Posts Tagged ‘pearlware’

Child’s pearlware teapot, c.1790

Wednesday, February 8th, 2012

Miniature pearlware pottery child’s teapot made in England in the late 1700’s. With cobalt blue underglazed Chinese House (aka Pagoda and Fence) decoration, derived from English Chinoiserie pieces rather than actual Chinese ornamentation.

I am surprised I have not come across more examples of miniatures and children’s items with inventive repairs, as I would imagine that slippery little fingers would surely have caused many a fragile toy to break. I just hope the children who damaged these items were not punished too severely.

Teapot measures 2-1/2″ high and was most likely made in Staffordshire between the years 1780 and 1800.

The simple loop handle which broke off over one hundred years ago, was replaced with a sturdy tin replacement with crimped edges and an upper support band by an itinerant tinsmith, look at the wild thing review. The top portion of the original handle was not ground down and still remains.

Provenance sticker: Roger Bacon Collection, Skinner auction Sept. 23-24, 1982.

This similarly shaped and decorated child’s teapot of the same size still has its original handle and an intact lid.

Photo courtesy of Pinterest

Floral pearlware cream jug, c.1800

Monday, January 2nd, 2012

Lightweight, soft paste pottery cream jug with fluted body, made in England, possibly by Lowestoft. Boldly decorated with hand painted pink flowers and diaper decoration on the inner rim.

Jug was made at the turn of the 19th century and measures 2-1/2″ tall by 4-1/2″ long.

Metal handle with thumb rest and finger grip replaces the original handle and was most likely made by an itinerant tinsmith.

One of 2 rivets which holds the tin handle firmly in place can be seen on the inside of the jug.

This nearly identical cream jug still has its original loop handle.

Photo courtesy of eBay

“Farmers Arms” harvest jug, c.1805

Saturday, October 15th, 2011

An English pearlware “Dutch” shape jug made in Staffordshire, England in the early 1800’s. It is decorated on both sides with a black transfer decoration with red & yellow overglaze washes and silver lustre bands at the top and bottom. Although it has been beat up over the past 200+ years, is riddled with numerous chips and cracks and lost its original handle along the way, I am glad to have plucked it from near oblivion.

The banner proclaims “INDUSTRY PRODUCETH WEALTH” along with images including a bee hive, shafts of wheat and farm tools.

Jug measures 4-3/4″ tall.

Below a banner which reads “TRUST IN GOD” is the verse:

“SUCCESS TO THE FLEECE

THE PLOUGH AND THE PAIL

MAY TAXES GROW LESS

AND THE TENANT NE’ER FAIL”

The replacement metal handle with thumb rest has been painted silver to blend in and appear more pleasing.

A metal bolt, securing the metal handle to the body of the jug, can be seen from the inside of the fragile jug.

This example has the same form and silver lustre decoration as my jug and shows what the original handle might have looked like.

Photo courtesy of Powerhouse Museum

Child’s transferware cream jug, c.1840

Thursday, January 20th, 2011

This diminutive cream colored pearlware pottery cream jug was part of a larger child’s tea set and was made in England in the first part of the nineteenth century.

It is decorated with a bat printed black transfer pastoral scene, which may have been inspired by an engraving from the same period.

Cream jug measures 2-3/4″ high.

The other side is decorated with a church scene with what appears to be fallen tombstones.

The crudely made metal replacement handle has crimped edges and a flat strap at the top, with a wrapped wire band at the base.

Another early child’s creamer from the early 1800’s is shown with its handle intact.

Photo courtesy of WorthPoint

Spongeware candle holder, c.1870

Thursday, July 22nd, 2010

When the stem and base of a 19th century metal candle stick became damaged, someone took the surviving bowl and attached it to a simple ceramic pearlware dish with sponged “flow blue” decoration. The result of that marriage is this more practical candle holder, which measures 5-7/8″ in diameter.

The metal bowl was attached to the dish using a short screw and early butterfly nut.

