Archive for March, 2010

American pressed glass goblet, c.1855

Friday, March 12th, 2010

A geometric pattern flint glass goblet in the “Excelsior” pattern, measures 5-3/4″ high and was made by McKee Bros. of Pittsburgh, PA.

The original glass base was replaced with this most unusual 4-prong painted wood base, one of the more whimsical replacement bases I have ever seen.

The broken stem of the goblet can be seen on the underside.

Below is an intact “Excelsior” goblet with an offset-flute stem base. This is what my goblet would have looked like before its replaced inventive repair base was added .

Photo courtesy of the University of Wisconsin

Marquis de Lafayette jug, c.1830

Friday, March 12th, 2010

English pottery jug made for export to the American market in 1830, with copper lustre glaze and bat printed black transfer decoration on a canary yellow ground. Attributed to Enoch Wood, an earthenware manufacturer at the Fountain Place Works, Burslem, UK.

The transfer decoration depicts Marquis de Lafayette (1757-1834), the French aristocrat and military officer who served under George Washington in the American Revolutionary War.

The front of the jug has a cartouche containing a generic fruit still life.

This impressive jug measures 7-1/2″ high.

The other side shows General Cornwallis resigning his sword to Washington at Yorktown, Oct. 19, 1781.

A tinsmith created this substantial metal handle and bands which replaces the broken pottery handle. Fragments of the original handle remain on the jug, revealing the reddish brown color of the clay.

This similar jug in pristine condition shows what the original, more elaborate handle looked like before it broke off.

Photo courtesy of Live Auctioneers

American Rockingham jug, c.1870

Thursday, March 11th, 2010

Also known as Bennington pottery, this yellow ware pottery pitcher has a lustrous manganese brown glaze. American Rockingham, made in Bennington, Vermont in the 19th century, is named for the Marquis of Rockingham, whose works produced a ware of similar color in England.

Jug measures 7-1/2″ high and has a replaced brass handle and straps, most likely made by an itinerant brazier. The unusual choice of brass compliments the warm glaze tones.

Similar jug showing what the handle on my jug might have looked like.

Photo courtesy of Ruby Lane

Leeds pepper caster, c.1820

Thursday, March 11th, 2010

Baluster form pottery pepper pot from England with cobalt decoration, measures 4-1/4″ high.

A base carved from wood and painted blue to match the caster’s decoration replaces the original broken base.

Putty was added to the crudely carved wood base to adhere it to the bottom of the pot.

This Leeds pot with similar form and decoration has its base intact.

Photo courtesy of John D. Wahl Antiques

Royal Worcester cabinet cups, c.1875

Thursday, March 11th, 2010

Beautifully hand painted birds grace this pair of funnel shaped cabinet cups with loop handles, made in England by Royal Worcester in the third quarter of the 1800s. Each cup measures 2.75 inches high and 3.5 inches wide and each has its own inventive repairs. The finely painted decoration is attributed to John Hopewell.

The cup on the left has a replaced metal handle, painted with white and gold enamel to match the original handle.

When the cup broke in half, it was riveted together with 6 tiny brass staples (the top one on the outside rim is now missing), also masked with white enamel.

Small birds on branches are seen on the other side of the delicate cup.

A close up of the fine hand painted bird with wonderful colors and detail.

The cup on the right has 5 brass staple repairs but maintains the original handle.

This is what the original handle on the other cup looked like before it was replaced.

Another beautifully rendered bird in multicolor enamels.

Marked in red on the underside  ‘8292’ and  ‘8292 R’

Etched glass celery vase, c.1885

Thursday, March 11th, 2010

Every fashionable American household in mid to late 19th century had an Early American Pattern Glass (EAPG) celery vase in use on their dining table. It was the perfect vessel to keep celery and carrot sticks upright and immersed in cold water.

This wonderful example has the highly detailed “Deer and Dog” pattern etched on to the glass surface.

Vase measures 9-1/2″ high.

The other side of the vase reveals the image of running deer.

Thoughtfully made silvered metal replacement base follows the scale and lines of the original.

This example with etched fern pattern maintains its original glass base.

Photo courtesy of Crescent City Auction Gallery

Eastern European teapot, c.1925

Thursday, March 11th, 2010

I am asked “What is your favorite antique with inventive repair?” often by friends and colleagues. So after years of vacillating, I am finally committing to giving an answer.

This little teapot…

I found this small globular teapot 5 years ago, and knew very little about it at the time. The dealer I purchased it from had no information regarding its origin or history, so it remains a bit of a mystery to me.

It is made of porcelain, measures 3-1/2″ high, 6-1/2″ wide and appears to be mass produced. The simple Art Deco inspired decoration of large and small navy blue dots help date the piece to the mid 1920’s -30’s. It reminds me of Czech pottery of the same period, so I am assuming it is from the same region.

No part of this poor teapot has escaped damage, making it by far the most altered piece in my collection.

There are 18 metal support staples, a replaced hand-hammered tin base, a large tin patch on one side, a mended chip on the lid grafted from another lid entirely, and a wire tether holding the lid in place.

The  numerous metal staples (aka rivets) appear to be machine made and are reinforced with cement.

The original owner must have really cherished their teapot and made a great effort in trying to make it whole again.

If anyone has further information regarding the origins of this piece, please let me know.

And if you ask me “What is your favorite antique with inventive repair?” a year from now, I reserve the right to respond differently!

Chinese Yixing teapot, c.1750

Thursday, March 11th, 2010

This Yixing (pronounced ee-shing) pottery teapot with paneled body and bracket base is made of purple clay and was meant for use with black and oolong teas.

Teapot measures 5-1/2″ high, 8-1/2″ wide.

Lid features a wonderfully detailed dog finial with movable pierced marble ball.

Damaged spout was replaced by this beautifully crafted silver replacement.

This Copeland Spode teapot with a similar shape was made in England, c.1879.

Photo courtesy of Ruby Lane

Ridgway “Apostle” stoneware jug, c.1842

Thursday, March 11th, 2010

A large stoneware pottery jug with a salt glazed finish and deep relief decoration, registered in 1842 by Ridgway and designed by Charles Meigh & Co in Hanley, Staffordshire, England.

There are 8 apostle figures standing in 8 Gothic arches surrounding the jug.

Gothic revival style jug measures 10-1/4″ high by 10-1/4″ wide.

Charles Meigh’s first relief molded jug was made in 1835 and his “Apostle” jug is the most famous and popular.

An elaborate tin replacement handle mimics the original handle form.

This intact jug shows the original handle design. I’d say the tinsmith did a spectacular job recreating the broken handle with his similarly shaped and detailed replacement.

Photo courtesy of Victoria & Albert Museum

English sugar bowl, c.1820

Thursday, March 11th, 2010

An English pottery sugar bowl with lush floral blue & white underglaze transfer decoration made by Davenport in the first quarter of the 1800s.

Sugar bowl measures 3-1/2″ high and 5-1/2″ wide.

Marked on the bottom with an impressed DAVENPORT and anchor. At some point the matching lid was broken or lost and was replaced with an unassuming carved wood lid. The knob, made from a nail, is even less assuming.

This small piece of paper, the size of a fortune cookie fortune, was found inside with this faded inscription: “Great Great Grandmother Pate – 1770”.

This complete sugar bowl from the same period, still maintains its original matching lid.

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Photo courtesy of The Metropolitan Museum of Art