Posts Tagged ‘metal handle’

“Love and live Happay” teapot, c.1805

Saturday, July 15th, 2017

I am a big fan of ceramics with bold, graphic decoration, especially ones with text, and this charming example certainly fits the bill. This Prattware pottery teapot, proclaiming “Love and live Happay (sic),” was made in England in the early 1800s. Standing 5.25 inches high and 10 inches wide, it is painted in typical Prattware colors, including green, yellow, blue, and brown.

It appears that long ago, Mr. Butterfingers loved his teapot so much that he tossed it up in the air with glee, but didn’t catch it on its way back down. Sadly, the lid and handle shattered beyond repair, but thankfully a tinsmith was able to craft a nifty metal replacement handle so the teapot was able to be loved again and live happ(a)ily ever after.

This teapot with similar shape and decoration shows what the original handle and lid on mine might have looked like.

Photo courtesy of Agnes Ashe

Ridgway relief molded jug, c.1835

Saturday, June 24th, 2017

This relief molded salt glaze jug from 1835 was made in England by Ridgway. It is decorated with scenes from Robert Burns’ poem, “Tam O’Shanter,” written in 1790. It measures 6.75 inches tall and is incised on the underside: “Published by W. RIDGWAY & CO. MANLEY, October 1, 1835.”

Although this jug maintains its original pewter lid, its overscaled ear-shaped metal handle is a replacement, made by a tinsmith over 150 years ago.

Here’s the same jug with its original handle intact.

Photo courtesy of Andrew Dando

Chinese Imari teapot with double repair, c.1720

Sunday, May 21st, 2017

This bullet-form porcelain teapot has it all: good looks, great form, a winning personality, and two different early inventive repairs. It was made in China for export during the Kangxi period (1662-1722) and is decorated with floral sprays in the Japanese Imari palette with bold colors and strong graphics. It measures 4 inches high and 6.5 inches wide from handle to spout.

At some point in its early life, a spoutless teapot was brought to a repairer who made a simple metal replacement spout. Not long after, it was brought back to be fitted for a wicker covered bronze replacement handle. A friend once showed me a similarly shaped teapot that had met such an end. And by merely sealing up the hole left by the missing spout and grinding down the handle terminals, the original owner lost a teapot but gained a sugar bowl. As much as I marvel at the ingenuity of that transformation, I am glad my broken teapot is still a teapot.

This teapot with similar form and decoration shows what the original handle and spout might have looked like on mine.

Photo courtesy of Alain Truong

Welsh jug with metal handle, c.1850

Saturday, April 29th, 2017

This little pearlware pottery cream jug was made in the unpronounceable village of Ynysmeudwy, Wales during the mid-19th century and was part of a child’s tea set. It is decorated with moulded relief of hunters, dogs, and flowers, with flow blue glaze and copper lustre bands at the rim and base. It stands nearly 3.5 inches high and is marked “35” in copper lustre on the underside.

As is true of the many fragile items for children that I have in my collection, this poor jug must have slipped from the hands of a nervous child, who no doubt was told to handle it with care. Well over 100 years ago, as a result of the mishap, a tinker made a sturdy metal replacement handle. There must have been a lot of pressure placed on small children when they were given delicate playthings like this, and unjustly punished when the inevitable happened. I can just imagine the collective sigh of relief heard worldwide when children were given unbreakable toys made of plastic to toss about as they pleased.

This jug of similar form and decoration suggests what the original handle on mine might have looked like.

Photo courtesy of eBay

Georgian creamware teapot, c.1790

Saturday, April 1st, 2017

I love finding pieces with multiple repairs and this lovely soft paste pottery creamware teapot with pearlware glaze fits the bill nicely. It was made in Staffordshire or Leeds, England, in the late 1700s and is hand painted with spritely polychrome floral decoration on both sides. It measures 5 inches high and is marked with what appears to be A+A in red on the underside of the pot and lid.

But of course the reason it ended up in my collection is the three inventive repairs, which include a slightly exaggerated bronze handle covered in rattan, a brass collar concealing a chipped spout, and a cracked lid repaired with brown paper tape. I believe each repair was done years apart so one can only assume that the previous owners of this teapot were a clumsy lot.

This teapot still has its original handle and spout and shows what mine may have looked like before it was repaired.

