Posts Tagged ‘porcelain’

Florence Upton decorated child’s mug, c.1905

Saturday, March 14th, 2015

This English child’s mug, boldly decorated with characters created by illustrator and author Florence Kate Upton (February 22, 1873 – October 16, 1922), is made of porcelain and measures 2-3/4″ high. Her ubiquitous Dutch Dolls and Golly characters are represented here with strong graphics and in full color. The underside has an embossed lithophane image of a girl and boy, visible only when held up to the light. The printed registration mark on the underside dates this mug to 1905.

Second only to the Teddy Bear, the Golly was the most popular toy in Europe in the early 1900s. Although Upton wrote Golly as a lovable, benign character, the image and original name Gollywog eventually became a controversial figure, sparking outrage. Without a patent, other manufacturers copied the likeness and portrayed the character as lazy and evil, becoming a negative symbol and an embarrassment to the black community. The Guardian wrote an article in 2009, “From bedtime story to ugly insult: how Victorian caricature became a racist slur”, explaining the controversy.

Perhaps, during an all-doll tea party, the fragile mug was dropped by its young owner and the handle snapped off. Rather than being tossed out, the broken mug was taken to a china mender who reattached the handle using two metal cuffs and rivets. I am surprised that I don’t come across more examples of early repairs on children’s items, as I imagine many tiny hands had trouble grasping the precious ceramic toys they were given to play with, long before the invention of plastic.

IMG_8749

IMG_8762

IMG_8755

IMG_8753

IMG_8764

IMG_8766

IMG_8771

Chinese jug with silver handle, c.1770

Saturday, March 7th, 2015

This Chinese export baluster form milk jug with sparrow beak spout was made during the Qianlong period (1736-1795). The Mandarin style decoration of a child visiting a doctor or dentist while his parents look on is finely painted in the Famille Rose palette using polychrome enamels. Jug measures 5″ high

It is not uncommon to find 200 year old examples of Chinese porcelain with inventive repairs, as they were used daily and accidents happened. What makes this one extra special is the finely made silver replacement handle. It is more common to find replacement handles made of tin with support straps or bronze wrapped with rattan. But judging by the fineness of the repair, the owners were most likely wealthy and took their broken vessel to a silversmith who made this delicate replacement handle. The jug also has a metal staple stabilizing a crack near the rim, further proof of its early, rough life.

IMG_8736 - Version 2

IMG_8742

IMG_8737 - Version 2

IMG_8743

IMG_8738

IMG_8741

IMG_8740

IMG_8745

This jug of similar form and decoration shows what the original handle on mine would have looked like.

jug chinese

Photo courtesy of eBay

Stapled octagonal crab plate, c.1750

Saturday, February 21st, 2015

Most people I encounter are astonished the first time they see broken ceramics held together with staples. I was, too, at a young age when I saw a small stapled dish. The first words uttered are typically “how did they do that?” If you type that very question into my search box on this page, a post from a few years ago will pop up and help answer that much asked question.

Sadly, most pieces repaired with staples, aka rivets, are not signed by the menders so we have no idea who repaired them. I have seen 18th century English and American newspaper advertisements and calling cards from tinkers and jewelers offering their repair services, as well as early prints showing “china menders” with their tools. Today, antique ceramics with staple repairs are not uncommon but many rare examples are quickly disappearing, as restorers will carefully remove staples, fill the holes and erase all evidence of the original “honest” repair. Although I have dozens of examples of early staple repair on a variety of forms, I still get a thrill when I encounter a rare or unusual example untouched by a modern restorer.

This porcelain plate was made in Jingdezhen, China, during the Qing dynasty (1740-1760) and measures 8-1/2″ in diameter. It is decorated in the Famille rose palette and features a large blue crab, crayfish, flowers, and a border with gilt detailing. Early in its life it was dropped, cleanly breaking it in half. An experienced china mender reattached the plate using six small evenly spaced brass staples. Repairs such as this are so tight and secure that the plate can be returned to the dinner table without fear of it coming undone. That is, unless another clumsy person lets it slip from his or her hands.

IMG_8772 - Version 2 IMG_8774 IMG_8776 IMG_8788 IMG_8778 IMG_8781 IMG_8784

Another example, nearly identical to mine, is in the permanent collection of the British Museum. It was donated in the 19th century by Sir Augustus Wollaston Franks, described by Marjorie Caygill, historian of the British Museum, as “arguably the most important collector in the history of the British Museum, and one of the greatest collectors of his age”.

AN00391981_001_l

Photo courtesy of the British Museum

Derby teapot with silhouettes, c.1790

Saturday, February 7th, 2015

This striking oval porcelain teapot was made by Derby in England at the end of the 18th century and is decorated with neo-classic silhouette figures in black and gold as well as elaborately painted gilt decoration on the handle and spout. It stands 4-1/2″ tall and is 7-1/4″ wide from handle to spout and has a faint puce mark on the underside, dating it to around 1790.

It is not uncommon for teapots to lose their original lids over the years and I suppose that’s what happened to this pretty pot. In this case, a tinsmith fashioned a well fitting replacement lid in the style of the original. The raw metal was painted to match the original white body and gilt decoration was added. The resulting inventive repair is well done, hard to detect and allows the teapot to be used once again.

