Posts Tagged ‘glass’

“Cat Tails & Fern” pattern goblet, c.1880

Saturday, November 23rd, 2013

This EAPG (Early American Pattern Glass) goblet was made between 1880 and 1890 in Pittsburgh, Philadelphia by Richards & Hartley Flint Glass Co. EAPG, strictly an American invention, was manufactured throughout the US during the Victorian period, from 1850 to 1910. It is estimated that there are upward of 3,000 different patterns, although closer to 1,000 patterns were most commonly used. This goblet, in the Cat Tails & Fern pattern, measures 6″ high and has a visible 3-mold mark.

After the base snapped off, I am assuming sometime in the early 1900s, an itinerate mender or perhaps the original owner attached a 6-sided brass sleeve to hold the two broken pieces back together. This subtle yet effective quick-fix repair did the trick to make the drinking vessel function again. I like the addition of the tiny red gummed label on the bottom with a cryptic “9999” written in cursive ink, the meaning known only to the original scribe.

This goblet with the same pattern is one of 1,100 donated to the Shelburne Museum in Shelburne, Vermont, by Dr. Elizabeth Garrison in 1987.

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Glass jug with metal handle, c.1800

Sunday, August 25th, 2013

I had never seen an early metal replacement handle found on a piece of glassware, until now. This blown glass baluster form jug with cut decoration stands 5-3/4″ tall and was made in England in the late 18th to early 19th century. Etched on the underside is a cursive signature, Neale & Co. WH, above an unpolished pontil scar. James Neale, a London merchant who opened the Church Works in North Staffordshire in the second half of the 18th century, was famous for producing earthenware in the style of neighbor Josiah Wedgwood’s ubiquitous pottery. Neale’s wares were of the same fine quality and though rivals, he helped Wedgwood, when in a pinch, with large orders that needed to be filled. Though known mostly for producing ceramic tableware and figures, Neale & Co. also housed glassware merchants at the Church Works, which explains why this unusual mark is found on my glass jug.

As I usually come across either handles still covered in rattan or exposed bare metal handles with all covering long gone, I was pleased to find this hybrid. It reveals a half-round crimped support strip of rattan along the interior of the handle, and also shows the remains of a decoratively woven outer cover. Pieces such as this seemingly inconsequential imperfect repair help collectors and scholars discover the early methods of repair and insulation. So thanks to those who owned this wonderful jug before me, keeping the remains of this most inventive repair intact!

This crystal jug shows what the original applied handle might have looked like on my jug.

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Photo courtesy of Replacements

Miniature cranberry glass punch cup, c.1890

Sunday, July 28th, 2013

This diminutive hand-blown ribbed cranberry glass punch cup has an applied clear glass handle and polished bottom. I purchased it about a year ago from a dealer in the UK who thought it was made in Bohemia around the turn of the 19th century. Standing just a mere 1-1/2″ tall, it is one of the smallest examples in my collection. It would have been a part of a larger set, including a punch bowl, ladle and up to 12 matching cups. After this cup broke, a tinker very carefully bore eight minute holes through the sides of the glass, using a drill bit covered in diamond dust, and attached four 1/4″ long metal staples. These are some of the smallest staples I have ever seen. It must have taken nimble hands and years of experience to repair this tiny gem.

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This elaborate cranberry glass punch set with gilt decoration, made by Moser, would originally have had a dozen matching cups and an undertray.

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Photo courtesy of Live Auctioneers

Cut crystal compote, c.1900

Friday, June 7th, 2013

Sometime around 1920, an elegant 8″ tall crystal compote slipped out of the hands of a nervous hostess as she was serving stewed rhubarb to a dinner guest. The sudden drop to the floor not only embarrassed the hostess and stained the Persian carpet below, but also snapped the cherished heirloom in half. Luckily, her slightly annoyed but handy husband snatched up the broken diamond-cut decorated bowl and attached it to a recently discarded large wooden spool. Seeing that the marriage of crystal and wood needed further embellishment, he gilded the spool to help jazz it up. The now slightly less nervous hostess was able to enjoy the newly restored compote again, but from then on filled it only with butter mints…just to be safe.

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This quartet of compotes shows a variety of original glass bases; perhaps one of which looked like mine.

