Moser enameled glass pokal, c.1890

June 30th, 2013

This tall, regal enameled amber glass pokal was made at the end of the 19th century by the esteemed glass manufacturer Moser, in Karlsbad, Austria; today known as Karlovy Vary in the Czech Republic. Ludwig Moser opened his first factory in 1857 and soon his artfully decorated glassware found its way into worldwide collections of presidents, popes, king, queens, and Liberace. To the best of my knowledge, this pokal, which measures 15.75 inches tall, was not owned by Liberace. As the bulk of the pokal is quite heavy, I am not surprised that at some point it broke in two, snapping off at the base. Luckily for me, an early practitioner of recycling secured the remaining unscathed upper portion of it to a sturdy brass lamp base, allowing it to be filled to the brim with beer or display an arrangement of fresh flowers.

IMG_7104

IMG_7102

This tall amber glass vase made by Moser has its original base intact.

moser

Photo courtesy of Trocadero

Tiny Chinese Imari teapot, c.1700

June 22nd, 2013

Though this octagonal-shaped Chinese porcelain teapot from the Kangxi period (1662-1722) appears to be a miniature, it is indeed a functioning vessel. Tea was only for the wealthy in the late 17th century; brewed in highly concentrated batches in tiny teapots and consumed in small amounts. This fine example, which stands nearly 4″ high, has cobalt blue underglaze decoration with iron red and gilt detailing. The remains of the original porcelain spout have been replaced by a much smaller silver cap, most likely in Amsterdam in the 1800s. As a precaution against loss, the lid has been shackled to the handle using a fine-link chain. This embellishment may have been added at the same time as the replacement spout.

IMG_7682

IMG_7696

IMG_7684

IMG_7687

IMG_7688

IMG_7692

IMG_7694

IMG_7695

IMG_7698

This nearly identical teapot with the same form, size and decoration as mine shows what the original spout looked like before the addition of the silver replacement.

imari teapot

Photo courtesy of Pater Gratia Oriental Art

Making make-do’s in Eastfield Village

June 16th, 2013

Yesterday I learned how to make replacement handles for broken vessels from Don Carpentier, the visionary behind Eastfield Village and master of all trades. Last year at Dish Camp, the annual “POTpourri” ceramics conference where I presented examples from my own collection, I mentioned that I would like to learn the craft of early repair. Don assured me that making tin replacement handles was easy and that he could teach me all I needed to know in one afternoon. Flash forward one year, I find myself in Don’s workshop Period Make-Do’s and How to Reproduce Them, learning how to cut, bend and solder tin.

I urge anyone with an interest in learning traditional trades and domestic arts to visit Eastfield Village and attend a workshop this summer. Please take a look at my post from Dish Camp 2012, which shows some of the historic buildings and links to Don’s site.

This is the finished product. I am in awe of the handle and buttress Don effortlessly created, identical to the ones made by itinerant tinkers in the 18th through 20th century in North American and Europe. The broken mocha ware jug was given to me by my mother who had kept it in her cupboard for many years, knowing that even with a missing handle and large crack, it was too good to throw out.

Image

Within seconds, Don drew a sketch of the proposed replacement handle, showing the placement of the 2 horizontal bands and the 4 vertical supports.

Image 1

After scribing a piece of tin, I carefully snip one of the 2 support bands.

Image 2

Don attaches the lower horizontal band, bending and locking the 2 ends together.

Image 3

I am placing the 4 vertical bands and marking them for Don.

Image 4

Don is soldiering the first vertical band.

Image 5

Using an original tin crimping machine from the mid 1800s, Don is embedding wire in the handle edge, which provides extra support.

Image 6

The handle is being bent and formed.

Image 7

Don has a remarkable eye and in very little time, has cut out a tiny piece at the top of the broken handle stub to allow for the new handle to fit snugly in place.

Image 8

By the 1800s, tinkers added embellishments such as thumb rests. Don thought it would be a good addition, as do I.

Image 9

Unable to drill through the body of the jug for fear of leaking contents, tinkers attached handles to whatever was left of the broken handles. Don snipped out the center part of the lower handle, leaving enough of the tin-encased wire to bend around the remains of the lower handle stub and solder to the lower support band.

Image 10

Photos courtesy of Mark Randall

Cut crystal compote, c.1900

June 7th, 2013

Sometime around 1920, an elegant 8″ tall crystal compote slipped out of the hands of a nervous hostess as she was serving stewed rhubarb to a dinner guest. The sudden drop to the floor not only embarrassed the hostess and stained the Persian carpet below, but also snapped the cherished heirloom in half. Luckily, her slightly annoyed but handy husband snatched up the broken diamond-cut decorated bowl and attached it to a recently discarded large wooden spool. Seeing that the marriage of crystal and wood needed further embellishment, he gilded the spool to help jazz it up. The now slightly less nervous hostess was able to enjoy the newly restored compote again, but from then on filled it only with butter mints…just to be safe.

