Posts Tagged ‘blue & white’

Nanking teapot, c.1800

Friday, December 31st, 2010

A Chinese porcelain teapot with hand painted cobalt blue Nanking underglaze decoration dates from 1790 to 1820. This type of design, produced in China since the mid-17th century, was so popular that it was first copied in 1780 by the English potter Thomas Turner of Caughley and was mass produced as the “Willow Pattern” (aka “Blue Willow”) with transfer decoration and sold worldwide

Today it is considered “America’s favorite patterned ware” and can be found in the wealthiest homes and roadside diners alike

Teapot measures 4-3/4″ tall and is nearly 10″ wide, from tip of the spout to the end of the replacement handle

A tinsmith came to the aid of the distraught original owner of the broken teapot and created an elaborate replacement handle. The metal handle has crimped edges, a thumb rest, hand grip and a tin truss encompassing the teapot for extra support

The same cobalt blue pagoda pattern is on both sides of the teapot

All that remains of the broken lapped reeded handle are the leaf terminals

This teapot with similar form and decoration shows what my teapot would have looked like with its original lid and handle intact

Photo courtesy of Equinox Antiques

Leeds pepper pot, c.1830

Friday, November 19th, 2010

Provocatively profiled pearlware pottery pepper pot. This 4-3/4″ tall Leeds pepper shaker was made in the region of West Yorkshire, UK, known for quality pottery which once rivaled the wares of Wedgwood

With a cobalt blue 7-point star design on the top…

and a ribbed, feathered band around the middle

The original base has been replaced by a beautifully made tin replacement, painted to match the cream colored body, but now yellowed with age

A cork in the bottom allows this pot to hold and dispense the pepper once again

Another Leeds pepper pot with a more typical baluster form, maintains its original base

Photo courtesy of Prices4Antiques

“Beehive” pattern waste bowl, c.1820

Wednesday, October 6th, 2010

This English-made soft paste pottery waste bowl was originally part of a larger tea set. Waste bowls, aka slop bowls, were used for pouring out the remaining cold tea before pouring another cup of tea. It has a cobalt blue & white transfer decoration of a bee skep in a bucolic pastoral setting

The many cracks on the sides have been stabilized by the careful addition of small ridged metal staples, which appear to be machine made

A single bent metal staple affixed to the underside acts as a crutch and ingeniously supports the broken base

Bowl measures 2-1/2″ high with a dimeter of 4-1/8″

Blue & white chocolate pot, c.1750

Tuesday, August 17th, 2010

For me, the more repair I see on one piece of porcelain the more I like it, and this fine chocolate pot with five separate repairs does not disappoint! This baluster-shaped chocolate pot was made in China in the mid-1800’s but its form was based on German Meissen porcelain of the same period, and was made for export to Europe and North America

A skilled silversmith created a fanciful scallop edged silver spout to replace the more simple original spout, which must have broken off soon after this 8″ high pot was made

Other repairs and replacements which occurred during the next 170 years or so include metal rivets which hold the broken handle back in place; a 20th century plain white replacement lid decorated in blue enamel to match the original…

and a chain attached from the top of the handle to a replaced knob made of composition and painted blue

This chocolate pot with similar form shows what the original spout and lid on my pot would have looked like

Photo courtesy of Richard Gould Antiques

“Amoy” pattern water jug, c.1845

Tuesday, July 27th, 2010

This large transferware water jug dates from the mid-1800’s and was made in England by William Ridgway. It is decorated with the “Amoy” pattern, an exotic blue & white Chinoiserie design. It had a matching basin and was part of a larger wash set that would have been found on top of a bedroom washstand

Jug measures 13″ tall

Chinoiserie (“Chinese-esque”) decoration was quite popular in Europe since being introduced by the French in the 17th century. Playing with scale, it employs asymmetrical images of an imaginary China, its popularity peaking by the middle of the 18th century

Marked in cobalt blue “AMOY W.R.” on the bottom

When the original handle snapped off, a large metal handle with thumb rest and finger grip was strapped on to make the jug functional

This blue & white transfer jug has a simple handle; most likely the same shape was on my jug

Photo courtesy of Country Living

Spongeware candle holder, c.1870

Thursday, July 22nd, 2010

When the stem and base of a 19th century metal candle stick became damaged, someone took the surviving bowl and attached it to a simple ceramic pearlware dish with sponged “flow blue” decoration. The result of that marriage is this more practical candle holder, which measures 5-7/8″ in diameter.

The metal bowl was attached to the dish using a short screw and early butterfly nut.

Due to the nut’s protrusion through the bottom, the candle holder does not sit well on a surface and makes for a less than ideal (and somewhat dangerous) candle holder.

Chinese Canton platter, c.1825

Thursday, July 8th, 2010

This large porcelain platter with blue & white underglaze decoration is commonly referred to as Canton. It was first made in China for export to North America and Europe in the 18th century and production continued through to the early 20th century. It was one of the first stapled pieces I purchased and it has travelled from Canton to London to Miami to Manhattan with, most likely, a few more stops along the way.

Metal patches were attached from the back and bolted though to the front, holding the three broken pieces together.

This large platter measures 15″ x 12″.

Iron patches with visible bolts have become loose over the years, not holding up as well as the more typically used metal staples.

Stoneware & cobalt slip jug, c.1870

Friday, July 2nd, 2010

American 1-1/2 gallon stoneware jug has an incised maker’s stamp at the top with cobalt overglaze which reads “E & L P NORTON, BENNINGTON VT”, indicating that it was made by Edward and Luman Preston Norton (1861-1881)

Jug, measuring 11-1/2″ high, has a traditional floral decoration rendered in cobalt slip

When the jug was dropped sometime in the late 1800’s to early 1900’s, the cracks on the side of the jug were reinforced by a pair of iron straps

Thanks to Hugh R Fox for providing information on the potter

Bullet shaped clobbered teapot, c.1740

Wednesday, June 30th, 2010

A bullet (aka globular) form porcelain teapot made in China, started out with a simple cobalt blue underglaze decoration. Later in life, it was “clobbered” in the Imari style, as a more ornate and colorful type of porcelain was in favor at the time. It was over painted in washes of iron-red, pink, orange and blue enamel. Teapot stands 4-1/4″ high

The broken spout was replaced in the 19th century with a new one made of silver plate

A nicely scalloped silver collar was added in the 1800’s to mask the chipped rim

My porcelain teapot’s bullet form was based on European silver, as is evident in this 18th century silver teapot

photo courtesy of M.S. Rau Antiques

Nanking reticulated basket, c.1750

Friday, June 18th, 2010

This HEAVY Chinese pierced porcelain basket for fruit or chestnuts has numerous crudely executed cut out holes for ventilation. It dates from the Qianlong period (1736-95) and is boldly decorated in a cobalt blue underglaze decoration of flowers and medallions

Basket measures 12″ long, 9″ deep, 3″ high

The central floral motif is beautifully rendered but the border design is painted in a more rustic style and was perhaps done by another artist

Due to the extreme weight of this piece, it took a restorer 29 metal staples to repair the bottom alone…

17 staple repairs and 5 metal clips (some with blue and white paint to help mask the metal intrusions) to repair the sides…

and a single metal bolt to hold together one of the handles, for a surprising total of 52 separate repairs. So far, this basket holds the record for the highest number of staple repairs on a single piece!