Posts Tagged ‘porcelain’

Minton cup with butterfly handle, c.1869

Saturday, October 4th, 2014

This delicate English porcelain bone china cup and saucer each have a transfer decoration of butterflies and flowers with hand painted washes of color. The figural butterfly handle, though lovely to look at, makes for an unsteady grasp on a steaming hot cup of tea. Perhaps that’s how both the cup and the saucer met their early demise and ended up crashing to the floor, breaking into many pieces. But luckily a local china mender was standing by with drill and staples at hand, and able to join together the broken pieces. Six tiny brass staples were carefully attached, three on the cup and three on the saucer, allowing the tea to flow once more.

Marked on the underside of the cup, which measures 1-3/4″ high, is an English registry cypher, dating the piece to April 7, 1869. The saucer, with a diameter of 5-1/2″,  has a faint impressed MINTON mark.

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Chinese export armorial mug, c.1785

Saturday, September 27th, 2014

This sturdy Chinese export porcelain mug dates from the Qianlong period (1736-1795) and has floral decoration and a pseudo armorial cipher/monogram hand painted in the famille rose palette. The mug stands 6-1/2″  high and holds 2 pints of liquid. I am surprised that the entwined handle survived 230 years of use, as they are fragile and are often found broken.

Now, you may wonder “where’s the repair?” The unsigned sterling silver mount along the top with engraved decoration serves a dual purpose. It stabilizes a long vertical crack running the entire length and most likely masks chips along the rim. A beautiful solution which further enhances an already lovely piece.

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This mug is almost identical in form and decoration but does not have the silver rim that mine has.

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Photo courtesy of eBay

Amsterdam Bont decorated teapot, c.1740

Saturday, September 13th, 2014

This Qianlong period globular form teapot has a C shaped handle and an inlaid flat lid with round knob. It was made in China in the mid-1700s and stands 4-1/4″  tall and  7-3/4″  from handle to spout. The original blue underglaze decoration fell out of fashion shortly after it was made, as by the mid-1700s more “attractive colors” were the taste of the day. In order to keep up with the sudden demand for polychrome Chinese ceramics, factories in Europe took the unwanted blue and white decorated pieces and overpainted them with brightly colored enamels, often without regard for the original design beneath. This victim of clobbering, as it is also referred to, or Amsterdam Bont, when done in Holland, has been over decorated with the flower basket motif, one of the most popular designs.

The unusual form replacement silver spout appears to have been made by a skilled 18th century silversmith. It replaced a straight spout, but I think this replacement is much more interesting, and adds to the quirkiness of this twice-decorated teapot.

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This teapot with similar form and decoration shows what the spout on my teapot might have looked like.

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Photo courtesy of Pater Gratia Oriental Art

London shape tea cup, c.1830

Sunday, September 7th, 2014

This colorful Chinese porcelain London shape tea cup dates from 1820-1850 and is decorated in the Canton rose palette. It measures 2-1/2″  high and has an opening diameter of 3-1/4″ . The outer polychrome enamel Mandarin decoration depicts a scene of scholars in a garden, and the inside of the rim has a deep painted border of dragons with small stylized clouds. This cup was originally a part of a large dinner service, custom ordered by most likely a wealthy English family.

At some point in the early life of the cup, the original porcelain handle snapped off. But rather than simply toss out the damaged goods as we would today, it was brought to a metalsmith, who fashioned a bronze replacement handle in the same form as the original. To me, the dark color and sculptural quality of the replacement handle makes this embellished cup much more interesting than its “perfect” counterpart.

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This tea cup still has its original handle intact.

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Photo courtesy of Hundred & One Antiques

Signed Chinese jug with split handle, c.1740

Sunday, August 3rd, 2014

This Chinese baluster shaped porcelain jug, with molded spout in the manner of European silver, has hand painted underglaze cobalt blue Nanking decoration of houses, trees and birds. It dates from the middle of the 18th century and stands nearly 8″  tall.

Over 100 years ago when the original reeded strap handle broke off, an unusual split form metal replacement handle was added. A clever tinker reinterpreted the original handle design by forging a bronze loop handle into four extensions and adding small discs, which were riveted to the leaf terminals. The remains of an intricately woven rattan sheath are found on about one third of the handle. Most curiously, there is an engraved signature on the underside, difficult to decipher, which may be the name of the china mender or of a previous owner. If anyone knows more about this marking, please let me know.

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This jug with similar form and decoration shows what the original handle on my jug may have looked like.

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Photo courtesy of eBay

Set of 5 Mason’s Ironstone cups, c.1835

Saturday, July 26th, 2014

In the world of collecting, nothing pleases me more than stumbling upon items with matching inventive repairs, and this set of footed breakfast cups and saucers deliver five times over. Made in England by Mason’s Ironstone from 1830 to 1840, these heavy porcelain cups, measuring nearly 3-1/4″  tall, have the transfer printed “Conversation” pattern in the rare yellow scale colorway. Each cup and saucer is marked in black transfer on the underside MASON’S PATENT IRONSTONE CHINA.

