Posts Tagged ‘blue & white’

Clews “Pittsfield Elm” plate, c.1825

Sunday, March 14th, 2010

Spending my teenage years in a small town in the Berkshires meant frequent excursions to nearby Pittsfield, MA, home of three faded movie theaters, a large library and a Mexican restaurant. Once I remember seeing a “Pittsfield Elm” plate for sale in my parent’s antiques shop and feeling a sense of pride that a local tree was immortalized on a plate. This treasured pottery plate was made by James & Ralph Clews at Cobridge Works, Cobridge, Stoke-on-Trent in Staffordshire, UK. They were made between 1818 and 1834 as a part of a highly collected line of Historical Blue Staffordshire pottery.

It has been held tightly together for over one hundred years with 5 flattened copper rivets, and measures 8-3/4″ in diameter.

This English pottery plate with deep cobalt blue transfer decoration is marked on the back WINTER VIEW OF PITTSFIELD MASS, CLEWS as well as impressed CLEWS WARRANTED STAFFORDSHIRE surrounding a crown.

The beloved “Old Elm” in Park Square, as seen in a 1855 engraving, was sadly cut down in 1861.

Photo courtesy of Image Museum

Helmet form cream jug, c.1790

Sunday, March 14th, 2010

This Chinese export porcelain helmet form jug with cobalt blue decoration was made in the style of an 18th century silver creamer.

Jug measures 4-2/4″ high and has a monochromatic floral design enameled on the front.

The replaced handle was recycled from a silver spoon by a jeweler, most likely in the early 1800’s.

The remains of early hallmarks can be seen on the inside of the handle.

This “perfect” example shown below has its original handle intact.

Photo courtesy of Eldred’s

Chinese export porcelain tea caddy, c.1775

Saturday, March 13th, 2010

A porcelain tea caddy with sloped shoulders and rectangular body, made in China in the third quarter of the 1700s for export to North America and Europe.

The hand painted cobalt blue decoration with gilt highlights is in the “Jesuit” floral pattern.

A painted metal lid with embossed star & collar replaces the original floriform finial lid.

Tea caddy dates from the Qianlong period (1736-95) and measures 5″ high by 3-1/4″ wide.

This intact tea caddy with similar form and decoration still maintains its original floriform finial lid.

Photo courtesy of Eldred’s

Chinese export miniatures, c.1690

Friday, March 12th, 2010

A pair of Chinese export porcelain dollhouse miniatures with blue underglaze decoration from the Kangxi period (1662-1722) with Dutch hallmarked silver mounts from the mid-1800’s.

Once the neck broke off this vase, it became a ewer, standing 2″ high with its replacement handle and spout.

A tiny Dutch hallmark in the shape of a sword can be seen on the bottom of the replaced silver neck. Between the years 1814 and 1905, sword marks were used on pieces too small to accommodate full hallmarks.

The remains of the broken porcelain vase’s neck are obscured by the silver replacement top but can still be seen looking down through the opening.

The other broken vase became a bottle, standing a mere 1″ high.

The broken top was masked by the addition of a beautifully engraved silver cap, with scalloped edge and stippled decoration.

Miniatures such as these were displayed in doll houses owned by wealthy individuals and were not intended to be played with by children.

This is what the miniatures looked like before they became damaged and their appearances altered.

Photo courtesy of China de Commande

Leeds pepper caster, c.1820

Thursday, March 11th, 2010

Baluster form pottery pepper pot from England with cobalt decoration, measures 4-1/4″ high.

A base carved from wood and painted blue to match the caster’s decoration replaces the original broken base.

Putty was added to the crudely carved wood base to adhere it to the bottom of the pot.

This Leeds pot with similar form and decoration has its base intact.

Photo courtesy of John D. Wahl Antiques

English sugar bowl, c.1820

Thursday, March 11th, 2010

An English pottery sugar bowl with lush floral blue & white underglaze transfer decoration made by Davenport in the first quarter of the 1800s.

Sugar bowl measures 3-1/2″ high and 5-1/2″ wide.

Marked on the bottom with an impressed DAVENPORT and anchor. At some point the matching lid was broken or lost and was replaced with an unassuming carved wood lid. The knob, made from a nail, is even less assuming.

This small piece of paper, the size of a fortune cookie fortune, was found inside with this faded inscription: “Great Great Grandmother Pate – 1770”.

This complete sugar bowl from the same period, still maintains its original matching lid.

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Photo courtesy of The Metropolitan Museum of Art

French Delft ewer, c.1690

Thursday, March 11th, 2010

A French red body tin glazed earthenware ewer in traditional blue & white Delft decoration. Made for export, most likely for the Persian market.

I found this unusual piece in an antique shop in Cold Spring Harbor, NY while working on the film Eat Pray Love as a set decorator.

Elaborate metal mounts with dangling glass “jewels” replace the original ceramic spout, handle and cover.

The metal twisted rope style handle replaces the original long-gone handle, which would have been much simpler in form. It attaches at the bottom of the ewer to the stub of the broken handle.

Decorative multi-color glass beads are wired on to the metal cover and spout.

The ewer has a delicate baluster form and measures 6-1/2” high.

This similarly shaped ewer still sports its original handle and spout, although to me it looks a bit naked without the fanciful adornments found on my ewer.

Photo courtesy of eBay

Chinese export platter, c.1770

Wednesday, March 10th, 2010

This Chinese export porcelain platter dates from 1760-1785 and has fine hand painted cobalt blue Nanking type decoration and an intricate Fitzhugh border.

Platter measures 12-1/2″ x 9-1/2″.

Itinerant menders repaired broken porcelain items such as this platter and charged per staple. 22 metal staples tightly hold the six broken pieces in place.

To me, the bottom side showing the staples is just as beautiful as the richly decorated top side.