Posts Tagged ‘English’

Royal Crown Derby footed dish, c.1905

Sunday, February 10th, 2019

This porcelain serving dish was made in England by Royal Crown Derby in 1905. It is hand painted in the Imari palette of cobalt blue, iron red, and gilt. On the underside is a red printed mark ROYAL CROWN DERBY, ENGLAND with cypher and an incised mark DERBY, 7-04, dating it to 1905. It measures 10 inches by 7 inches and is 1.75 inches high.

Although two painted metal staples on top of one of the handles hint at what is hiding below deck, it isn’t until this pretty dish is flipped over that things gets more interesting. After this dish fell to the floor and shattered into 9 pieces, it was taken to a china mender, who made it whole again by drilling 68 tiny holes and adding 34 metal staples. Typically china menders charged per staple, so this repair job must have cost the owner a pretty penny.

Felspatic stoneware jug, c.1820

Friday, January 11th, 2019

This Dutch shape stoneware jug with a moulded fox hunting scene was made in Staffordshire, England, perhaps by Chetham and Woolley. It dates from 1810 to 1830. The top portion is glazed in cobalt blue and the lower portion is unglazed. It measures 3.5 inches high and is unmarked. I particularly like the molded screws on the handle.

After the spout became badly chipped or broke off entirely, the jug was taken to a silversmith, who created a silver replacement spout. Though a bit squatter than the original most likely was, it is well made and more importantly, allowed the jug to function once again.

This jug of similar form shows what the original spout on my jug might have looked liked.

Photo courtesy of Paul Bohanna Antiques

Copper lustre jug with badminton decoration, c.1830

Sunday, September 9th, 2018

This English copper lustre jug with canary yellow and painted over transfer decoration of a woman and child playing badminton, dates from around 1830 and stands 5.75 inches high. It is not uncommon and I have seen dozens of examples of it in various sizes, all priced affordably.

What sets this particular jug apart from the other “perfect” examples are the inventive repairs. Unable to glue the original broken handle back on, a metalsmith in the 1800s fashioned an ornate replacement and used 2 metal staples to stabilize cracks. I find the metal handle quite pleasing, and am not at all bothered but the metal staples, which can be viewed as badminton birdies flying away.

This is what the jug looks like with its original handle intact.

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Photo courtesy of Martyn Edgell Antiques

Mocha ware mug with marbled and combed slip, c.1780

Sunday, July 15th, 2018

This wonderfully graphic mug was made in England in the late 1700s. It is decorated with marbled and combed slip in shades of brown, tan, and cream, reminiscent of French marbled paper. It stands 5 inches high and has an opening diameter of 3.25 inches. The metal replacement handle, most likely made by an itinerant metalsmith in the 19th century, has developed a warm patina over the past 150+ years, which compliments the decoration nicely.

I purchased this mug at auction, along with a few other pieces, which were originally in the collection of Jonathan Rickard, renowned mocha ware expert and author of Mocha and Related Dipped Wares, 1770-1939. He says of this mug “The marbled & combed mug came from a British dealer and it originated around 1775-1782 based on wastes from the William Greatbatch excavation.” Thank you Jonathan for your devotion, thorough research, and love of all things mocha.

This mug, with similar form and decoration, suggest what the original handle on mine might have looked like.

Photo courtesy of Mr. & Mrs. Jerome Blum

Family platter with kintsugi gold repair

Sunday, June 17th, 2018

Many years ago, Mark inherited dozens of pieces from a large earthenware dinner service made in England by Enoch Wood & Sons, c.1835-1846. The set was previously owned by his grandparents and although I assumed they liked it, everyone else in the family thought it was ugly. I am not typically a fan of multi-color transferware but I love this set, especially the Grand Tour theme, consisting of different romantic European vistas. After his grandfather passed away, it was clear that nobody wanted the dishes except for us. Before we received them, Mark’s uncle Dick extracted some of the pieces and sent one to each family member as a memento, including this small platter, which was sent to Mark’s mother Mary. Sadly, it did not make the journey from Massachusetts to Washington intact. The shattered platter sat on top of Mary’s piano for a couple of years and the next time I saw it, about a year later, a small tube of glue was sitting amongst the broken shards. After yet another year or so, I saw that an attempt had been made to repair the platter and curiously, a metal washer (!) had been inadvertently glued to the front. At this point, I had to take matters into my own hands and asked Mary if I could rescue the platter and try to repair it myself.

I had recently taken a Kintsugi class to learn the ancient Japanese method of repair using lacquer and gold, and felt this platter was a worthy candidate. I used brown urushi lacquer to join the pieces, painted over the cracks with red lacquer, and finally applied real gold dust. The bond is supposedly stronger than any known cement, epoxy or glue.

The Japanese believe in embracing imperfections and I am thrilled to have brought some dignity back to this poor platter. My next project is a HUGE meat platter from the same set which fell off the wall, shattering into dozens of pieces. I’ve got my work cut out for me so stay tuned.

