Posts Tagged ‘metal handle’

Chinese export hot-milk jug, c.1770

Wednesday, May 26th, 2010

Ribbed body ovoid form jug with sparrow beak spout is made of porcelain and has finely painted iron-red & gilt floral and scroll decoration. It was made in China between 1750-90 for export to Europe and North America

Jug stands 7-1/4″ and has sustained much damage over the past 135 years. In addition to the obviously replaced handle, the lid is cracked, chipped and is missing its pomegranate finial

The iron replacement handle is covered in woven rattan, itself in need of repair. There are layers of exposed insulating fabric between the metal and the exterior rattan surfaces

Twine was used to tie the lid to the handle, a practical yet unattractive way of keeping these two pieces from separating

This pot shows what the original handle might have looked like

Photo courtesy of Eldred’s

Two “Epsom Cup” jugs, c.1850

Monday, May 24th, 2010

Each of these polychrome decorated jugs was purchased separately and in different countries one year apart. Both have the same relief stag & dog decoration and possess a similar metal replacement handle. They were most likely made in Staffordshire, England.

The larger jug (left) has pink lustre decoration and measures 6.5 inches tall. It was purchased in the UK, not far from where it was made.

The smaller jug (right) was found in Maine and has a polychrome flow blue and pink lustre decoration. It stands 6inches tall.

Both jugs have tin replacement handles of a similar design

“EPSOM CUP” is impressed only on the larger jug

These three jugs of graduating size still have their original branch form handles

Photo courtesy of WorthPoint

Miniature “clobbered” teapot, c.1700

Thursday, May 20th, 2010

A tiny Chinese porcelain teapot made during the Kangxi period (1662-1722) combining three of my favorite things: inventive repair, miniatures and clobbering. It’s hard to tell what the original 1700’s underglaze decoration was, as the multi color & gilt overglaze decoration of dragons & flowers extends over the entire surface.

Clobbered in the early 1800s to satisfy the demand for more colorful pottery of the times, this small teapot stands 4-3/4″ tall.

There is a hole connecting the spout to the body, as well as a tiny hole in the lid for steam to escape, confirming this to be a functioning miniature.

This piece has travelled much over the past 220 years, as it was originally made in China, exported to Europe, clobbered most likely in Holland, landed in Scotland with a collector and ended up with me in America!

The replaced metal handle has been painted to match the body. See an earlier post, “Globular Chinese export teapot, c.1750”, with a similarly painted handle.

Typical pseudo Oriental marks were painted on bottom at the time of the clobbering to add “authenticity”.

This miniature clobbered teapot of similar form shows what the original handle on my teapot might have looked like.

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Photo courtesy of Grays

“Stone China” transferware jug, c.1830

Friday, May 14th, 2010

“Filled-in transfer” is the term describing the of use of multicolor enamel washes over printed transfer decoration. This English “Dutch” shape jug was most likely made by Spode, founded by Josiah Spode in Stoke-on-Trent in 1767. His “Stone China” line, a new type of stoneware that gave the appearance of porcelain, was introduced in 1813 to great acclaim.

This oriental style of decoration copied the popular Chinese export porcelains of the 18th & 19th century.

Jug measures 5″ high by 7″ wide.

Cobalt blue transfer mark printed on the bottom includes the ubiquitous lion and unicorn.

Tin handle has rusted over the years but still functions as a practical replacement.

This jug with similar form and transfer decoration maintains its original handle.

Photo courtesy of Hudson Antiques

English “Chinese House” mug, c.1790

Thursday, May 13th, 2010

This large soft paste pearlware ale mug was most likely made in Staffordshire, England in the late 1700s. Standing 6-1/2″ tall, the mug is decorated in cobalt blue underglaze with the “Chinese House” pattern, a popular middle class replacement for similarly decorated Chinese porcelain, affordable only to the wealthy. I am quite fond of this loose, stylized decoration; a melding of Eastern and Western influences. The sturdy 19th century replacement handle, with thumb rest and support straps, is made of Britannia metal, aka Britannium, a composite made up of 93% tin, 5% antimony and 2% copper. A traveling tinker made repairs such as this for the townspeople who saved their cherished broken wares in need of his services. Members of the upper class would have taken their damaged goods to a silversmith, resulting in a more refined sterling silver replacement.

