Posts Tagged ‘rattan’

The New York Ceramics Fair

Thursday, January 27th, 2011

This past weekend I attended the annual New York Ceramics Fair, held for the first time in the ballroom of the Bohemian National Hall, a beautiful Renaissance Revival style building from 1895, gorgeously renovated in 2008 with a striking modern interior.

I enjoyed seeing dealers I had met during past visits to the UK, as well as making new acquaintances with other knowledgeable and friendly vendors. Most were curious about my “unusual” interest in repaired ceramics & glassware but were happy to share their thoughts and insight with me. Although, I was a bit taken a back by an American dealer who was less than friendly when asked if she had any pieces with early repairs. It seems I unintentionally offended her by implying that she might be selling less than perfect goods, which I certainly was not.

John Howard brought a magnificent and rare model of Wellington on his horse Copenhagen. Towering at over 19″ high, this is probably the largest pottery figure made of Wellington from the Staffordshire potters just after the Battle of Waterloo, c.1815.

There are old tinker repairs to the legs which were made some 150 years ago.

An actual horse with broken legs would certainly have been sent to the glue factory. And perhaps the glue would have been used to mend broken pottery pieces.

Simon Westman, a dealer from Grays in London, brought with him two different ceramic items with inventive repairs.

A small pearlware jug decorated in Pratt colors with a tin replacement handle from Staffordshire, c.1800. This jug and repair is similar to my own “Sailor’s Farewell & Return” jug, also with a chipped spout in the same location.

Remains of the broken handle extend over the top of the replaced metal handle.

This saltglazed stoneware teapot with wonderful enamelled decoration was made in Staffordshire, c.1760.

The replacement lid is from a teapot of the same material and period, with an added metal flange to make for a tighter fit.

An unusual blown glass roemer from the Netherlands, dated 1662, was shown by Christopher Sheppard, also from London.

A 19th century pewter base replaces the original ribbed foot, which would have been built up out of glass threads.

This is what the original glass base might have looked like.

An English redware teapot c.1695, courtesy of Garry Atkins, has two inventive repairs.

A silver replacement spout with scalloped decoration stands in place of the long lost redware original.

The broken handle has been replaced with a rattan-covered bronze handle, well over 150 years ago.

Tiny sparrow beak cream jug, c.1750

Thursday, July 15th, 2010

I just picked up this miniature porcelain sparrow beak cream jug last week in Maine. It appears to be from a child’s toy tea service, although miniatures were made for adults to collect as well. This bulbous form jug was made in China during the Qianlong period (1736-96) for export to North America and Europe in the mid-1700’s

Jug is embellished with flowers, butterflies and a bird in orange, brown, black, green and ochre enamel…

…and  stands a mere 2-1/2″ tall, originally with a matching porcelain lid

A tiny bronze handle covered in woven rattan replaces the original porcelain handle, which must have broken off in the early to mid-1800’s

These Chinese export “toy” teawares were also made during the Qianlong period

Photo courtesy of M. Ford Creech Antiques

Chinese export hot-milk jug, c.1770

Wednesday, May 26th, 2010

Ribbed body ovoid form jug with sparrow beak spout is made of porcelain and has finely painted iron-red & gilt floral and scroll decoration. It was made in China between 1750-90 for export to Europe and North America

Jug stands 7-1/4″ and has sustained much damage over the past 135 years. In addition to the obviously replaced handle, the lid is cracked, chipped and is missing its pomegranate finial

The iron replacement handle is covered in woven rattan, itself in need of repair. There are layers of exposed insulating fabric between the metal and the exterior rattan surfaces

Twine was used to tie the lid to the handle, a practical yet unattractive way of keeping these two pieces from separating

This pot shows what the original handle might have looked like

Photo courtesy of Eldred’s

Chinese famille rose Mandarin teapot, c.1750

Saturday, March 27th, 2010

Globular shaped Chinese export porcelain teapot has finely painted enamel and gilt “Mandarin” decoration.

Both sides of the teapot have exquisitely detailed figures painted in the famille rose palette.

Teapot measures 5-1/2″ to the top of the lid.

The nicely woven rattan covered bronze handle is a replacement, fabricated in the late 18th to early 19th century.

This teapot with similar shape body and spout shows what the original handle might have looked like.

Photo courtesy of Guest & Gray

Large Chinese Qianlong mug, c.1760

Thursday, March 18th, 2010

This large Chinese porcelain mug from the Qianlong (pronounced SHEEN-LOONG) period is from the mid-1700’s and is decorated in the Mandarin style with polychrome enamels.

Mug measures 5-3/4″ high and has a finely painted courtyard scene, wrapping around three sides.

I love when there are multiple repairs on one object and this mug boasts three different types of inventive repair, including an incised bronze collar to mask chips along the rim.

A wicker wrapped bronze replacement handle stands in for the long lost original porcelain handle. Just below the brass collar are metal staples which stabilize a vertical crack.

The original handle was simply shaped, much like the one pictured below.

Photo courtesy of Guest & Gray

Pearlware blue & white cream jug, c.1820

Wednesday, March 17th, 2010

An English pottery pearlware footed cream jug with cobalt blue transfer decoration, measures 5-1/4″ high.

This was purchased in London at the start of my collecting antiques with inventive repairs.

It remains one of the favorite pieces in my collection.

The broken handle was faithfully reproduced in woven rattan and I have yet to see another example like it.

The original handle, as seen on the same shaped jug below.

Photo courtesy of Merlin Antiques

Chinese Imari pattern teapot, c.1750

Wednesday, March 17th, 2010

A Chinese porcelain globular form teapot with Japanese influenced Imari decoration, stands 4″ high. The bullet shape was inspired by European silver of the same period.

When the original porcelain handle broke off, the teapot was taken to a china mender and fitted with a bronze handle replacement. Finely woven rattan embellishes the metal handle as well as provides protection from the heat of a pot full of hot tea.

A silver rim was added to mask chips along the lid and a silver “safety” chain keeps the lid and the teapot together.

This teapot with similar form and decoration still sports its original handle.

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Photo courtesy of Moorabool Antiques

 

Baluster cruet jug, c.1710

Monday, March 15th, 2010

A unusual Chinese porcelain baluster form cruet jug with beak spout, stands 5-1/2″ high. It is decorated in the Chinese Imari pattern, using cobalt blue and iron red enamel washes and gilt highlights.

The original porcelain handle has been replaced by a woven rattan covered gilt bronze handle, set at right angle.

These three examples of similarly formed cruet jugs each have their original handles & lids.

Photo courtesy of Christie’s

Qianlong sparrow beak cream jug, c.1760

Sunday, March 14th, 2010

Chinese porcelain cream jug with cover was made for export and measures 5″ high.

A skillful artist painted the floral decoration with polychrome enamels in the famille rose palette.

The original porcelain handle was replaced over 100 years ago with a woven rattan covered metal handle.

This jug shows what the simple-shaped porcelain handle would have looked like on my jug before it was repaired.

Photo courtesy of Cleij Oriental Art