Posts Tagged ‘English’

Worcester “Bride of Frankenstein” jug, c.1780

Sunday, June 5th, 2016

This First Period Worcester sparrow beak cream jug has cobalt printed transfer decoration in the “Fisherman and Cormorant” or “Pleasure Boat” pattern. On the underside is a cobalt hatched crescent C mark, used at the Worcester factory between 1755 and 1790. It stands 3.5 inches tall.

At first glance this small jug appears to have a common metal pin repair to the handle, but upon closer inspection you will see it has a much more interesting tale to tell. This is a marriage repair: two different broken items that become one unique piece. I call this my Bride of Frankenstein Jug, in homage to my Monster Mug, a large Chinese export mug with a replacement handle made from a Mason’s Ironstone Hydra jug. In both cases, rather than a tinker making a metal replacement handle, a crafty repairer carefully removed the handles from damaged jugs and grafted them onto the bodies of these vessels. The ground down remains of the old handle are still visible, as the replacement is shorter than the original.

One can only imagine what became of the original broken donor jug, as once the usable parts were removed and used to bring the other jug back to life, its remains were most likely cast aside in a dump, eventually crumbling and returning to the earth.

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This identical jug shows what the original handle on mine looked like before it became undone.

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Photo courtesy of The Saleroom

Covered vegetable dish, c.1830

Sunday, May 22nd, 2016

This English pottery covered vegetable dish measures 12.5 inches by 10.25 inches and has brown transfer decoration of Greek buildings, urns, and classical figures. Although a potter has yet to be confirmed, there is speculation that it may have been made by Hicks, Meigh, & Johnson in Shelton, Staffordshire, between 1822 and 1835. It is marked on the underside “ANTIQUES, Stone China”.

When the original handle on the cover broke off, a tinker made this chunky iron replacement. Although it in no way matches the elegance of the original handle, this sturdy repair allowed for the cover to function once again.

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This covered dish with similar form shows what the original handle on mine might have looked like.

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Photo courtesy of Antiques Image Archive

Miniature cup with staples, c.1910

Sunday, May 1st, 2016

This is the one of the smallest antiques with inventive repair I have ever seen. Made in England by the Crown Staffordshire Porcelain Co. Ltd. in the early 1900s, the cup is a mere 3/4 inches high and the matching saucer has a diameter of just 1 inch. Both are decorated with pink flowers on a cobalt and gilt ground. The cup is stamped in green on the underside CROWN above the image of a crown. The same mark is barely visible on the underside of the saucer.

The smallest of the 3 metal staples on the cup measures a mind-boggling 1/8 of an inch long. After the staples were applied, they were painted over to blend in and appear less offensive. I can only imagine the precision and skill needed to make this delicate repair.

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Here is an entire miniature tea service also made by Crown.

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Photo courtesy of Pinterest

Worcester inkwell & quill holder, c.1810

Saturday, April 2nd, 2016

This gorgeous porcelain drum form inkwell with conical reservoir and 3 quill holes is hand painted in polychrome enamels with gilt highlights. Made by Worcester around 1810, it is marked on the underside in red script “Goldfinch / Chamberlain’s Worcester.” It measures nearly 2.75 inches high with a diameter of just over 2.5 inches.

I can just imagine the dreaded day, well over 150 years ago, when this expensive inkwell dropped to the hard floor, breaking into 4 pieces. A skilled tinker or itinerant “china mender” came to the rescue by adding 7 iron staples and a copper band around the top, enabling the inkwell to function again. Putty was added to help seal gaps left along the rim and for added assurance that ink would not seep through the bonded cracks.

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This is another rare example of a Chamberlains Worcester inkwell, minus the early repairs that mine has.

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Photo courtesy of The Saleroom

Copper lustre jug with blue bands, c.1840

Saturday, March 26th, 2016

This copper lustre blue-banded pottery jug, decorated with polychrome relief birds and flowers, stands 6.25 inches high and 8 inches from handle to spout. It was made in England in the mid 1800s.

After the handle broke off, sometime in the 19th century, it was taken to a tinker who fashioned an overscaled metal replacement handle with crimped edges, and ample finger and thumb rests. The remains of the lower handle terminal were left on the jug so the tinker just went around it when he did his repair.