I purchased the set during my last trip to London from dealer Fergus Robert Downey who later told me that he has a sixth cup with an identical replaced handle, so I am hoping to one day have the complete sextet. I can’t imagine that all of the original handles snapped off the cups at the same time, unless a particular breakfast got a bit too rowdy. More likely, one or two handles might have broken off, so in order to keep the set looking uniform, the remaining intact handles were removed and all cups were fitted with the same metal replacement. The metalsmith did a fine job, as all of the handles are well matched and expertly riveted to the cups.

Now about that sixth cup, Fergus… IMG_8477                       IMG_8479                         IMG_8483                           IMG_8485                         IMG_8486                           IMG_8487                           IMG_8489

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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This cup, in perfect condition, shows what the original handles on my cups would have looked like before they took a tumble.

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Photo courtesy of Vanbrugh West Antiques

Chinese mug with fireworks decoration, c.1760

Saturday, July 5th, 2014

In honor of Independence Day I am pleased to share with you a Chinese porcelain mug with a fireworks theme, made for export to North America and Europe during the Qianlong period (1736-1795). It stands 4-3/4″ high and is decorated in the Mandarin style with cloud-shaped cartouches executed in famille rose enamels, and containing floral sprigs and a family tableau depicting a child lighting fireworks.

I wouldn’t be surprised if during the first organized 4th of July celebration in 1777, a raucous party involving the lighting of fireworks forced this mug to fly off a table and crash to the ground, causing its handle to shatter and the bottom to fall off. Rather than throw out the expensive and cherished mug, it was brought to a local tinker who fashioned a sturdy brass replacement handle. To help insulate the handle from its hot contents, it was wrapped in decoratively woven rattan. The bottom was reattached to the body using five large brass staples with a bond so tight it could hold liquid without leaking. As china menders typically did not sign their work, there is no way to know who was responsible for this repair, but I imagine they each had their own signature style in weaving the rattan so that they could distinguish their work from each other.

These mugs of similar form show what the original handle on my mug might have looked like.

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Photo courtesy of Mount Vernon’s Mystery Midden

Flight & Barr dish with 31 brass staples, c.1805

Sunday, June 22nd, 2014

This high quality porcelain dish was made in Worcester, England, by manufacturers Flight & Barr. It is decorated with a wide Gothic influenced geometric border in gilt and burnt orange enamel. It measures 11-1/4″ by 7-7/8″ and dates to early 19th century. The underside has a beautifully hand painted mark in puce which reads “Flight & Barr, Worcester, Manufactures to Their Majesties,” as well as a small crown and an incised letter B.

After the dish was dropped and brought to a china mender for restoration, 31 brass staples were attached to make the dish complete and usable once again. The eight holes in-between the six staples at one end indicate that an earlier repair was made to the dish, but apparently they were removed. The second restoration, executed well over 100 years ago, was a success and the sturdy dish was most likely put back in service for use at the dinner table. But I would rather just admire it for the beauty and ingenuity of the repair and display it wrong side up.

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Worcester “King of Prussia” mug, c.1757

Saturday, May 31st, 2014

I purchased this first period bell-shaped Worcester porcelain mug from a dealer in the UK who has been feeding my compulsive desire for antiques with inventive repairs for many years. It has a black transfer print of Frederick the Great, the King of Prussia, along with military trophies, an angel blowing a trumpet, and a putto with a wreath. It is dated 1757 under his left arm and marked RH (for Robert Hancock) Worester and an anchor mark for Richard Holdship (a rebus for his last name.) The decoration was taken from Richard Houston’s engraving after a painting by Antoine Pesne.

This is one of those items that if I saw one in a shop in “perfect” condition, I would secretly wish it had an early repair, as I am drawn to strong graphic images on ceramics. Luckily for me, this one has a metal replacement handle, attached by a metalsmith after the original loop handle broke off, as well as two metal staples to help stabilize a crack.

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During my recent visit to the UK, I spotted the same transfer decoration on numerous pieces of ceramics included in many different museum collections. This jug can be found in the fabulous ceramics collection at the V&A.

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This mug, with similar form, decoration, and its original handle intact, shows what the handle on my mug looked like before it snapped off.

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Photo courtesy of Stockspring Antiques

Soft paste parrots teapot, c.1770

Saturday, May 24th, 2014

During one of my early trips to the UK in search of ceramics with inventive repairs, I found this charming Chinese soft paste porcelain teapot decorated in the famille rose palette and painted with colorful parrots and flowers in polychrome enamels with gilt highlights. The teapot measures 5″ high and is 9″ wide from handle to spout and was made during the Qianlong period (1736-1796) for export to Europe and North America.

After a tumble, the fanciful spout, which most likely matched the bamboo-form handle, broke off and was replaced by a more streamline metal one with a decorative backplate. Curiously, the handle did not suffer from the fall and remains intact. There is no way of knowing what happened to the original lid, but it has been replaced by a 20th century silver plated cover that fits snugly but looks nothing like the porcelain original. If only this pot could talk!

This teapot with similar form shows what the original spout and lid on my teapot might have looked like before it took a tumble.

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Photo courtesy of Earle D. Vandekar of Knightsbridge Inc.