This is what the simple loop handle must have looked like before it broke off, as seen on this similarly shaped mug of the same period.

photo courtesy of Earle D. Vandekar

Bone china cup with saucer, c.1850

Friday, April 30th, 2010

Although found together, this Victorian bone china teacup has nothing at all to do with the Imari patterned saucer, as they were “married” sometime after the saucer went missing. The only mark on the teacup is “2/1247”, hand painted in red on the bottom. The undamaged saucer is marked “Pointons England” on the bottom and dates from 1891. I would have been thrilled had the saucer also been a recipient of an inventive repair!

I do love the simple yet effective replaced handle on the cup, made from a bent iron rod

The ends of the iron rod protrude through carefully drilled holes on the inside of the cup

Teacup measures 2-1/4″ high, 3-5/8″ in diameter and the saucer measures 5-1/2″ in diameter

Child’s cream jug, c.1840

Sunday, April 25th, 2010

This small pottery creamer from a child’s tea service is 3 inches tall and has green transfer decoration depicting a woman with a basket of flowers and a castle in the distance.

This close up shows the pointillist transfer decal decoration in “high definition”.

A crudely made copper armature was attached as the base structure for a replacement handle. Many layers of gesso and enamel matching the original colors were applied over this, but have since fallen away.

Another jug with similar form and decoration suggests what the handle on my little jug may have looked like.

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Photo courtesy of eBay

Large stoneware crock, c.1890

Sunday, April 25th, 2010

When I found this large and very heavy American stoneware pottery wine jug in Maine, I was unable to pack it properly and take it with me on my flight back home later that day. Luckily, one of the friends I was visiting was a pilot and simply brought it on board his flight to New York the next day. The triangular remains of the broken clay handle leaves a distinctive maker’s mark

It would have been awkward to lift this 18-1/2″ tall jug with the absence of its handle, especially when full of wine. Rather than trying to replace the broken handle, a sturdy iron band with swing handle was attached to the jug

A close up of the iron strap and handle shows the work of the local ironsmith who made this East coast jug more functional

The small hole at the bottom is where a wooden spigot would have been inserted to dispense the wine

A similar jug shows what the applied handle would have looked like

Photo courtesy of Prock’s Crocks

Silver resist lustre jug, c.1820

Sunday, April 25th, 2010

This soft paste pottery “Dutch” shape jug is decorated in a stylized grape leaf pattern using a silver resist method of decoration. This type of decoration is achieved by painting the design with a resist substance such as thinned honey, applying the silver glaze over the entire jug, washing off the resist to reveal the unglazed decoration and firing to set the silver lustre background

Silver lustre, or “poor man’s silver” was first introduced in the 18th century by John Hancock for Spode. It remained popular throughout the 19th century, until the invention of electro plating brought silver plated items in to the masses in 1838. This jug measures 4-3/4″ tall

Tin was used to fashion a replacement handle and strap, most likely by an itinerant tinsmith or china mender

Another silver resist lustre jug shown with its original handle with the same silhouette as the replacement

Photo courtesy of John Howard

Flow blue jug, c.1840

Friday, April 16th, 2010

“Flow blue” describes a technique of firing transferware pottery with lime or ammonia chloride added to the kiln, resulting in an intentional blurry or runny effect. Over 1,500 different patterns were produced throughout Europe, England and the United States during the Victorian era

This ironstone pottery jug stands 6-1/4″ high and has a popular Oriental pattern in deep cobalt blue

Although unmarked, I believe this piece to have been made in England

A silvered metal handle with wide bands were secured to the jug, replacing the original broken handle

This similarly shaped flow blue jug shows what the original handle might have looked like on my jug.

Photo courtesy of eBay