventive repairs. It was made in China for export during the Kangxi period (1662-1722) and is decorated with floral sprays in the Japanese Imari palette with bold colors and strong graphics. It measures 4 inches high and 6.5 inches wide from handle to spout.
At some point in its early life, a spoutless teapot was brought to a repairer who made a simple metal replacement spout. Not long after, it was brought back to be fitted for a wicker covered bronze replacement handle. A friend once showed me a similarly shaped teapot that had met such an end. And by merely sealing up the hole left by the missing spout and grinding down the handle terminals, the original owner lost a teapot but gained a sugar bowl. As much as I marvel at the ingenuity of that transformation, I am glad my broken teapot is still a teapot.
This teapot with similar form and decoration shows what the original handle and spout might have looked like on mine.
I love finding pieces with multiple repairs and this lovely soft paste pottery creamware teapot with pearlware glaze fits the bill nicely. It was made in Staffordshire or Leeds, England, in the late 1700s and is hand painted with spritely polychrome floral decoration on both sides. It measures 5 inches high and is marked with what appears to be A+A in red on the underside of the pot and lid.
But of course the reason it ended up in my collection is the three inventive repairs, which include a slightly exaggerated bronze handle covered in rattan, a brass collar concealing a chipped spout, and a cracked lid repaired with brown paper tape. I believe each repair was done years apart so one can only assume that the previous owners of this teapot were a clumsy lot.
This teapot still has its original handle and spout and shows what mine may have looked like before it was repaired.
Antiques with inventive repairs (also known as "make-do" repairs) are unique examples of necessity and thrift, made during a time before Krazy Glue was invented. Unlike today where we discard anything chipped or cracked, broken household items were repaired at home or taken to a metalsmith to be brought back to life, often with whimsical results. Once regarded merely as damaged goods by antiques dealers and collectors alike, antiques with inventive repairs are justly receiving the respect they deserve.
ABOUT ANDREW BASEMAN:
I am a film set decorator, author, and interior designer, with a passion for antiques and collecting. Please visit my website to see examples of my work:
