Posts Tagged ‘blue & white’

Clobbered Canton plate, c.1800

Sunday, December 9th, 2012

This Chinese porcelain plate started out life in the early 1800s with traditional blue underglaze Canton decoration. It was later painted over or “clobbered” with overglaze washes of red, green enamels and gilt highlights, without much thought to the original plate’s decoration. As the demand for more colorful wares increased throughout Europe, enterprising merchants painted over their slow selling blue and white ceramics. Much of the over decorating was done in the Netherlands, where the pieces were referred to as “Amsterdams Bont” (colorful wares from Amsterdam) . Plate measures 8-3/4″ in diameter.

After the plate dropped and broke in to 4 pieces, it was made whole again by the addition of 9 metal staples.

A “Chinese” mark on the bottom is actually part of the Dutch clobbered decoration.

This Canton plate shows what mine looked like before it was embellished.

Photo courtesy of Antique Helper

Chinese-English “monster mug”, c.1780

Saturday, November 24th, 2012

This is the story of a forced marriage between an 18th century Chinese porcelain mug and a 19th century English pottery jug, joined together by a mad tinker to live out the rest of their lives as one. The Qianlong period (1736-1795) mug with cobalt blue underglaze design stands 5-1/8″ high. The original handle, most likely in the form of a dragon, broke off sometime in the early 1800s. I imagine a clever repairer (or Dr. Frankenstein?) found a damaged English stoneware pottery jug, skillfully removed the intact snake-shaped handle and, using two metal rivets, reattached it to the body of a Chinese tankard…creating a hybrid Anglo-Asian monster mug!

This is what the original dragon handle on my Chinese mug would have looked like before it broke off. Photo courtesy of Ruby Lane

And this Mason’s Ironstone “Hydra” jug, made in Staffordshire, c.1830, shows the serpent handle intact. Photo courtesy of Selling Antiques

Nanking sauceboat with multiple repairs, c.1750

Saturday, September 1st, 2012

I have often expressed that I am a sucker for pieces containing more than one form of early repair and this little beauty does not disappoint, as it sports three separate repairs and a signature to boot. Chinese porcelain sauceboat, made for export in the mid-1700s, was originally part of a large dinner set consisting of up to dozens of place settings and serving pieces, including a matching pair of sauceboats. Painted with cobalt blue underglaze in the Nanking pattern, it measures 7-3/4″ long from end to end and is 4-1/4″ deep.

Repair #1: Metal replacement handle, which may have once been covered in woven reed, was riveted to the end of the sauceboat, echoing the loop form of the original.

Repair #2: After the sauceboat was dropped a second time, an eighteenth century china mender carefully applied six 1/2″ staples to adhere the two large broken pieces near the spout.

Repair #3: Three tiny 1/4″ metal staples affix another large piece which broke off at the end of the sauceboat. They were overpainted in blue to match the decoration and over one hundred years later have held up quite well.

Etched on the bottom is “Cove 835”, which I am assuming is the mark of the china mender or tinker who was responsible for one or more of the repairs. I have not been able to find out any information on this cryptic signature but will continue to search and I welcome information anyone can provide.

This porcelain sauce boat from the same period shows what the simple loop handle on my piece would have looked like, before the addition of the metal replacement handle.

Photo courtesy of Ruby Lane

Miniature pearlware ladle, c.1840

Saturday, August 25th, 2012

English miniature soft paste pottery pearlware ladle from set of child’s dishes, measuring 3-3/4″ long and dating from the early to middle 1800s. The two broken halves are bound together by a criss cross of thin brass wire woven through 2 tiny holes on either side of the break. Small dabs of cement in each hole help secure the repair.

I pity the small child who briefly lost the use of their ladle during what might have been a fantasy feast. And I applaud the person who came to the rescue, making the two broken pieces whole again, thus allowing the imaginary dinner party to continue!

 

Child’s pearlware teapot, c.1790

Wednesday, February 8th, 2012

Miniature pearlware pottery child’s teapot made in England in the late 1700’s. With cobalt blue underglazed Chinese House (aka Pagoda and Fence) decoration, derived from English Chinoiserie pieces rather than actual Chinese ornamentation.

I am surprised I have not come across more examples of miniatures and children’s items with inventive repairs, as I would imagine that slippery little fingers would surely have caused many a fragile toy to break. I just hope the children who damaged these items were not punished too severely.

