Posts Tagged ‘silver’

Sterling turtle tape measure, c.1920

Saturday, February 23rd, 2013

I just returned from the Antiques Garage Flea Market in Chelsea with this whimsical turtle-shaped tape measure with an inventive repair. It was purchased from dealer Janet West, who has great taste and wonderful eye for the unusual. The sterling and brass tape measure dates from the first quarter of the 20th century and measures 2-3/8″ long. Written in a quirky font in raised letters on the back “I have three feet that measure thirty six inches”, a witticism pertaining to the 3′ cloth tape measure once concealed inside the shell. When the original silver head became detached and lost, a clever person whittled a new head out of wood, carefully carving out delicate facial features. So even though this perky little turtle began its life as a sewing implement for an adult, it was reborn as a toy to be played with and loved by the next generation.

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This lucky guy still has his original silver head, but I think mine has more character.

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It’s no wonder the original head and flimsy cloth tape on my little fellow became detached. I would bet a small child pulled the head out one too many times, just as I would have done at that age.

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Photos courtesy of Silver Magpie

I am a turtle lover and would have bought the tape measure even if it were in “perfect” condition but as you know from reading my posts, perfection is in the eye of the beholder and to me this one IS perfect. My love of turtles began in the second grade when I was taken on a class trip to the Turtle Back Zoo in West Orange, NJ. Soon after that I had a quick succession of pet turtles, all named Cornelius, and all buried in the back yard of our Short Hills, NJ 1920s English Tudor style house. As the turtle tape measure and my old house date from the same period, the original home owner might have owned my tape measure!

Now we have dozens of unnamed turtles, which I look forward to seeing each spring, in the pond at our house in Upstate NY. I took this photo of an eastern painted turtle laying her eggs in our garden last summer.

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Sauceboat with remarkable silver handle, c.1750

Saturday, March 31st, 2012

This large porcelain sauceboat was made and decorated in China and dates from the Qianlong period (1736-1795). Sauceboats (aka gravy boats) were part of larger dinner services, exported to North America and Europe and snatched up by wealthy customers eager to display in their china cabinets.

A skillful hand decorated the gravy boat with polychrome enamel flowers and an iron red border with gilt detailing.

Even the interior is painted with peony flowers and a blue zig zag fence, visible once the last bit of gravy has been consumed.

The broken handle has been replaced with an ingenious solid silver removable replacement, held together with screws and hinges. The craftsmanship is superb and unlike any other I have seen.

Only the wealthy would have able to afford this type of intricate repair, which keeps the body intact and without the intrusion of piercing rivets and bolts.

Sauceboat measures 4-1/2″ high and is 9-1/2″ long.

This shows what the simple loop handle on my similarly shaped sauceboat may have looked like before it broke off.

Photo courtesy of Guest & Gray

Miniature vase to scent bottle transformation, c.1700

Thursday, January 12th, 2012

Chinese Kangxi period (1662-1722) miniature porcelain vase, decorated in blue underglaze floral design. Costly miniatures such as this were collected by adults and were not necessarily made for children, although they are still commonly referred to as doll’s house miniatures.

After the neck broke off, an unmarked chased silver neck with chain & stopper was added, most likely in Amsterdam, sometime in the early to mid 1800s, turning the vase into a scent bottle. This is my favorite type of inventive repair; one where an object’s original function is altered and transformed into another.

Scent bottle stands a mere 3-1/4″ tall.

Please check out my other doll’s house miniature vases from the same period showing similar striking transformations.

This miniature vase, with nearly identical form and decoration, shows the original form with an intact neck.

Japanese teapot, c.1730

Thursday, October 27th, 2011

A small pear-shaped porcelain teapot made in Japan during the Edo middle period (1704-1800), with underglaze Imari decoration of birds and flowers in cobalt blue, iron red and gold.

Measures 3-1/2″ high, 5-1/4″ wide.

Silver replacement lid with chain, engraved decoration and Dutch hallmarks is from the early to mid 1800’s.

This nearly identical teapot shows what the original lid on mine would have looked like before the silversmith got a hold of it. Thanks Hans!

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Photo courtesy of Pater Gratia Oriental Art

The New York Ceramics Fair

Thursday, January 27th, 2011

This past weekend I attended the annual New York Ceramics Fair, held for the first time in the ballroom of the Bohemian National Hall, a beautiful Renaissance Revival style building from 1895, gorgeously renovated in 2008 with a striking modern interior.

I enjoyed seeing dealers I had met during past visits to the UK, as well as making new acquaintances with other knowledgeable and friendly vendors. Most were curious about my “unusual” interest in repaired ceramics & glassware but were happy to share their thoughts and insight with me. Although, I was a bit taken a back by an American dealer who was less than friendly when asked if she had any pieces with early repairs. It seems I unintentionally offended her by implying that she might be selling less than perfect goods, which I certainly was not.

John Howard brought a magnificent and rare model of Wellington on his horse Copenhagen. Towering at over 19″ high, this is probably the largest pottery figure made of Wellington from the Staffordshire potters just after the Battle of Waterloo, c.1815.