IMG_5463

IMG_5464

IMG_5466

IMG_5465

This quartet of compotes shows a variety of original glass bases; perhaps one of which looked like mine.

lot-vintage-pressed-pattern-glass-compotes-Century-Candlewick-English-Hobnail-Laurel-Leaf-Farm-item-no-n9387-1

Photo courtesy of Laurel Leaf Farm

Magnificent Yixing teapot c.1700

May 26th, 2013

This is one of my favorite and, as it turns out, one of the rarest pieces I have in my collection. I purchased it last fall at auction where it was among a small but impressive collection of early Yixing teapots, most with silver mounts.  In total, over a dozen items were being offered; at least half were museum quality. I ended up with 2 teapots, each with multiple replacements, and I paid dearly for them. I only wish I had been able to forgo my monthly mortgage payment and purchase the entire lot so I could keep the assembled collection intact. But at least I acquired this breathtaking teapot, which in my opinion is the best of the lot, along with another rare gem, which I will post at a later date.

IMG_5503

Made in China during the Kangxi period (1662-1722), this Yixing teapot of hexagonal form is decorated with six relief molded panel designs on a thunder pattern ground and depicts spear and sword carrying warriors on horseback. The matching lid with a beautifully carved Buddhist lion finial has a thunder pattern ground. The teapot stands 4.5 inches high. The intricate details make this piece special, but the exquisite silver mounts and carved wood handle make this piece magnificent.

IMG_5504

IMG_5505

When the original handle and spout broke off sometime in the first part of the 18th century, a silversmith of the highest level created these outstanding repairs and replacements. The wood handle is carved with what appears to be a scrolled leaf on top and a tiny grotesque head at the bottom, attached to the body using chased silver mounts. The spout is repaired with silver mounts at the base and at the tip, both handsomely engraved.

IMG_5507

IMG_5508

IMG_5509

IMG_6933

IMG_5512

There is a small hole at the top of the body near the spout, which I have seen on other Yixing teapots. Some of these other examples have a small silver mount covering the hole. Does anyone know if this is to allow steam to escape or why on some pieces the hole is covered?

IMG_5511

IMG_5510

IMG_5514

This teapot with similar form shows what the original loop handle would have looked like on my teapot. For more information, please take a look at other Yixing teapots I have previously posted to see a variety of forms and styles and to learn more about Yixing clay and its unique qualities.

d4880065x

Photo courtesy of Christie’s

Porcelain blue & white jug c.1785

May 18th, 2013

Chinese porcelain baluster-form hot milk jug with sparrow beak spout, made in the mid to late 18th century during the Qianlong Period (1736-1795). Delicately decorated in underglaze cobalt blue, it shows a large vase sitting on a carved wood table and filled with precious objects surrounded by flowers and a pair of bees. The scale of these objects is a bit off-kilter, which adds a whimsical quality. Jug measures 5-3/4″ high and 4″ wide to the end of handle.

The original porcelain handle was replaced over one hundred years ago with a woven wicker-covered bronze replacement. I have dozens of examples of wicker-covered metal replacement handles in my collection, as this was a standard form of inventive repair; and at first glance, the handles all look pretty much the same, but upon closer inspection, you will see a variation in the pattern of the weaving. This handle has a straightforward checkerboard weave, while some of my pieces have the rattan in more than one color and woven in a more intricate pattern. I think a post dedicated to showing the many variations of woven-handle styles would be interesting, don’t you?

This blue & white decorated jug with similar form still has its porcelain handle and lid intact. Before my jug became an example of “inventive repair” it would have looked much like this one.

b:w.jug

Photo courtesy of eBay

Basket case Victorian dish, c.1850

May 11th, 2013

In honor of Mother’s Day, I am featuring a dish that only a mother could love. I believe it to be English from the mid 1800s and made of porcelain with hand painted decoration in cobalt, drab and gold. It is marked on the bottom with the numbers 4 over 554 and measures 9″ x 10″. This is truly one of the saddest antiques with inventive repairs I have ever seen, and believe me, it took much inner soul searching just to purchase it. I am breaking with tradition and showing the underside of the plate first. Take a deep breath…this is not going to be pretty.

IMG_7067

IMG_7073

IMG_7074 - Version 3

IMG_7070

This dish must have held great sentimental value for its original owner. In order to make it “whole” again after being shattered over 100 years ago, it was professionally repaired using 10 large metal staples, overpainted to mask the unsightly raw material. Sadly, the dish was dropped AGAIN, resulting in the loss of 3 staples and a sloppy glue job, now yellow with age. To add insult to injury, later in life it was bound with a cat’s cradle worth of string and cord, so it could proudly hang on a wall for all the world to see the tenacity of this unlikely survivor.