Small Sunderland jug “Great Australia”, c.1865

Sunday, May 20th, 2018

This small Dutch shape pearlware pottery Sunderland jug, commemorating the sailing ship “Great Australia”, stands 6.25 inches high. It was made in Sunderland, UK, c.1860-1870 and has pink lustre and dark red transfer decoration with over washes of yellow, green, and blue. The other side has the verse: “From rocks and sands and barren land. Kind fortune keep me free. And from great guns and woman’s tongues, Good Lord deliver me.” A nice sentiment, although not quite politically correct.

A tinker in the 19th century created the metal replacement handle with finger grip and a wide horizontal band, replacing the original broken pottery handle.

I purchased this jug and a medium size one from a London dealer earlier this year. Along with a large jug I purchased many years ago from a different dealer in London, I now have a trio of graduating size jugs, each with similar decoration and metal replacement handles. Take a look at the other two: Large Sunderland jug, c.1855Medium Sunderland jug “Great Australia”, c.1865. I promise one day to snap a photo of all three jugs together.

This jug of similar form and decoration shows what the original handle on mine would have looked like.

Photo courtesy of Metropolitan Museum of Art

Mocha ware mug with seaweed & rouletted decoration, c.1800

Sunday, April 29th, 2018

This mocha ware mug was made in England, c.1800. It is lavishly decorated with two bands of brown slip, “seaweed” decoration, and rouletted patterns at the top and middle. It stands nearly 6 inches high.

Strange that even with the sustained damage, which occurred over 100 years ago, the original strap handle with foliate terminals remains intact. The multiple fractures were stabilized by a tinker in the 1800s by adding two metal bands around the top and middle section. The mug no longer holds liquids as it once did, but remains a staunch symbol of survival.

I was thrilled to add this beauty, once owned by author Jonathan Rickard, to my collection. Jonathan writes: “The quart mocha mug came from a Rhode Island dealer whose name escapes me. It was at the Tolland, Connecticut annual show perhaps ten years ago. Like most dipped wares, it will remain anonymous regarding its maker.” Thank you Jonathan, the Rhode Island dealer, and all of the other previous owners for saving this wonderful mug from the trash heap.

Mocha ware jug with wavy slip decoration, c.1830

Sunday, March 25th, 2018

This pearlware pottery jug is decorated with cream colored wavy parallel white slip lines and dots on wide blue bands. It was most likely made in England, circa 1830. It stands 7 inches high and is 9.5 inches from handle to spout.

Many things make this jug special, including the free spirit decoration and the wonderful tin replacement handle with thumb and finger grips. An added bonus is that it was once owned by the Master of Mocha, Jonathan Rickard, who purchased it in New Hampshire about 8 years ago. Jonathan wrote Mocha and Related Dipped Wares, 1770-1939, the preeminent book on the subject. I was fortunate to buy 4 pieces from his renowned collection and will post the remaining 3 in the coming months.

This jug, with similar form and decoration, shows what the original loop handle on my jug might have looked like.

Photo courtesy of Pinterest

Mansion form teapot with metal lid, c.1750

Saturday, February 17th, 2018

This whimsical teapot in the form of a three-story Georgian mansion is made of saltglaze stoneware pottery. The molded decoration includes a coat of arms, guards, animals, vines, birds, a dancing couple, and a crane on a serpent’s head spout. It measures 5.75 inches high, 8 inches wide from handle to spout and was made in the Staffordshire region of England, circa 1750-1760.

After the original lid broke or went missing, an intricate tin replacement in the form of a shingled roof with a chimney as knob was made by a clever tinker. This is one of just a few replacement lids I have come across where the repairer copied the form of the original, and I am so glad that he (or she) did!

 

 

 

 

 

 

 

 

 

 

 

This teapot of similar form suggests what the original lid on mine might have looked like.

Photo courtesy of eBay

Medium Sunderland jug “Great Australia”, c.1865

Sunday, February 11th, 2018

This Dutch shape pearlware pottery jug was made in Sunderland, England, c.1860-1870. It has dark red transfer decoration of the sailing ship “Great Australia” on one side and verses on the other side and front, accented with washes of pink lustre, yellow, green, and blue. “Great Australia” was built for Messrs Baines & Co. in Liverpool and launched in Decemeber 1860. Jug measures 8 inches high and 9.5 inches from handle to spout.

The large metal replacement handle with finger grip, thumb support, and a wide horizontal band were done by a tinker in the 19th century. As these jugs were prone to constant wear and tear, it was not uncommon for handles to break off and be replaced. Larger towns and cities had local tinkers but if you lived in a smaller town or village, you would bring your broken household items to itinerant tinkers, who would travel from town to town and set up on the side of the road or in the town square.

I love finding make-do’s in multiples and was thrilled to find this jug, which is one of a pair. Even better, they match a large jug I purchased many years ago with a similar metal replacement handle, making the set, graduating in size, a trio. Take a look at Large Sunderland jug, c.1855 the largest jug I previously posted.

This jug of similar form and decoration shows what the original handle on mine would have looked like.

Photo courtesy of Metropolitan Museum of Art