Posts Tagged ‘pottery’

Salt glazed drabware teapot, c.1800

Thursday, June 17th, 2010

English stoneware pottery teapot with neoclassic molded relief panel design. This form was copied from a c.1790 Spode caneware teapot, which they had copied from Neal & Co. a few years earlier. It was not unusual for manufacturers to “borrow” designs from each other and they would usually vary the spout or handle design just a bit to make the designs more unique.

Teapot measures 5″ tall and has an identical urn with swags motif on both sides.

An existing metal lid from another object was trimmed to fit this teapot, after the original stoneware lid broke.

The underside of the flimsy metal replacement lid.

The photo below shows what the original lid would have looked like, before it was replaced by the metal lid. The teapot on the top was made by Neale & Co. and dates from 1778-92. Spode made the bottom teapot, dating from 1790.

From the book “British Teapots & Tea Drinking” by Robin Emmerson, published in London by HMSO in 1992.

“Bacchanalian Cherubs” saucer, c.1830

Monday, June 14th, 2010

Blue & white transfer printed pearlware pottery saucer, showing a group of inebriated cherubs picking grapes. Measures 4-3/4″ in diameter.

Made in England by Patterson & Co. in the early 19th century.

Marked on the bottom with the number “84” in blue, but without a maker’s name.

Saucer was repaired in the 19th century and is now held together with one dozen metal staples, including some of the smallest examples I have ever seen at 3/8″ long.

Large Sunderland jug, c.1855

Thursday, June 10th, 2010

This “Dutch” shape pottery jug was made in Sunderland, England, to commemorate the Crimean War. Decorated on one side with black transfer image of “A Frigate in Full Sail”, with overglaze polychrome enamel and pink lustre decoration

Most Sunderland pieces were produced at Anthony Scott’s Pottery in Southwick, Dawson’s Pottery in Low Ford (now South Hylton), or at Dixon, Austin & Co., all along England’s Northeast coast

Jug stands 8-1/2″ tall and is 13″ wide

A faux coat of arms with “CRIMEA” flanked by an eagle and a lion, English and French flags, along with banners that read: “MAY THEY EVER BE UNITED” and “VIVE L’EMP, REUR…GOD SAVE THE QUEEN”

A large metal handle with thumb rest and finger grip replaced the pottery handle formerly on the jug. Small metal tabs are all that remains of the support band seen at the top of the handle, as well as rust stains on the jug’s front surface

This jug with identical Crimean War transfer decoration still has its original handle

Photo courtesy of WorthPoint

Swansea cherub jug, c.1855

Monday, June 7th, 2010

Welsh pottery jug in the “Idle Apprentice” pattern made in Ynysmeudwy, West Glamorgan county, Southwest Wales

Jug measures 6″ high and is brightly decorated in polychrome glazes and pink lustre highlights

Relief design including a single cherub, grape clusters, flowers and scrollwork is found on both sides of the jug

Broken ceramic handle has been repaired with a crudely made metal replacement, including a multi-piece support band encircling the jug…

and wrapping around the broken handle fragment at the bottom

This same shaped jug in white, and more somberly decorated in copper lustre, shows its original ornate handle

Photo courtesy of Dorian’s Antiques

Black “one cup” teapot, c.1830

Friday, June 4th, 2010

Also known as a “Bachelor’s teapot” this small English stoneware teapot with a low round shape from the early part of the 19th century has an “Egyptian black” or “shining black” glazed finish and stands 3-1/4″ tall. Some collectors and dealers believe tiny teapots such as this to be miniatures or part of a child’s tea set.

Spaniel lid finial is similar to the one on my post dated 3/12/10, English black teapot, c.1810.

Ornate low relief scrollwork design surrounds the teapot and carries over to the handle design.

The end of the broken spout is repaired with a simple tin collar, one of the most common and simplest of metal repairs.

Spanish earthenware bowl, c.1790

Tuesday, May 25th, 2010

Tin glaze earthenware bowl made in the town of Puente del Arzobispo, near Talavera de la Reina, an important ceramic center in the Castilla – La Mancha province of Spain. Puenta became one of the most important centers for ceramic production, after being founded in the early 1200’s.

Nine 2″ long rustic iron staples repair the cracks in this bowl.

Green, yellow and brown tin under glaze decorate the bowl’s surface with an abstract design.

Bowl measures 11-1/4″ diam, 5″ high.

Two “Epsom Cup” jugs, c.1850

Monday, May 24th, 2010

Each of these polychrome decorated jugs was purchased separately and in different countries one year apart. Both have the same relief stag & dog decoration and possess a similar metal replacement handle. They were most likely made in Staffordshire, England.

The larger jug (left) has pink lustre decoration and measures 6.5 inches tall. It was purchased in the UK, not far from where it was made.

The smaller jug (right) was found in Maine and has a polychrome flow blue and pink lustre decoration. It stands 6inches tall.

Both jugs have tin replacement handles of a similar design

“EPSOM CUP” is impressed only on the larger jug

These three jugs of graduating size still have their original branch form handles

Photo courtesy of WorthPoint

Wedgwood drabware teapot, c.1830

Tuesday, May 18th, 2010

Egyptian-shaped jasperware teapot with “drab” colored body and white relief overlay decoration of grapes and vines, made in England by Wedgwood in the first quarter of the 19th century. Josiah Wedgwood founded the British pottery firm in 1795 and it has grown to become one of the most famous names associated with pottery.

Teapot measures 4-3/4″ high and is 10″ wide.

The replaced lid and spout tip with engraved grape leaf & vine decoration are so elaborate and well executed that I initially thought they were original to the teapot. The silver plated knob is in the spirit of the original.

Stamped “WEDGWOOD” with incised mark on the underside.

This child’s tea set includes a teapot with a miniature version of my larger teapot, showing its original lid and spout.

Photo courtesy of WorthPoint

“Stone China” transferware jug, c.1830

Friday, May 14th, 2010

“Filled-in transfer” is the term describing the of use of multicolor enamel washes over printed transfer decoration. This English “Dutch” shape jug was most likely made by Spode, founded by Josiah Spode in Stoke-on-Trent in 1767. His “Stone China” line, a new type of stoneware that gave the appearance of porcelain, was introduced in 1813 to great acclaim.

This oriental style of decoration copied the popular Chinese export porcelains of the 18th & 19th century.

Jug measures 5″ high by 7″ wide.

Cobalt blue transfer mark printed on the bottom includes the ubiquitous lion and unicorn.

Tin handle has rusted over the years but still functions as a practical replacement.

This jug with similar form and transfer decoration maintains its original handle.

Photo courtesy of Hudson Antiques

English “Chinese House” mug, c.1790

Thursday, May 13th, 2010

This large soft paste pearlware ale mug was most likely made in Staffordshire, England in the late 1700s. Standing 6-1/2″ tall, the mug is decorated in cobalt blue underglaze with the “Chinese House” pattern, a popular middle class replacement for similarly decorated Chinese porcelain, affordable only to the wealthy. I am quite fond of this loose, stylized decoration; a melding of Eastern and Western influences. The sturdy 19th century replacement handle, with thumb rest and support straps, is made of Britannia metal, aka Britannium, a composite made up of 93% tin, 5% antimony and 2% copper. A traveling tinker made repairs such as this for the townspeople who saved their cherished broken wares in need of his services. Members of the upper class would have taken their damaged goods to a silversmith, resulting in a more refined sterling silver replacement.

This is what the simple loop handle must have looked like before it broke off, as seen on this similarly shaped mug of the same period.

photo courtesy of Earle D. Vandekar