Due to the nut’s protrusion through the bottom, the candle holder does not sit well on a surface and makes for a less than ideal (and somewhat dangerous) candle holder.

Child’s waste bowl, c.1830

Monday, July 19th, 2010

A child’s waste bowl with brown printed transfer decoration on soft paste pearlware pottery, made in England in the early 1800’s. This small waste bowl was part of a child’s tea set which would have included a teapot, cream jug, sugar jar, plates, cups & saucers. The waste bowl (aka slop bowl) was used for emptying unwanted cold tea before refilling a cup with hot tea

One side of the bowl has a printed design depicting a girl and boy chasing a butterfly…

…the other side shows the same girl and boy after the successful capture of the butterfly

After the bowl was dropped and broke in to four pieces, it was taken to a tinsmith who created an elaborate metal truss to keep it intact. A puddle of light blue glaze seen on the inner rim confirms this to be a piece of pearlware pottery. Bowl measures 2-1/2″ high and has a diameter of 5″

Copper lustre jug, c.1820

Thursday, June 24th, 2010

English soft paste pearlware jug with copper lustre bands, pink lustre trim and applied low relief classical decoration of frolicking cherubs and animals. It was most likely made by Wedgwood around 1820.

A metal bolt, visible just below the pink lustre band inside of the jug, holds the replaced handle securely in place

Jug stand 3-3/4″ tall and is 5-1/2″ wide

A metal handle was bolted on to the body of the jug to replace the original handle after it broke off. Curiously, the metal replacement was gilded to match the copper color of the jug and not white to more closely resemble the original handle color

This jug, with the same form and similar decoration, shows what the original handle of my repaired jug would have looked like

Photo courtesy of Aurea Carter Antiques

“Bacchanalian Cherubs” saucer, c.1830

Monday, June 14th, 2010

Blue & white transfer printed pearlware pottery saucer, showing a group of inebriated cherubs picking grapes. Measures 4-3/4″ in diameter.

Made in England by Patterson & Co. in the early 19th century.

Marked on the bottom with the number “84” in blue, but without a maker’s name.

Saucer was repaired in the 19th century and is now held together with one dozen metal staples, including some of the smallest examples I have ever seen at 3/8″ long.

Pearlware sugar bowl, c.1825

Friday, May 28th, 2010

One of the most unusual repairs I have seen can be found on this early 19th century English pearlware sugar bowl with strap handles. Both sides are decorated with the same cobalt blue transfer decoration of a sheep shearer in a pastoral setting.

Sugar bowl measures 3″ high by 5″ wide.

After a hole bore through the thin-walled ceramic bottom, a clever restorer used a small piece of glass as a patch. An early paper label reads “ENGLISH SOFT PASTE 1770”, incorrectly dating the piece to be about 55 years older than it actually is.

The underside of the sugar bowl reveals a glass patch held in place with putty. Although not an attractive repair, it was probably a quick fix and has lasted longer than the owner most likely anticipated.

English “Chinese House” mug, c.1790

Thursday, May 13th, 2010

This large soft paste pearlware ale mug was most likely made in Staffordshire, England in the late 1700s. Standing 6-1/2″ tall, the mug is decorated in cobalt blue underglaze with the “Chinese House” pattern, a popular middle class replacement for similarly decorated Chinese porcelain, affordable only to the wealthy. I am quite fond of this loose, stylized decoration; a melding of Eastern and Western influences. The sturdy 19th century replacement handle, with thumb rest and support straps, is made of Britannia metal, aka Britannium, a composite made up of 93% tin, 5% antimony and 2% copper. A traveling tinker made repairs such as this for the townspeople who saved their cherished broken wares in need of his services. Members of the upper class would have taken their damaged goods to a silversmith, resulting in a more refined sterling silver replacement.

This is what the simple loop handle must have looked like before it broke off, as seen on this similarly shaped mug of the same period.

photo courtesy of Earle D. Vandekar