Posts Tagged ‘pottery’

Hunting scene tavern jug, c.1860

Monday, August 22nd, 2011

English salt-glaze stoneware cream jug with sprigged decoration entitled “The Kill”, made in the mid-1800’s, possibly in Derbyshire. The glass-like coating is achieved by adding salt to the kiln and firing at approx 1660 degrees F (780 degrees C). As the sodium chloride vaporizes and bonds with the silica in the clay, it creates a silicate glass “salt-glaze” finish.

Jug stands 4-1/2″ high and is 5″ wide.

Over 150 years ago, a tinsmith repaired the broken handle with a metal replacement, complete with thumb rest and straps.

A screw and metal strap, part of the molded sprigged decoration, “held” the original ceramic handle in place, and now an actual metal handle has replaced the broken handle.

This jug, similar in form and decoration, still has its original handle intact.

Photo courtesy of Flickr

Stoneware beer pitcher, c.1835

Saturday, April 9th, 2011

An impressive three quart baluster shaped stoneware pottery beer pitcher made in Haddonfield, NJ by Carl Wingender between 1820 and 1850. Jug has a hinged pewter lid and is decorated with an incised floral motif filled in with cobalt blue slip.

Pitcher measures 12-3/4″ tall.

A hefty metal replacement handle was added after the original stoneware handle broke off, no doubt due to the extreme weight of the jug and its contents. Or due to the clumsiness of an inebriated drinker.

The original “make-do” repair incorporated a thick tin band that was attached at the bottom of the replacement handle and encircled the jug, covering up much of the front decoration. It may have rusted and fallen off, as I have seen on other pieces with similar repairs.

The top of the pewter lid is engraved with the original owner’s initials.

Wonderfully detailed sketch showing an almost identical jug with its original handle.

Drawing from the book “Early American Folk Pottery” by Harold F. Guilland, 1971.

King Charles spaniel jug, c.1865

Thursday, March 17th, 2011

Whimsical “begging” King Charles spaniel with tricorn hat pottery jug, made in Staffordshire, England, in the mid-1800’s. Painted in iron red overglazed decoration with a fruiting vine molded rim and a gold collar.

Much of the original painted decoration has worn off of Fido’s face…

…leaving this poor pooch looking a bit sad.

Jug stands 10-3/4″ high.

The previous owner of this jug purchased it in Zaire in the early 1980’s, where its missing handle was repaired with a crudely made clay replacement. I have seen many extraordinary indigenous repairs on African masks, bowls, baskets and even tiny beads.

This happy pup stands tall with paint intact and its original pottery handle.

Photo courtesy of Antique Pooch

Canary yellow mug with 46 staples, c.1820

Wednesday, March 2nd, 2011

This canary yellow pottery mug with silver lustre bands and decoration was made in England in the early 19th century. I recently purchased it from a dealer in the UK who used the “tankard” as his pencil cup. He wrote me “(It) sits on my desk. Only dealers appreciate it! My customers think I am crazy”. I, of course, do not think he’s crazy and it’s too bad his customers did not appreciate it, nor see the beauty in the patterns made by the multiple repairs. It did take a little bit of convincing for the dealer to agree to sell it to me and after I told him “please consider how happy the mug will be living in America with other wounded survivors!”, we agreed on a fair price. I sent payment, the mug arrived 2 weeks later and it has become my new favorite piece!

Measures 3-1/2″ tall, 3-5/8″ diameter.

Every angle reveals more and more staples…

Comical poem printed on the front reads:

“The maltster doth crave

His money to have,

The distiller says have it he must;

By this you may see,

How the case stands with me;

So I pray don’t ask me to trust”

After this mug was smashed, the body was held together with the aid of 40 metal staples of varying size and the handle was repaired with 6 metal bands. It must have been truly cherished by whoever had it repaired.

I love the stylized sunbursts, enhanced by the addition of metal staples, on both sides of the mug.

Herculaneum coffee can, c.1815

Wednesday, February 16th, 2011

Herculaneum pottery coffee can, made in Liverpool, England in the early 1800s. Herculaneum Pottery was based in Toxteth, and produced creamware and pearlware pottery, as well as bone china porcelain, between 1793 and 1841. This superbly decorated example has delicately hand painted flowers, birds and butterflies with gilt detailing. Although unmarked, the original pattern number is believed to be 905. Coffee can measures just over 2-1/2″ high and has a diameter of 2-3/4″. The sturdy replacement handle, made of bronze and covered in tightly wrapped rattan painted with red detailing, is held in place with the aid of two wires which pass through the body of the mug. It was most likely made by an English china mender in the mid-1800s.


