Posts Tagged ‘silver’

Not a make-do, part two

Sunday, August 28th, 2016

“We learn from failure, not from success!” Bram Stoker, Dracula

Well said, Mr. Stoker. Over the years, I have purchased a handful of items which, at the time, appeared to have inventive repairs. But upon closer inspection, I discovered they were not make-do’s. Here are a few of my mistakes that I eventually grew to love and even learned something from.

During a trip to Amsterdam a few years ago I purchased four glasses with silver bases at an antiques market. I was surprised to find over a dozen pieces with similar silver repairs all in one place. Assured by the dealer that the bases were indeed replacements and not original to the glassware, I bought a few of them, even though I was still not entirely convinced of his claim. Upon returning home, I began to research them extensively and after hours of digging deep into the depths of Google, came up with nothing. Months later, I accidentally stumbled upon a similar piece for sale in Amsterdam. After contacting the shop, Valentijn Antiek, and asking for information regarding this specific type of “repair”, I was told that these were not repaired pieces. The dealer went on to tell me that they were and still are being made by contemporary jewelers. I was told “For clarification, you should know something about the (Dutch) national character: The Dutch are and were very frugal. A repair, for example, crystal, should not cost too much. Objects are restored only in case 1) there is not as quick as possible a replacement; 2) the material of the object is expensive and scarce; 3) it is a precious object, because it is a reminder; or because one has received it from someone (like your mother in law) with whom you do not want to have to get a quarrel.”

This delicate champagne flute is the first piece I bought. I still find it hard to believe that its silver base is not an inventive repair.

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This goblet has a nicely detailed silver base. It also had me fooled.

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I was a bit more skeptical of these two, which appear to be from the 1960s. Their silver bases do look intentional.

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I recently found this sharply cut small footed dish at an antiques shop in New Jersey. Although my gut was telling me that the hallmarked silver base was not a replacement I purchased it anyway. It seems that old habits die hard.

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Chinese carved carnelian brooch, c.1920

Sunday, August 21st, 2016

This oval carved carnelian brooch with a pierced floral pattern in a simple silver setting was made in China around 1920. It measures 1.25 inches by 1.5 inches. After it dropped and broke in half, a resourceful jeweler laced it back together with silver wire, using the pierced holes in the design.

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Low Chelsea ewer with Gorham silver handle, c.1785

Sunday, July 24th, 2016

This porcelain Low Chelsea ewer shape cream jug with spiral molding was made by New Hall in London, c.1785. The floral spray decoration is hand painted in polychrome enamels. It measures 2.5 inches high and 4.75 inches from lip to handle.

A lovely jug indeed, but what I find so special is the rare replacement handle, which was added about 100 years after the jug was made. Perhaps a descendant of the original owner, who must have been quite well off and engaged the services of John Gorham of Providence, Rhode Island, to fashion a custom sterling silver replacement handle. I own and treasure just a handful of hallmarked silver repairs, but this is the first piece I have encountered with an American hallmark, which pinpoints the repair to 1880.

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Here’s an example with similar form showing what the original handle on mine might have looked like.

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Photo courtesy of Bonhams

Happy 4th of July 2016!

Sunday, July 3rd, 2016

Happy Independence Day to my fellow Americans.

And to my friends in the UK…sorry about that.

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Meissen teapot, c.1770

Thursday, June 23rd, 2016

This hard paste porcelain teapot was made at the Meissen factory in Germany during the Marconi Period (1763 – 1774). It measures 4.5 inches high and 8 inches from handle to spout. It is decorated in polychrome overglaze enamels with a flower motif on both sides of the pot and on top of the lid. A cobalt mark of crossed swords and a dot can be found on the underside. The noticeable surface wear suggests that it was well loved and heavily used over the past 250 years.

You can guess that this teapot found its way into my collection due to its nicely done silver replacement spout. Repairs such as this were commonly done on spouts, as they were prone to chipping. This teapot was owned by a former French teacher at my high school who lives in Brussels and has been an early supporter of this blog. Merci beaucoup, Marienne!

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This teapot with similar form and decoration still as its original spout intact.

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Photo courtesy of LiveAuctioneers

Nostetangen goblets with silver repairs

Saturday, April 9th, 2016

During a recent trip to Oslo, Norway, I discovered that the Museum of Decorative Arts and Design is packed with antiques with inventive repairs. I was particularly impressed by the abundance of intricately engraved 18th century German and Norwegian glassware, many with added silver mounts repairing snapped goblet stems and missing bases. Reflecting their rarity, many of these priceless presentational pieces were brought back to life by esteemed Norwegian jewelers and silversmiths in the 18th and 19th century. Here are some of my favorites:

Goblet (center) engraved by H. G. Kohler, artist and engraver at Nøstetangen Glassworks, on the occasion of the anointing of King Christian VII, 1767. The crimped silver joint was added later to repair the broken stem.