Photo courtesy of Skinner

Qianlong punch pot, c.1760

Sunday, March 12th, 2017

This large porcelain Chinese punch pot with blue & white floral decoration was made during the Qianlong period (1736-1795). It measures nearly 9 inches high and 11 inches from handle to spout.

In the mid-1700s, alcoholic punch, which consisted of spirits, water, sugar, nutmeg, and spices, was served in what looks like oversized teapots. I guess too much alcohol was added to an early batch, as whoever held this pot at the time was a bit tipsy and dropped it. After the handle shattered, it was taken to a tinker who made a bronze replacement. The raw metal was wrapped in wicker to protect one’s hands from the hot contents of the pot. Over the past 200 years or so since the repair was made, much of the wicker has fallen off, exposing the metal. I can only hope that the next person who fills this pot with hot punch remains sober and keeps a tight grasp on it.

This punch pot of similar form shows with the original handle on mine most likely looked like.

Photo courtesy of Doyle

Chinese mug with metal handle, c.1780

Saturday, February 4th, 2017

This bell-shaped footed porcelain mug was made in China in the late 1700s for export to Europe and North America. It is painted in the Famille Rose palette with polychrome enamels and depicts a domestic scene with family members gathered around a large green table. I particularly like the porcelain teapot and cups on the table, as well as vases and garden seats nearby. It measures 6.25 inches tall and 4.5 inches across the top.

At some point in this mug’s early life something went awry. We will never know for sure if a scullery maid, a small child or a cat knocked over the mug, causing the handle to snap off. But rather than toss out the broken pieces, the owner brought them to a clever chap who made a simple bronze replacement handle. Many years later the handle was painted white, and now is discolored a sickly yellow. I am tempted to strip off the offensive veneer to reveal the rich bronze color beneath, but for now I will keep it as is.

This mug, with similar form and decoration, shows what the original loop handle on my mug might have looked like.

Photo courtesy of The Saleroom

Chinese jug with pewter handle, c.1775

Sunday, November 20th, 2016

This porcelain cream jug with baluster form and a sparrow beak spout was made in China during the Qianlong period (1736-96.) It is decorated in the Famille Rose palette and measures 4 inches high and is about 4 inches wide. The floral swag decoration suggests it was made for the French market.

I can just imagine a French maid in the early 1800s, clearing the breakfast table, grabbing this little jug with fingers still dripping with butter from making croissants, and letting it slip and tumble to the ground. Sadly, the cover and handle must have broken into too many pieces to repair, so a tinker was engaged and created a pewter replacement handle. Not sure if the shattered cover or the maid with shattered nerves were ever replaced.

This jug with similar form and decoration shows what the the original handle and cover on mine looked like before it took a tumble.

990632

Photo courtesy of Andrew Dando

Pair of Famille Rose dragons cups, c.1890

Sunday, November 6th, 2016

This pair of unmarked Chinese porcelain cups from the Guangxu period (1875-1908) are nicely decorated in the Famille Rose palette with peach trees, dragons chasing flaming pearls, and koi fish in waves. Each measures nearly 2.75 inches high and 4 inches in diameter.

It’s hard to tell if the bronze handles, most likely added in the early 1900s, were replacement handles or if they were attached to transform handless bowls into drinking cups.

Finding pairs of inventive repairs is uncommon and I am always on the lookout for more examples. In the coming weeks I will show other pairs from my collection so stay tuned.

img_8215-version-2

img_8218

img_8224

img_8320

img_8219

img_8220-version-2

img_8225

Canary yellow jug, c.1825

Sunday, October 9th, 2016

This one’s a mystery. A few years back, I purchased this small, canary yellow, footed pottery jug with brown floral decoration from a dealer in the UK. I was thrilled to add it to my collection, as I had not seen another piece quite like it. But therein lies the conundrum. It’s such an unusual piece that I can’t find any information about it. After showing it to a few experts in the field, it has been determined that it was most likely made in North East England around 1820 to 1830.

The jug stands 4.75 inches high and has a sturdy metal tinker’s replacement handle added in the 19th century. If anyone has further information about this jug or has seen other examples with similar decoration, please let me know. I am eager to mark this investigation “case closed!”

IMG_5467

IMG_5468

IMG_5470

IMG_5471

IMG_5474