IMG_7935 - Version 2 IMG_7936 IMG_7938 IMG_7939 IMG_7942 IMG_7946 IMG_7945

Teapot with Rococo silver spout, c.1750

Sunday, December 28th, 2014

This striking globular form teapot was made in China during the Qianlong period (1736-1795) for export to North America and Europe. It stands 5-1/4″ high and is decorated in cobalt underglaze with pavilions on islands in a lakeside setting.

After the original spout became damaged, the teapot was taken to a silversmith sometime in the 19th century, who replaced it with a silver Rococo style spout. I have seen many other examples of the same silver spout used on repaired teapots from the same period, so I imagine they were mass produced. In addition to the replacement spout, the broken handle has been riveted to the body and appears to be a later repair. By this point, the owner was taking no chances and chained the lid to the spout and handle to avoid further damage. On the underside is an etched signature Hood (?), but I am not sure if this was the owner of the teapot or the mender. I am hoping that it’s the latter and am on the hunt for more examples of signed ceramics.

IMG_7846

IMG_7848

IMG_7850

IMG_7851

IMG_7852

IMG_7854

IMG_7855

IMG_7856

IMG_7861

This teapot with similar form and decoration shows what the original spout on my teapot might have looked like.

ChinSalea2 063

Photo courtesy of eBay

Happy Holidays!

Sunday, December 21st, 2014

Wishing you all the best during the holiday season and for a healthy and Happy New Year!

IMG_1872

IMG_1721

IMG_1859_2

IMG_3818

IMG_2180

IMG_6950

IMG_3638

IMG_3699

IMG_5678

IMG_3146

Spode bat printed cup, c.1820

Sunday, December 14th, 2014

This handsome porcelain cup was made in England by Spode, circa 1820. It is decorated with a bat printed pastoral scene of a person approaching a cottage, with gilt trim at top and bottom. It measures 2-1/4″ high, with an opening of 3-1/4″.

At some point in the 1800s the cup was dropped and broke into three pieces. A china mender with a steady hand used eight tiny brass staples to hold the cup back together.

IMG_6101

IMG_6102

IMG_6100 - Version 2

IMG_6104

IMG_6103

IMG_6106

IMG_6111

Chinese Imari helmet jug, c.1750

Friday, November 28th, 2014

This porcelain helmut-shaped cream jug, decorated in the Imari palette of blue, iron red and gilt, stands 4-1/4″ tall. It was made in China during the Qianlong period (1736-1795.) The hand painted decoration of floral sprigs and alternating blue panels suggests it was made for export to the Persian market.

At one point in its early life, the original porcelain handle snapped off, leaving it impossible to gracefully pass the cream at the dining table. It was brought to a tinker or metalsmith who fashioned this ornate replacement handle, possibly repurposed from an existing silver item. The delicate silver replacement is more ornate than the original branch-form handle, but adds just the right touch of class and whimsy.

IMG_8604

IMG_8606

IMG_8607

IMG_8611

IMG_8613

The center jug, with similar form and decoration, shows what the original handle on my jug might have looked like.

jugx3

Photo courtesy of Christie’s 

Chinese teapot with European subject, c.1750

Sunday, November 16th, 2014

This delicate porcelain teapot was made in China for export to Europe during the Qianlong reign (1711-1799.) It is decorated “en grisaille”, a pencil style drawing in black, with touches of overglaze enamel of iron red and gilt. The European subject depicts a lady in her boudoir daintily clipping her toe nails as a male attendant watches nearby. This must have been a racy subject for the Chinese porcelain painters, raising more than a few eyebrows in the studio. Decoration of this kind was typically based on current popular engravings, reinterpreted by Chinese painters with sometimes amusing results.

When this 3-3/8″ high teapot dropped and broke in half, a china mender stapled it back together. I like how the bold metal staples and the darkened cracks add another layer of pattern to the decoration. The lid, possibly broken at the same time that the pot was damaged, has since gone missing. I am hoping to make a tin replacement cover for it one day.

IMG_8589

IMG_8591

IMG_8599

IMG_8600

IMG_8596

IMG_8597

IMG_8598

IMG_8603

Worcester coffee pot, c.1753

Sunday, October 26th, 2014

This small porcelain baluster shaped coffee pot with spreading foot was made in England by Worcester during the scratch cross period (1753-1755). It is decorated with Chinese figures, a parrot on a stand, furniture, and tea set; my favorite detail. Decorated in England, it copied the Mandarin style done by the Chinese, who themselves adapted European decoration for wares exported to North America and Europe. Marked on the underside with a scratch line and a painted anchor artist mark, this pot, minus its original lid, stands 5-3/4″  high.

Although the fragile and more apt to break “S” shaped handle with curled thumb rest remains intact, the original curved spout did not fare so well. A silversmith fashioned a fine silver spout with scalloped plate to replace the missing original. I have many examples of silver replacement spouts with the same form on pots in my collection, so I imagine this must have been a popular style used by silversmiths in the 18th and 19th century.

IMG_8630

IMG_8632

IMG_8633

IMG_8637

IMG_8639

IMG_8640

IMG_8642

IMG_8648

This is what a “perfect” example of the coffee pot and lid look like

http---www.bonhams.com

Photo courtesy of Bonhams