Posts Tagged ‘patch’

French ‘Cornflower’ pattern jug, c.1778

Saturday, January 14th, 2017

This hard paste porcelain baluster-form jug with sparrow beak spout was made in Paris, France, by Andre Leboeuf at the Fabrique de la Reine factory, circa 1778. It is hand decorated in the ‘Cornflower’ pattern, also known as ‘Angoulême’ or ‘aux Barbeaux’, a favorite of Marie Antoinette and Thomas Jefferson. It measures 4.75 inches high and is marked on the underside with the letter ‘A’ and a gilt crown. Work of this kind is known as Porcelaine à la Reine and Old Paris Porcelain.

Unlike obvious repairs, such as replacement handles, spouts and lids, this jug possesses a chip off the old block, or more precisely, a chip off an old pot. The lip must have been so badly damaged that a jeweler or china mender had to graft on a piece from another vessel. The replacement piece, unintentionally cut in the shape of the State of Nevada, was fitted to the enlarged hole in the jug, just like a jigsaw puzzle, using two small brass rivets along the rim. An adhesive compound was applied along the edges to seal the deal. Not the most elegant of repairs but this jug must have meant so much to its original owner that a delicate jug with a Nevada-shaped patch was better than no jug at all.

This jug shows what the missing cover and metal mount on my jug might have looked like before Napoleon smashed it to the floor.

Photo courtesy of Rouillac

Liverpool Porcelain teabowl, c.1770

Sunday, June 14th, 2015

I purchased this unmarked soft-paste teabowl from an antique ceramics dealer in the UK who appreciates early repairs and has provided me with many interesting examples of make-do repairs over the years. This piece was made by Philip Christian Liverpool Porcelain, c.1765-70, and measures 1-3/4 inches  high x 3 inches  diameter. It has a fluted body with molded leaves and flowers, a cobalt blue underglaze border of leaves and berries, and a flower motif painted on the inside.

This delicate teabowl boasts multiple repairs done by a 19th century “china mender.” After the bowl broke, a large chip was reattached using tightly bound brass wire wrapped around holes drilled through the body, appearing at first like more commonly used staple repairs. A large blob of lead was applied to the center of the crack, acting as an anchoring rivet. A smaller chip along the rim, perhaps lost or too small to repair, has been replaced with a thin sliver of porcelain decorated with iron-red scrollwork from another piece entirely. This type of repair, using thin wire instead of metal staples, is typically associated with 19th century repair work done in Belgium and the South of France.

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Below is a “perfect” example with matching saucer.

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Photo courtesy of Antique Porcelain Online