There are old tinker repairs to the legs which were made some 150 years ago.

An actual horse with broken legs would certainly have been sent to the glue factory. And perhaps the glue would have been used to mend broken pottery pieces.

Simon Westman, a dealer from Grays in London, brought with him two different ceramic items with inventive repairs.

A small pearlware jug decorated in Pratt colors with a tin replacement handle from Staffordshire, c.1800. This jug and repair is similar to my own “Sailor’s Farewell & Return” jug, also with a chipped spout in the same location.

Remains of the broken handle extend over the top of the replaced metal handle.

This saltglazed stoneware teapot with wonderful enamelled decoration was made in Staffordshire, c.1760.

The replacement lid is from a teapot of the same material and period, with an added metal flange to make for a tighter fit.

An unusual blown glass roemer from the Netherlands, dated 1662, was shown by Christopher Sheppard, also from London.

A 19th century pewter base replaces the original ribbed foot, which would have been built up out of glass threads.

This is what the original glass base might have looked like.

An English redware teapot c.1695, courtesy of Garry Atkins, has two inventive repairs.

A silver replacement spout with scalloped decoration stands in place of the long lost redware original.

The broken handle has been replaced with a rattan-covered bronze handle, well over 150 years ago.

“Make-do” at the Met, part 2

Wednesday, September 15th, 2010

Over the summer I returned to the Metropolitan Museum of Art in New York City to see what antiques with inventive repairs were hiding in plain sight. I discovered numerous examples scattered throughout the various collections, including these two teapots found among the Japanese porcelains.

“Teapot in the Shape of a Melon with Floral Design” Rim and hinge made by Thome, New York. Japan, Edo period (1615-1868), late 17th century. Porcelain with underglaze blue decoration and overglaze enamels (Arita ware, Kakiemon type); modern silver lid

“Lobed Teapot with Floral Design” Japan, Edo period (1615-1868), late 17th century. Porcelain with overglaze enamels (Arita ware, Ko Imari type); European replacement spout and handle

Metropolitan Museum of Art

Blue & white chocolate pot, c.1750

Tuesday, August 17th, 2010

For me, the more repair I see on one piece of porcelain the more I like it, and this fine chocolate pot with five separate repairs does not disappoint! This baluster-shaped chocolate pot was made in China in the mid-1800’s but its form was based on German Meissen porcelain of the same period, and was made for export to Europe and North America

A skilled silversmith created a fanciful scallop edged silver spout to replace the more simple original spout, which must have broken off soon after this 8″ high pot was made

Other repairs and replacements which occurred during the next 170 years or so include metal rivets which hold the broken handle back in place; a 20th century plain white replacement lid decorated in blue enamel to match the original…

and a chain attached from the top of the handle to a replaced knob made of composition and painted blue

This chocolate pot with similar form shows what the original spout and lid on my pot would have looked like

Photo courtesy of Richard Gould Antiques

Bullet shaped clobbered teapot, c.1740

Wednesday, June 30th, 2010

A bullet (aka globular) form porcelain teapot made in China, started out with a simple cobalt blue underglaze decoration. Later in life, it was “clobbered” in the Imari style, as a more ornate and colorful type of porcelain was in favor at the time. It was over painted in washes of iron-red, pink, orange and blue enamel. Teapot stands 4-1/4″ high

The broken spout was replaced in the 19th century with a new one made of silver plate

A nicely scalloped silver collar was added in the 1800’s to mask the chipped rim

My porcelain teapot’s bullet form was based on European silver, as is evident in this 18th century silver teapot

photo courtesy of M.S. Rau Antiques

Mandarin teapot with Rococo spout, c.1790

Tuesday, June 22nd, 2010

Chinese export globular form porcelain teapot made in China in the late 1700’s and painted with polychrome underglaze enamels in the Mandarin palette.

Teapot measures 6-1/4″ tall by 9-1/2″ wide.

This unusual Rococo style silver replacement spout was added after the original spout broke off.

As an added bonus, the chipped lid is repaired with three metal staples.

The teapot below shows what the original spout on my mended teapot would have looked like.

Photo courtesy of Richard Gould Antiques

Chinese Imari mug, c.1770

Monday, May 31st, 2010

This Chinese export ribbed barrel form mug is decorated in the Imari style with polychrome enamel and gilding. Chinese Imari porcelains are copies of popular Japanese Imari pieces of the mid 17th to early 18th century and were made for export to Europe and North America

Rim is decorated with an alternating diaper & floral spring design

Mug measures 4-3/4″ high and has a 2-3/4″ diameter opening

The replaced silver handle & rim were exquisitely crafted by an experienced silversmith and I only wish they left their hallmark. It is some of the finest silver work I have seen on a repaired item. Porcelain handle fragments enable the new silver handle to be mounted, in the same manner as a crown is attached to the remains of a tooth

This mug, identical in form and decoration to mine, still has its original handle. But it too has been repaired, this time using metal staples to hold it together. There seems to be a design flaw as the delicate handle couldn’t support the weight of the heavy mug…especially when filled with ale.

Photo courtesy of eBay