Posts Tagged ‘creamware’

Miniature creamware teapot, c.1785

Sunday, November 22nd, 2020

I marvel at miniatures and have collected them since I was around 12 years old. As much as I love well proportioned miniature antiques, I am over the moon for antique miniatures with inventive repairs. With that in mind, you can see why this tiny teapot sends me reeling.

This child’s creamware pottery drum form teapot with painted flowers and cherries stands a mere 2.5 inches high and is just over 3.5 inches from handle to spout. It was made in England during the 4th quarter of the 18th century. At some point in its early history, I imagine a child dropped the teapot during play teatime and the original handle broke off. Luckily for the child and eventually for me, a tinsmith made a metal replacement handle and the imaginary tea was able to flow again. Wouldn’t it be great to find an entire miniature tea set with each piece possessing a different early repair? Well, I can dream, can’t I?

This teapot with similar form suggests what the original loop handle on my teapot might have looked like.

Photo courtesy of Ruby Lane

Child’s Whieldon style teapot, c.1755

Sunday, November 24th, 2019

They say big things come in small packages and this tiny Staffordshire creamware teapot with double make-do repairs is no exception. It was given to me last year by my friends Abe and Frank, who like me, share a love of 19th and 18th century antiques. I was surprised that they were able to part with it but I’m certainly glad they did.

This teapot was made in England in the mid-1800s and measure 2.75 inches high, 5.25 inches from handle to spout. It is decorated in the style of Thomas Whieldon, with a sponged pattern in dark brown, green and yellow underglaze. It was most likely part of a larger child’s tea set, which might have included a coffee pot, creamer, sugar, cups, saucers, and plates.

It is not surprising that fragile playthings for children ended up broken. I mean, what would you expect? Although this survivor is chipped and minus its lid, it’s a miracle that it is still around after over 260 years. I especially love the double make-do repairs, as a metal replacement handle with support bands and tin spout were added after the original ones broke off.

The original handle, spout, and lid on my little gem most likely resembled those on this miniature teapot of similar form and decoration.

Photo courtesy of Ruby Lane

George Washington commemorative jug, c.1800

Saturday, September 7th, 2019

This large creamware jug was made for the US market, most likely in the Liverpool area of London, c.1800. It stands 9 inches high and is decorated with transfer decoration commemorating George Washington and includes an eagle, American flags, and other patriotic symbols.

Over 200 years ago, someone must have slammed the pottery jug down on the bar a bit too harshly and cracked the bottom. Luckily for me, a skilled tinsmith fashioned a unique patch attached to a band at the base, which helped bring the broken vessel back to life. I hope that if George Washington were alive today, he would be approve of the inventive repair done on his jug.

This jug, identical in form and decoration, shows what mine would have looked like when it was intact.

Photo courtesy of Martyn Edgell Antiques

Coffee pot with metal lid, c.1810

Sunday, April 21st, 2019

This pearlware pottery baluster form reeded coffee pot was made in England in the early 1800s. It is decorated with delicate flowers and ribbons in shades of pink, green, and orange and stands 9.5 inches high. The underside is marked with a tiny orange leaf.

At some point in its early life, the original lid broke or went missing and the base cracked. Fear not, as a tinker made a tin replacement lid with a brass knob and attached a tin band around the base to repair the crack. Want another cup of coffee? Yes, can do!

This coffee pot with similar form and decoration, shows that the original lid on mine would have looked like.

Photo courtesy of Etsy

Georgian creamware teapot, c.1790

Saturday, April 1st, 2017

I love finding pieces with multiple repairs and this lovely soft paste pottery creamware teapot with pearlware glaze fits the bill nicely. It was made in Staffordshire or Leeds, England, in the late 1700s and is hand painted with spritely polychrome floral decoration on both sides. It measures 5 inches high and is marked with what appears to be A+A in red on the underside of the pot and lid.

But of course the reason it ended up in my collection is the three inventive repairs, which include a slightly exaggerated bronze handle covered in rattan, a brass collar concealing a chipped spout, and a cracked lid repaired with brown paper tape. I believe each repair was done years apart so one can only assume that the previous owners of this teapot were a clumsy lot.

This teapot still has its original handle and spout and shows what mine may have looked like before it was repaired.

Photo courtesy of Skinner

Whieldon-type creamware teapot, c.1780

Saturday, February 20th, 2016

This Whieldon-type English pottery drum-form teapot is made of cream colored earthenware and has a brown and green tortoiseshell stained lead glaze. It has a nicely formed intertwined double strap loop handle with large floral and leaf terminals. The teapot measures 4.5 inches high.

Sometime during its early life the original lid was broken or lost so this sturdy ivory lid was made as a replacement. Although not as fancifulness as the original lid must have been, the snug fit and warm ivory color suit this teapot just fine.

