Posts Tagged ‘metal handle’

Nelson commemorative jug, c.1805

Saturday, September 28th, 2013

This colorful “Dutch” shape jug with transfer decoration and overglaze washes was made in Staffordshire, England to commemorate Vice Admiral Horatio Nelson, who died in battle at the Battle of Trafalgar in 1805. After he was killed by a French sniper, Nelson’s body was preserved in brandy while being transported by ship back to England for burial. Nelson become one of Britain’s greatest war heroes and is memorialized by many London monuments, including Nelson’s Column in Trafalgar Square.

In 1797 during the unsuccessful Battle of Santa Cruz de Tenerife, Nelson tragically lost an arm. The ship’s surgeon, James Farquhar, wrote in his journal: “Compound fracture of the right arm by a musket ball passing thro a little above the elbow; an artery divided; the arm was immediately amputated.” Legend has it that within 30 minutes of treatment, Nelson was back in battle commanding his troops.

It seems this jug, too, has been to battle, as sometime in the mid-1800s it’s original handle snapped off and was replaced by a metal one. The itinerant tinsmith did a fine job fashioning a simple yet sturdy loop handle with thumb rest and small flourish at the bottom, which might have been his signature embellishment. It’s a shame that Lord Nelson couldn’t find a replacement for his own missing arm, as seen by the empty draped sleeve in his famous portrait by Lemuel Francis Abbott.

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This jug, also commemorating the death of Admiral Nelson and with similar form, shows what the handle on my jug might have looked like before it was wounded in battle.

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Photo courtesy of Toovey’s

Agate surface decorated teapot, c.1785

Saturday, September 7th, 2013

This handsome redware urn-shaped teapot was made in England in the late 18th century and stands 4-1/2″ tall. Its confetti-like agate surface decoration is inlaid with ochre, orange, brown, olive, blue, and white bits of clay. Encircling the middle is a slip-filled checkered rouletted band of pumpkin and brown. All that remains of the original handle, which must have broken off sometime in the 19th century, is a molded bearded mask terminal, set ominously askew. Growing out of its forehead is the lower part of a pewter handle, fashioned by a tinker to replace the broken original. This replacement follows the form of the simple loop-shaped original.

I found this piece in Maine a few years ago and was reminded of it during a recent trip to the Shelburne Museum in Vermont, where I spotted a teapot on display with similar agate surface decoration, shown in the last image below.

This teapot is another example of agate surface decoration, and although it differs in form and coloring, the checkerboard band decoration is similar to my collaborative whiteboard template.

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Photo taken at the Shelburne Museum in Shelburne, VT.

Glass jug with metal handle, c.1800

Sunday, August 25th, 2013

I had never seen an early metal replacement handle found on a piece of glassware, until now. This blown glass baluster form jug with cut decoration stands 5-3/4″ tall and was made in England in the late 18th to early 19th century. Etched on the underside is a cursive signature, Neale & Co. WH, above an unpolished pontil scar. James Neale, a London merchant who opened the Church Works in North Staffordshire in the second half of the 18th century, was famous for producing earthenware in the style of neighbor Josiah Wedgwood’s ubiquitous pottery. Neale’s wares were of the same fine quality and though rivals, he helped Wedgwood, when in a pinch, with large orders that needed to be filled. Though known mostly for producing ceramic tableware and figures, Neale & Co. also housed glassware merchants at the Church Works, which explains why this unusual mark is found on my glass jug.

As I usually come across either handles still covered in rattan or exposed bare metal handles with all covering long gone, I was pleased to find this hybrid. It reveals a half-round crimped support strip of rattan along the interior of the handle, and also shows the remains of a decoratively woven outer cover. Pieces such as this seemingly inconsequential imperfect repair help collectors and scholars discover the early methods of repair and insulation. So thanks to those who owned this wonderful jug before me, keeping the remains of this most inventive repair intact!

This crystal jug shows what the original applied handle might have looked like on my jug.