IMG_7063 - Version 2

IMG_7079

Pierrette clothespin doll, c.1920

May 4th, 2013

This unmarked porcelain novelty was most likely produced in Germany around 1920 and measures 5-3/4″ long. Also known as half dolls, they were typically attached to tops of pincushions, boxes and small clothes brushes and displayed on vanity and dresser tops. This one graduated from half doll to full doll, with the aid of a wooden clothespin attached at the waist. I imagine that after the piece broke, a handy dad whittled the lower extremities to form makeshift prosthetic legs. In an attempt to create a respectable outfit for this coquettish lass, the clothespin legs were covered in now faded pink cloth tape, the duct tape of its day. Wouldn’t it be great if this immobile doll ended up in a doll house, filled with inventively repaired miniature furnishings and inhabitants, including a make-do Pierrot?

IMG_7051

IMG_7056

IMG_7052

IMG_7059

IMG_7055

This lovely lady sits atop a powder box and still has her original porcelain legs.

OLYMPUS DIGITAL CAMERA

Photo courtesy of LiveJournal

Redware vixen stirrup cup, c.1775

April 28th, 2013

This redware pottery figural stirrup cup was made in England in the third quarter of the 18th century and is in the form of a cunning little vixen’s head. L-shaped, it measures 4″ tall by 6-1/4″ wide and is freestanding, which is unusual, as most stirrup cups are base-less and unable to stand on their own. Stirrup cups, traditionally filled with port or sherry, were given to guests as a parting drink at the conclusion of a fox hunt, while their feet were still in their stirrups. This tradition began in the United Kingdom in the 18th century and continued for hundreds of years. As this sport never ended well for the fox, it was finally banned in Scotland in 2002 and in England and Wales just three years later.

IMG_6935

IMG_6937

IMG_6938

The original handle must have broken off after an inebriated hunter grabbed the cup at the conclusion of the hunt, downed his sherry, then promptly fell off his horse, dropping and breaking the prized vessel. I imagine the host was not pleased by the guest’s unruly behavior and surely did not invite him back anytime soon. Luckily, a metalsmith, most likely in the 19th century, came to the rescue and fashioned a new handle with support bands, thus enabling another, more sober guest to stay in the saddle and toast his gracious host.

IMG_6941

IMG_6943

An original paper label on the bottom links this cup to esteemed collector and author Frank Falkner of Cheshire, England. The June 1905 issue of Glass and Pottery World contains an article that includes this amusing excerpt: “Mr. Falkner and Mr. Lidelstham had a hobby for old pottery, but they did not follow the usual practice of collectors by acquiring rare specimens of old Sevres, Worcester, Crown Derby, Wedgwood or others of the same high class. They directed their attention to the homely figures and ornaments with which ‘the rural population of a century ago used to deck their dresser or mantel shelf. These common rustic figures, made by men who were little more than peasants themselves, had been passed over in silence for the most part even in ceramic histories.'”

IMG_6949

The Stirrup Cup by Heywood Hardy (1842-1933) shows hunters being offered drinks in figural stirrup cups by their host.

heywood-hardy-the-stirrup-cup-fox-hunting-fox-hunt

Another fine example of a rare L-shaped stirrup cup, this one is in the form of a hare, and still with its original handle.

OLYMPUS DIGITAL CAMERA

Photo courtesy of Earle D. Vandekar

Medium-sized toy cannon, c.1880

April 20th, 2013

There seems to be a multitude of original toy cannon barrels married to wood replacement bases, as I have encountered numerous examples since I started collecting antiques with inventive repairs. This fine toy was most likely made in America in the last quarter of the 19th century and is made of brass with a replaced wood base, freely carved from a block of what appears to be pine. It measures 7-1/2″ long, stands 2-3/4″ tall and the barrel alone is 3-1/2″ long. The remains of the original barrel are firmly nailed to the replacement base using a leather strap. The original green painted surface reveals much wear from years of imaginative playing. Two sets of nail holes on one side suggest perhaps a length of chain was once attached. I purchased this in the same lot as two other toy cannons, all with the same green painted surface and graduating in size. Please take a look at the smallest one, previously posted, and stay tuned for the largest example, which I will post sometime in the near future.

IMG_5452

IMG_5450

IMG_5451

IMG_5454

IMG_5455

This toy cannon, also made of brass, is in its original form and shows what mine may have looked like before the barrel was strapped on to its wood replacement base. Though not up to military code, I still prefer mine!

il_fullxfull.223920768

Photo courtesy of Esty

**UPDATE 4/23**

An astute  subscriber and former gun collector has informed me that this cute li’l toy cannon is actually made from the barrel of a REAL GUN! Please read his amusing and telling comments below, which shed some light on this toys former life on the streets, defending helpless women. And this is what the European ladies percussion muff pistol looked like when it was still intact and used as a deadly weapon, c.1840:

Screen Shot 2013-04-23 at 9.41.57 PM

Photo courtesy of Sailor in Saddle