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This similar example has its original lid with tipped flower knop.

Photo courtesy of Live Auctioneers

Napoleonic War commemorative mug, c.1814

Sunday, January 18th, 2015

I am a big fan of commemorative pottery, particularly ones with strong graphics and bright colors. Whenever I spot an example from afar in a shop, I secretly hope that it has some sort of inventive repair. Sometimes I get lucky. This creamware mug with printed transfer and hand colored decoration boasts the message “Peace of Europe Signed at Paris May 30, 1814.” Made in 1814 by Bristol Pottery in England to celebrate the signing of the peace treaty marking the end of war with France, this mug measures 4-3/4″ tall and 5-1/4″ wide to end of handle. Check out the details in photos showing the Bristol Pottery mark, the factory in the background, and ships with wood crates no doubt filled with pottery for export.

This mug possesses numerous battle scars, including chips, cracks, and the loss of its original loop handle. After the handle broke off, a 19th century tinker replaced it by drilling through the body and attaching a metal replacement with two square fasteners. To add insult to injury, the replacement handle is covered in rust, a result of further neglect. But if this mug were in “perfect” condition, I would not have purchased it.

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This example, with different copy and overglaze coloring, can be found in the collection of the British Museum in London.

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Masonic creamware mug, c.1800

Saturday, November 22nd, 2014

This cylindrical form creamware mug was made by Herculaneum Pottery in Liverpool, England, circa 1800. I am a sucker for bold graphics so you can understand why I like this mug so much. It is covered with black transfer decoration of Masonic symbols and stands 5 inches high, with an opening of 3-1/2 inches.

What makes this early mug so special to me is the sturdy silver replacement handle. Although unmarked, it appears to have been made by a silversmith in the early 20th century. An elaborate silver mounting system was devised to hold the new handle in place by mounting it to a broad plate and attaching it to a rim and base. The choice to mount the replacement handle, as opposed to drill through the body and bolt on a new handle, may have saved the mug from possible leakage and more damage. Typically, I do not polish metal repairs, as I feel the darkened patina adds to the overall appearance of the piece. I like how the tarnished silver is close to the color of the printed decoration, enhancing this clever repair even more.

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This mug with the same form and decoration shows what my mug would have looked like with its original handle intact.

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Photo courtesy of Bramfords

Creamware motto mug, c.1800

Saturday, August 16th, 2014

This simple creamware pottery mug with cylindrical form is decorated with a black transfer decoration of the Farmer’s Toast aka God Speed the Plough. It was made in England in the late 1700s-early 1800s and measures 4-3/4″  high. A tinsmith fashioned a sturdy replacement handle, attaching it to a metal band at the top and bolting it through the body at the bottom. I love the boldness of the dark printed decoration and patinated metal handle against the stark cream color of the mug.

Let the Wealthy & Great,

Roll in Splendor & State.

I envy them not I declare it.

I eat my own Lamb,

My own Chicken & Ham.

I shear my own Fleece & wear it.

I have Lawns I have Bowers,

I have fruits I have Flowers.

The lark is my morning alarmer.

So jolly Boys now,

Here’s God speed the Plough.

Long Life & Success to

The Farmer.

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Although the black transfer decoration differs, the form is the same and shows what the simple loop handle would have looked like on my mug.

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Photo courtesy of Martyn Edgell

Creamware Masonic jug, c.1800

Saturday, March 22nd, 2014

This wonderfully graphic black transfer printed creamware jug, of ovoid form with loop handle, was most likely made in Liverpool, England, at the turn of the nineteenth century. It stands 7-3/4″ tall and is 8-1/4″ wide from handle to spout. Large jugs such as this were commonly found in fraternal lodges and used for dispensing alcohol after the main order of business was performed. One side is decorated with Masonic imagery and the verso is decorated with emblems and a verse from The Entered Apprentice’s Song. One night, over 100 years ago, a candidate was hoodwinked* during an especially tense initiation ritual and this jug must have fallen to the ground. Unable to repair the broken shards, a Mason brought it to a metalsmith, who fashioned a beautifully proportioned replacement spout, as well as a reinforcement rim and base. This is the first time I have come across a repair done in this fashion and I am impressed with the delicate craftsmanship. I also like how the color of the metal, which appears to contain some pewter, matches the color of the faded transfer print. *Hoodwink, which today means “to trick” or “to deceive,” was originally used in the Masonic Lodge to describe a blindfold. Hood means “cover” and wink means “closed eye.” A candidate was hoodwinked during an initiation ceremony as he was led through a room, unable to see, in order to focus on the words he was hearing. I bet many a make-do were born during such hypnotic rituals!

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This jug with similar form and decorations shows what my jug would have looked like before it was repaired.

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Photo courtesy of Skinner