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Goblet, Nøstetangen, ca. 1766-1770. Engraved by H. G. Kohler with later ornate silver replacement base.

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Goblet (center) engraved in Bohemia, c. 1720, with silver cuff to repair a snapped stem.

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Both goblets were engraved at Nøstetangen Glassworks by an unknown engraver in 1748. The goblet at left has a silver cuff repairing a broken stem and the goblet at right has a brass replacement base.

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Mandarin mug to jug transformation, c.1840

Monday, February 15th, 2016

This is one of the more unusual transformation pieces I have in my collection. Much like the butterfly painted on the reverse side, it began life as one thing and transformed into something entirely different. I call it a metamorphosis mug. Made between 1830 and 1850, this Chinese export porcelain mug in the Famille Rose Mandarin palette was converted to a milk jug with the addition of a silver spout. It has two decorated panels, one with a courtyard scene and the other with images of exotic birds, butterflies, fruits and flowers. It stands 4-1/2 inches high and is 5-1/2 inches wide from handle to spout.

The silver mount has an 1871 London hallmark. Although I have many examples of silver spouts, handles and lids, it is rare to find hallmarks that date and place a repair. I particularly like the ornate sparrow beak spout.

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This mug was happy being a mug and felt no need to spread its wings and become a jug.

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Photo courtesy of Mimi’s Antiques

Crystal jug with silver handle, c.1836

Sunday, November 29th, 2015

I found this little gem while vacationing in London last spring. While the majority of my collection is comprised of ceramics, I marvel at inventive repairs done on glass, which seem even more astonishing to me. This cut lead crystal pear shaped jug stands 4.75 inches tall, has an exaggerated spout with scalloped rim and heavily cut patterns. It was made during the Georgian era and is dated 1836, along with the name J. Jopling on a front panel. It is missing its original applied glass handle but in my opinion, the innovative replacement handle is much more interesting than the original one would have been.

Someone was clumsy in the mid 19th century and soon after the glass handle snapped off, it was taken to a silversmith who fashioned an elaborate silver replacement. A clever repair was done incorporating a delicately proportioned silver-plated handle and support wires and cuffs so that no holes were drilled through the body of the jug. Tiny screws at the back near the handle terminals allow for the handle to be completely removed without damage to the fragile glass. As much as I love the workmanship on this early repair, my only regret is that the repairer did not sign his work.

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This jug with similar form maintains its original handle and gives you an idea of what my jug might have looked like intact.

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Photo courtesy of 1stdibs

Chinese dollhouse sugar bowl, c.1690

Saturday, October 3rd, 2015

This Chinese export porcelain dollhouse miniature with blue underglaze floral decoration dates from the Kangxi period (1662-1722) and stands nearly 2 inches tall. Contrary to popular belief, miniatures like this were displayed in doll houses owned by wealthy adults and were not intended to be played with by children.

Surprisingly, this little gem was not always a sugar bowl but actually started life as a baluster form vase. After it took a tumble, a silversmith kept the surviving middle section, added a minuscule silver lid, handles and base, and voila…a sugar bowl was born. A tiny Dutch hallmark in the shape of a sword can be seen on the bottom of the base, dating it to 1814-1905. The small sword mark was used on silver pieces too small to accommodate full hallmarks.

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Shown below is an intact miniature vase, standing just 2-1/2″ tall. It appears that the middle section on a similar vase was used to make the sugar bowl.

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Make-do’s at the MET, part 4

Saturday, June 20th, 2015

I spotted this during my last visit to the American Wing at The Metropolitan Museum of Art in New York City. The description in the showcase says more than I could possibly say:

“This extraordinary punchbowl features a remarkably faithful replica of the engraved certificate, dated December 1785, issued to Ebenezer Stevens (1751-1823) by the Society of the Cincinnati. Stevens was a major-general in command of the New York artillery and was vice president of the New York branch of the society. The decorative silver-gilt mount on the rim and around the foot were probably made during the early nineteenth century in response to an earlier crack—evidence of the extent to which the bowl was valued by its owner…”

Punch Bowl
Date: ca. 1786–90
Geography: China
Culture: Chinese, for American market
Medium: Porcelain
Dimensions: Diam. 16 in. (40.6 cm)
Classification: Ceramics
Credit Line: Gift of Lucille S. Pfeffer, 1984
Accession Number: 1984.449

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