Copeland teapot with staple repair, c.1874

Thursday, February 10th, 2011

This lovely teapot, made in England during the Aesthetic Movement, has a Parian finish and was made by Copeland in 1874. It measures 6 inches high and 8.5 inches from handle to spout. The original pewter lid, which looks like a replacement, is actually original to the piece. I feel that the staple repairs on this teapot enhance the design, as they follow the same graceful line of the raised bent bamboo decoration and the staples mimic the horizontal nodes along the vertical cracks.

The Copeland firm, operated by William Taylor Copeland in Staffordshire, called the parian finish “statuary porcelain” because of its resemblance to the fine white marble of neoclassical sculpture.

There are four staple repairs on each side of the teapot.

The underside of the teapot reveals an incised COPELAND mark and British registry mark in relief, dating this piece to 1874.

This “perfect” teapot is without staple repairs and has an ornate pewter lid. I still prefer my “imperfect” example with visible battle scars proudly displayed.

Photo courtesy of Teapots Teapots Teapots

English stoneware harvest jug, c.1850

Wednesday, November 24th, 2010

A two-tone unsigned salt-glazed stoneware jug from England, possibly by Doulton Lambeth. The sprigged hunting scene & cupids decoration has a glass-like coating, achieved by adding salt to the kiln and firing at approx 1660 degrees F (780 degrees C). As the sodium chloride vaporizes and bonds with the silica in the clay, it creates a silicate glass “salt-glaze” finish

Jug stands 5-1/2″ tall and is 5-1/2″ wide

A detail of the applied sprig decoration to the front of the jug

Judging by the many chips along the rim, I am not surprised this jug lost its handle as well, as it was not doubt used daily for many years in an English pub

The tin handle with thumb grip and horizontal band replaces the original handle, created by a tinsmith in the middle to late 1800’s. Tin replacement handles are one of the most common types of inventive repairs and I have dozens of examples in my collection

This jug still has its original handle and gives an idea of what the handle on my mended piece would have originally looked like

Photo courtesy of WorthPoint

Leeds pepper pot, c.1830

Friday, November 19th, 2010

Provocatively profiled pearlware pottery pepper pot. This 4-3/4″ tall Leeds pepper shaker was made in the region of West Yorkshire, UK, known for quality pottery which once rivaled the wares of Wedgwood

With a cobalt blue 7-point star design on the top…

and a ribbed, feathered band around the middle

The original base has been replaced by a beautifully made tin replacement, painted to match the cream colored body, but now yellowed with age

A cork in the bottom allows this pot to hold and dispense the pepper once again

Another Leeds pepper pot with a more typical baluster form, maintains its original base

Photo courtesy of Prices4Antiques

Large copper lustre jug, c.1830

Wednesday, November 10th, 2010

A large copper lustre stout bodied baluster shaped jug from the Staffordshire region of England has a hidden inventive repair. Copper lustre decorated wares originated in the 9th century and were first made by Islamic potters. Inspired by these early pieces, English pottery houses Spode and Wedgwood developed their own techniques, starting at the beginning of the 19th century and continuing to around 1860. Silver lustre, once referred to as “poor man’s silver”, was another popular glaze created during this period and is highly prized today

Jug measures 6-1/4″ tall and is 8-1/2″ wide from spout to end of handle. The unusually wide blue band is curiously devoid of any decoration

The scrolled handle includes a small thumb rest at the top. A dramatic large gash reveals the red clay body beneath the glazed surface

Somehow the bottom of the jug broke or simply wore out. Today if this type of damage occurred, the piece would most likely be thrown out and replaced

A surprising glass patch covers the hole in the bottom, allowing the jug to hold liquids once again. An early form of putty was used to adhere and seal the glass piece to the bottom of the base

This copper lustre jug with a similar form and large blue band is overpainted with a more typical pink lustre decoration

Photo courtesy of Antiques Atlas

“Beehive” pattern waste bowl, c.1820

Wednesday, October 6th, 2010

This English-made soft paste pottery waste bowl was originally part of a larger tea set. Waste bowls, aka slop bowls, were used for pouring out the remaining cold tea before pouring another cup of tea. It has a cobalt blue & white transfer decoration of a bee skep in a bucolic pastoral setting

The many cracks on the sides have been stabilized by the careful addition of small ridged metal staples, which appear to be machine made

A single bent metal staple affixed to the underside acts as a crutch and ingeniously supports the broken base

Bowl measures 2-1/2″ high with a dimeter of 4-1/8″