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Photo courtesy of Replacements

German Maskau jug, c.1740

Sunday, July 14th, 2013

This rustic brown stoneware jug with ovoid body was made in the Muskau region of Germany in the mid 1700s. It is decorated with incised stylized foliate against a crosshatched ground above vertical fluting and black glaze highlights. Remains of the original stoneware handle can be seen beneath the metal replacement. It is attached at the top to the remains of the pewter lid hinge and at the bottom using a horizontal metal band, blending in nicely and appearing to be a part of the original design. An additional horizontal band around the neck helps to stabilize the multiple cracks beneath. The original pewter mounted lid went missing long ago, which is not uncommon for a much-used flagon of this age. It measures nearly 9-1/2″ high.

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This fine example has its original handle intact and shows what mine would have looked like before it broke and was brought to the local tinker for repair.

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Photo courtesy of Martyn Edgell

Porcelain blue & white jug c.1785

Saturday, May 18th, 2013

Chinese porcelain baluster-form hot milk jug with sparrow beak spout, made in the mid to late 18th century during the Qianlong Period (1736-1795). Delicately decorated in underglaze cobalt blue, it shows a large vase sitting on a carved wood table and filled with precious objects surrounded by flowers and a pair of bees. The scale of these objects is a bit off-kilter, which adds a whimsical quality. Jug measures 5-3/4″ high and 4″ wide to the end of handle.

The original porcelain handle was replaced over one hundred years ago with a woven wicker-covered bronze replacement. I have dozens of examples of wicker-covered metal replacement handles in my collection, as this was a standard form of inventive repair; and at first glance, the handles all look pretty much the same, but upon closer inspection, you will see a variation in the pattern of the weaving. This handle has a straightforward checkerboard weave, while some of my pieces have the rattan in more than one color and woven in a more intricate pattern. I think a post dedicated to showing the many variations of woven-handle styles would be interesting, don’t you?

This blue & white decorated jug with similar form still has its porcelain handle and lid intact. Before my jug became an example of “inventive repair” it would have looked much like this one.

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Photo courtesy of eBay

Redware vixen stirrup cup, c.1775

Sunday, April 28th, 2013

This redware pottery figural stirrup cup was made in England in the third quarter of the 18th century and is in the form of a cunning little vixen’s head. L-shaped, it measures 4″ tall by 6-1/4″ wide and is freestanding, which is unusual, as most stirrup cups are base-less and unable to stand on their own. Stirrup cups, traditionally filled with port or sherry, were given to guests as a parting drink at the conclusion of a fox hunt, while their feet were still in their stirrups. This tradition began in the United Kingdom in the 18th century and continued for hundreds of years. As this sport never ended well for the fox, it was finally banned in Scotland in 2002 and in England and Wales just three years later.

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The original handle must have broken off after an inebriated hunter grabbed the cup at the conclusion of the hunt, downed his sherry, then promptly fell off his horse, dropping and breaking the prized vessel. I imagine the host was not pleased by the guest’s unruly behavior and surely did not invite him back anytime soon. Luckily, a metalsmith, most likely in the 19th century, came to the rescue and fashioned a new handle with support bands, thus enabling another, more sober guest to stay in the saddle and toast his gracious host.

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An original paper label on the bottom links this cup to esteemed collector and author Frank Falkner of Cheshire, England. The June 1905 issue of Glass and Pottery World contains an article that includes this amusing excerpt: “Mr. Falkner and Mr. Lidelstham had a hobby for old pottery, but they did not follow the usual practice of collectors by acquiring rare specimens of old Sevres, Worcester, Crown Derby, Wedgwood or others of the same high class. They directed their attention to the homely figures and ornaments with which ‘the rural population of a century ago used to deck their dresser or mantel shelf. These common rustic figures, made by men who were little more than peasants themselves, had been passed over in silence for the most part even in ceramic histories.'”

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The Stirrup Cup by Heywood Hardy (1842-1933) shows hunters being offered drinks in figural stirrup cups by their host.

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Another fine example of a rare L-shaped stirrup cup, this one is in the form of a hare, and still with its original handle.