Copper lustre decorated wares originated in the 9th century and were first made by Islamic potters. Inspired by these early pieces, English pottery houses, including Spode and Wedgwood, developed their own techniques, starting at the beginning of the 19th century and continuing to around 1860. Although highly collectible for decades, lustreware has recently fallen out of favor and can now be purchased for a fraction of what it once sold for.

This jug, identical in form and decoration, shows what the original handle on mine looked like before it broke off.

Photo courtesy of Ruby Lane.

Stapled crystal decanter, c.1830

Sunday, March 13th, 2016

This cut crystal spirit decanter has panel cut shoulders, a single neck ring and a splayed top. It appears to be late Georgian, made in Ireland or England. It measures 8-1/2 inches high and is missing its mushroom form stopper.

Although it is not unusual to find cracked porcelain repairs with metal staples, glassware repaired in the same manner is less common. These metal staples made of thin wire repair a vertical crack on both sides, giving it the appearance of a laced corset.

This decanter with similar form has its original stopper but is without staple repairs. Guess which one I prefer?

https://www.1stdibs.com

Photo courtesy of 1stdibs

Whieldon-type creamware teapot, c.1780

Saturday, February 20th, 2016

This Whieldon-type English pottery drum-form teapot is made of cream colored earthenware and has a brown and green tortoiseshell stained lead glaze. It has a nicely formed intertwined double strap loop handle with large floral and leaf terminals. The teapot measures 4.5 inches high.

Sometime during its early life the original lid was broken or lost so this sturdy ivory lid was made as a replacement. Although not as fancifulness as the original lid must have been, the snug fit and warm ivory color suit this teapot just fine.

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This similar example has its original lid with tipped flower knop.

Photo courtesy of Live Auctioneers

Mocha ware tavern mug, c.1850

Saturday, February 6th, 2016

This small cylinder form mocha ware tavern mug was made in England in the mid-1800s and stands just 4 inches tall. It is decorated with blue & black bands and a broad teal ground with a bold seaweed pattern.

I’m guessing that the original handle of this mug broke off during a particularly rough bar room brawl. Luckily, a local tinker, sometime in the third quarter of the 19th century, was able to bring it back to life by adding an iron replacement handle with support bands.

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Similar mocha ware mugs and jugs can be seen on the bottom shelf behind the counter in this late 19th century photo.

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Photo courtesy of Martyn Edgell

This is what the original loop handle on my mug would have looked like prior to the brawl.

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Photo courtesy of The Antique Dispensary

Crystal jug with silver handle, c.1836

Sunday, November 29th, 2015

I found this little gem while vacationing in London last spring. While the majority of my collection is comprised of ceramics, I marvel at inventive repairs done on glass, which seem even more astonishing to me. This cut lead crystal pear shaped jug stands 4.75 inches tall, has an exaggerated spout with scalloped rim and heavily cut patterns. It was made during the Georgian era and is dated 1836, along with the name J. Jopling on a front panel. It is missing its original applied glass handle but in my opinion, the innovative replacement handle is much more interesting than the original one would have been.

Someone was clumsy in the mid 19th century and soon after the glass handle snapped off, it was taken to a silversmith who fashioned an elaborate silver replacement. A clever repair was done incorporating a delicately proportioned silver-plated handle and support wires and cuffs so that no holes were drilled through the body of the jug. Tiny screws at the back near the handle terminals allow for the handle to be completely removed without damage to the fragile glass. As much as I love the workmanship on this early repair, my only regret is that the repairer did not sign his work.

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This jug with similar form maintains its original handle and gives you an idea of what my jug might have looked like intact.

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Photo courtesy of 1stdibs

William of Orange commemorative jug, c.1840

Saturday, October 17th, 2015

This colorful soft paste baluster form commemorative jug was made in England around 1840 and is decorated with a figure of William of Orange on horseback, figures showing brotherly love, a crown, flowers and Protestant emblems. It has polychrome glazed black transfer decoration, hand painted flowers and pink lustre trim, measuring 6 inches tall and 7-3/4 inches wide from handle to spout.

After the original handle broke off, a tinker secured the sturdy copper replacement handle to the body using two flat screws. See an earlier post, Inventive repairs at the Rijksmuseum, showing a painting, Prince’s Day by Jan Havicksz Steen (1625-1679), depicting the birthday celebration of Prince William III of Orange-Nassau on November 14, 1650.

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This jug with the same transfer decoration still has its original handle intact.

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Photo courtesy of eBay