Teapot measures 2-1/2″ high and was most likely made in Staffordshire between the years 1780 and 1800.

The simple loop handle which broke off over one hundred years ago, was replaced with a sturdy tin replacement with crimped edges and an upper support band by an itinerant tinsmith, look at the wild thing review. The top portion of the original handle was not ground down and still remains.

Provenance sticker: Roger Bacon Collection, Skinner auction Sept. 23-24, 1982.

This similarly shaped and decorated child’s teapot of the same size still has its original handle and an intact lid.

Photo courtesy of Pinterest

Miniature vase to scent bottle transformation, c.1700

Thursday, January 12th, 2012

Chinese Kangxi period (1662-1722) miniature porcelain vase, decorated in blue underglaze floral design. Costly miniatures such as this were collected by adults and were not necessarily made for children, although they are still commonly referred to as doll’s house miniatures.

After the neck broke off, an unmarked chased silver neck with chain & stopper was added, most likely in Amsterdam, sometime in the early to mid 1800s, turning the vase into a scent bottle. This is my favorite type of inventive repair; one where an object’s original function is altered and transformed into another.

Scent bottle stands a mere 3-1/4″ tall.

Please check out my other doll’s house miniature vases from the same period showing similar striking transformations.

This miniature vase, with nearly identical form and decoration, shows the original form with an intact neck.

Ming Swatow jar, c.1590

Saturday, October 8th, 2011

Small Wanli period (1573-1620) Ming pottery jar from Swatow, in Southeast China, with a blue underglaze decoration of deer and stylized plants with crackle glaze. I purchased this great little jar from a ceramics dealer in Amsterdam, where a replacement neck was created over 200 years ago after the original neck broke off.

Jar measures 3-1/4″ high, 3-1/4″ wide.

Remains of the original broken neck are mostly obscured by the replacement neck and collar.

The Dutch replacement copper neck has an elaborately engraved floral design.

This jar has the same form and decoration as mine but with an intact neck.

Photo courtesy of Trocadero

Chinese Nanking mug, c.1790

Saturday, August 6th, 2011

What a mess this guy is! It looks like someone threw it out of a moving car. This humble porcelain mug with cobalt blue Nanking underglaze decoration began its life in pristine condition over 220 years ago in China and was most likely exported to North America or Europe.

Measures 5″ high with a 3-3/4″ diameter.

The original porcelain handle seems to have gone missing some time ago. The rim appears to have been nibbled at by a porcelain mouse.

Although this mug is riddled with numerous cracks and chips, it will make a splendid pencil holder.

All that holds the mug together now is a single tin strap, added by a tinsmith in the 19th century.

Bits of old fabric strips once sealed the cracks on the bottom. Looks to me like the linen used to wrap mummies.

This mug, clearly in much better condition than mine, still maintains its original handle. But I am sure my mug had a much more colorful life.

Photo courtesy of Antiques.com

Classical jasperware teapot, c.1840

Friday, March 25th, 2011

The body of this small unglazed stoneware teapot is made of pale blue jasper (comprised of 59% barium sulphate, 29% clay, 10% flint, 2% barium carbonate) and is decorated with an applied white relief jasper classical scene decoration. It was made in Staffordshire, England around 1830-1850.

Teapot stands 4″ tall. The lid has a skep shaped knob.

The replaced metal handle is fastened to the body using metal bands that wrap around the top collar and bottom of the teapot. Although this method of repair is more unsightly than two small bolts holding a new handle to the body, it is less likely to leak.

Bottom is marked only with the number “43” incised in an applied relief seal. The remains of an earlier putty repair are also evident.

Imperial Nanking cup & saucer, c.1810

Wednesday, March 9th, 2011

A delicate Imperial Nanking porcelain cup with matching saucer, decorated in cobalt blue underglaze with gilt overglaze trim. Both pieces have a scalloped rim and were made in China for export to Europe and North America in the early 1800’s.

The cup measures 2-1/4″ high, with a diameter of 2-1/4″ and the saucer has a diameter of 5″.

When the lapped reeded handle broke off nearly 160 years ago leaving just the leaf terminals, a skilled metalsmith forged a bronze handle and covered it with woven rattan.

The original handle on my cup would have looked like the one on this cup of similar form and decoration.

Photo courtesy of Trocadero