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Photo courtesy of Earle D. Vandekar

Pair of armorial sauce boats, c.1790

Sunday, April 7th, 2013

As collectors, we all have stories of “the one that got away” and for me it happened in June 1991, on the very first day I started collecting antiques with inventive repairs. Having landed in London the night before and still jet lagged, I stumbled down Portobello Road and wandered into a crowded stall selling porcelains. I spotted a pair of Chinese Export sauce boats each with a replaced metal loop handle. Pleading with the dealer to sell me just one, which I could barely afford, she broke up the pair and I happily walked away with what would be the start of my collection. Even then, I immediately regretted not being able to afford its mate, but I was pleased to at least own the one. To this day, I keep hoping I will come across the orphan I left behind and be able to reunite the two. So, if anyone can help me locate the long lost twin, I will be forever grateful and you will be rewarded for your excellent sleuthing!

The lone survivor of my maddening “Sophie’s Choice” moment

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You can imagine how happy I was to have been recently contacted by dealer Polly Latham of Boston, MA, offering me a pair of Chinese Export sauce boats, each with identical replacement handles and decorated with an armorial coat of arms, no less. This pair, a part of a larger dinner service, was made for export to the English market at the end of the 18th century and bear the Arms of Maitland, 8th Earl of Lauderdale (1759-1839). Maitland, a noted statesman, politician and controversial social and political critic of his time, criticized the clergy, condemned slavery and was an ardent supporter of the French Revolution. The motto under the coat-of-arms, intricately painted in polychrome enamels with gilt highlights, translates to “Wisdom and Courage”. Each measures 2 inches high and 7.75 inches long.

I am pleased to proclaim that as long as I am the caretaker of this fine pair, they shall remain unseparated. You can click here if you want more info.

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The replaced handles are made of forged brass, covered in woven rattan, and pinned to the end of the sauce boats with two metal rivets. The rattan covering is not only decorative but also used to insulate the metal handle from the hot contents.

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Take a look at the rest of the large dinner service, all bearing the arms of Maitland, including a pair of identical sauce boats with original handles intact, located in the center of the middle shelf.

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Photo courtesy of Polly Latham Antiques

Chinese coffee cup, c.1760

Saturday, March 2nd, 2013

This Chinese porcelain coffee cup was made during the Qianlong period (1736-1795) for export to North America and Europe. It has polychrome enamel decoration in the Famille Rose palette and an inner rim with an iron red band and gilt Greek key detailing.

The decoration on the front of the cup shows a vase holding flowers and a box containing what looks like a teapot or an incense burner.

Cup is unsigned and stands 2-1/2″ high, with an opening of 2-1/2″.

The remains of the original broken handle have been filed down but are still visible even after the addition of a replacement handle, made from a single piece of scrolled metal. I particularly like the added flourish at the bottom of the handle.

My cup would have originally had a matching saucer and a loop handle, much like the example below.

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Photo courtesy of Ruby Lane

Wucai teapot with misplaced handle, c.1690

Saturday, February 16th, 2013

This early porcelain teapot was made in China in the late 1600s and is a good example of an original form shifting to become current with the next generation. It is decorated in the Wucai palette, consisting of five enamel colors outlined in black and measures 5.5 inches high and 7.25 inches from handle to spout. What I love most about this piece is that by the time the original fixed upright handle broke off, it was replaced with a rattan-wrapped metal handle attached to the side of the teapot. Most likely the break occurred over one hundred years after the teapot was made, which explains why the placement of the new handle is more in keeping with teapots of the early 19th century. This act of altering the original form of a piece is reminiscent of clobbered wares; a practice of painting over simply decorated porcelain with multi color enamels to appeal to changing styles. An added bonus is the presence of long meal staples at the top of the neck, holding together two broken pieces back in place.

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This teapot shows what the fixed vertical handle on my teapot would have looked like before the replacement handle was attached to the side.

Photo courtesy of Grays

Small creamware jug, c.1810

Sunday, December 16th, 2012

This small, lightweight ribbed creamware jug with gadrooned rim was made in England at the turn of the 19th century. It measures 3-1/4″ tall and has a replaced handle made of aluminum, a material I rarely encounter on repaired items. Two small rivets hold the handle to the body, which can be seen from the inside of the jug. I am glad that some of the cream colored enamel, painted in the same color as the jug and intended to mask the early repair have chipped away, exposing portions of the raw metal underneath.