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Photo courtesy of Laurel Leaf Farm

Glass kerosene oil lamp, c.1860

Sunday, November 4th, 2012

Early American Pattern Glass (EAPG) kerosene oil lamp in what appears to be the Hamilton (aka Cape Cod) pattern, made in America by the Cape Cod Glass Company circa 1860. Measures 8-3/4″ tall. Round 3 tier base of polished wood replaces the original glass base, broken many years ago and replaced in first quarter of the 20th century.

Pair of early blown glass wine goblets, c.1790

Saturday, May 26th, 2012

This unusual pair of American blown glass wine goblets date to the late 1700s and stand approx. 4″ tall. I love finding pairs of early repaired items and these are no exception. When the bases snapped off at the stems, a turned wood base was made for each as a practical replacement.

The New York Ceramics Fair, 2012

Saturday, January 21st, 2012

On Wednesday of this past week I bundled up and made my annual journey northeast to The New York Ceramics Fair, located on the Upper East Side of Manhattan. Each year at this time I look forward to attending the event and have been doing so since 2004. It’s always a pleasure to see the dealers and to drool over their fabulous merchandise, hoping that I will see some wonderful examples of inventive repair.

Leon-Paul van Geenen brought this amazing 17th century Dutch or German roemer with jaw dropping repairs.

Two brass palette-shaped plates, convex on the outside and concave on the inside, have been riveted together to conceal a large hole in the center.

The inside of the goblet shows the hammered ends of the rivets holding the plates in place.

The stem also has a unique repair; a plate with initials and a date of 1718, most likely the date of the repair and the initials of the restorer.

This is an example of a roemer without repairs, and in my mind, the less interesting of the two!

Another example of inventive repair brought by Mr. van Geenen is this small stoneware jug made in Sieburg, Germany.

The jug has three molded figural medallions, the center one with a man’s face and a date of 1595.

But what interests me the most is a lead plug with an incised cross, sealing a small hole on the side of the jug. I have not seen this type of simple yet effective repair before and will now be on the lookout to find other examples.

Free-blown glass goblet, c.1790

Tuesday, November 8th, 2011

This free-blown conical shaped wine glass with gadrooned bowl stands 4-1/2″ tall. I believe it to be of European origin and made in the late 1700s.

I especially like the lozenge shaped glass bubble “imperfection” on the side, which looks like a microscopic organism.

A crafty tinsmith transformed this goblet in to a tumbler, after the stem and foot snapped off sometime during its early life.

A “witches hat” style tin replacement foot with concave bottom measures 3″ in diameter.

This unaltered goblet with the same design still maintains its original double knob stem.

Photo courtesy of eBay

Whale oil lamp vase, c.1830

Wednesday, February 23rd, 2011

This simple, hand blown glass whale oil lamp was made in America in the early 19th century. Though no longer functional as a lamp, it now makes for an interesting vase. A true make-do, it started out life as one thing and as the result of an accident, was reborn as something entirely different.

Whale oil was the preferred source of lighting in the early 1800’s, and was also used for making soap, textiles, jute, varnish, explosives and paint. It fell out of favor in the mid-late 1800’s as a result of the development of kerosene oil in 1846.

Illustration courtesy of Curious Expeditions

Lamp/vase measures 6-1/4″ tall and the base is 3″ square. The original brass collar and burner went missing long ago.

It is not unusual to find oil lamps with replaced bases, as they were one of the most used household items in the 19th century. This unusually elaborate replacement base is made of wood and covered in gessoed relief flowers, with a floret at each corner.

This complete lamp shows what the base on my lamp might have looked like.

 

Photo courtesy of Comollo Antiques

Etched glass champagne jug, c.1880

Wednesday, December 1st, 2010

English blown glass champagne jug with intricately etched decoration made for the American market, with applied handle and cut glass base. Once this fragile jug was dropped, it was destined to live out the rest of its life on a shelf, for display purposes only

Small iron staples were carefully attached to both sides of the pig’s tail shaped crack to stabilize the break

Ewer stands 11-1/4″ tall

A skillful engraver etched the design of a lion attacking a bird of prey, possibly a coat of arms for a distinguished family

The other side of the ewer reveals a more conventional foliage pattern