Posts Tagged ‘metal handle’

Chinese Imari helmet jug, c.1750

Friday, November 28th, 2014

This porcelain helmut-shaped cream jug, decorated in the Imari palette of blue, iron red and gilt, stands 4-1/4″ tall. It was made in China during the Qianlong period (1736-1795.) The hand painted decoration of floral sprigs and alternating blue panels suggests it was made for export to the Persian market.

At one point in its early life, the original porcelain handle snapped off, leaving it impossible to gracefully pass the cream at the dining table. It was brought to a tinker or metalsmith who fashioned this ornate replacement handle, possibly repurposed from an existing silver item. The delicate silver replacement is more ornate than the original branch-form handle, but adds just the right touch of class and whimsy.

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The center jug, with similar form and decoration, shows what the original handle on my jug might have looked like.

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Photo courtesy of Christie’s 

Masonic creamware mug, c.1800

Saturday, November 22nd, 2014

This cylindrical form creamware mug was made by Herculaneum Pottery in Liverpool, England, circa 1800. I am a sucker for bold graphics so you can understand why I like this mug so much. It is covered with black transfer decoration of Masonic symbols and stands 5 inches high, with an opening of 3-1/2 inches.

What makes this early mug so special to me is the sturdy silver replacement handle. Although unmarked, it appears to have been made by a silversmith in the early 20th century. An elaborate silver mounting system was devised to hold the new handle in place by mounting it to a broad plate and attaching it to a rim and base. The choice to mount the replacement handle, as opposed to drill through the body and bolt on a new handle, may have saved the mug from possible leakage and more damage. Typically, I do not polish metal repairs, as I feel the darkened patina adds to the overall appearance of the piece. I like how the tarnished silver is close to the color of the printed decoration, enhancing this clever repair even more.

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This mug with the same form and decoration shows what my mug would have looked like with its original handle intact.

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Photo courtesy of Bramfords

German Annaberg jug, c.1680

Saturday, October 18th, 2014

This early black-brown salt glazed stoneware pewter-mounted Birnkrug “pear jug” was made in Annaberg, Germany in the second half of the 17th century. It has incised scaled body decoration of stylized relief palmettes and leaf ornamentation divided by applied molded borders, the front with a figure of Jesus. It is embellished in polychrome enamels and gilding, which have remained surprisingly vibrant after over 330 years. The hinged pewter lid is connected to a ball thumb piece and inset with what appears to be a coin with a crucifixion scene.

As rare as this 10″  high jug is, it is even more special to me by possessing a pewter replacement handle, added by an 18th century tinker, most likely in Germany, after the original handle broke off. The delicate handle, with an intricate stippled wave design and border, is supported by a mounted pewter base ring and lid collar. I first saw this pricy jug at an antiques shop over one year ago and passed on it. But I recently stopped by the shop again and was delighted to find that no one else had snatched it up. After a brief bargaining session with the friendly dealer, I was finally was able to purchase this gem and add it to my collection.

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This jug of similar form and decoration still has its original handle.

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Photo courtesy of Bonhams

London shape tea cup, c.1830

Sunday, September 7th, 2014

This colorful Chinese porcelain London shape tea cup dates from 1820-1850 and is decorated in the Canton rose palette. It measures 2-1/2″  high and has an opening diameter of 3-1/4″ . The outer polychrome enamel Mandarin decoration depicts a scene of scholars in a garden, and the inside of the rim has a deep painted border of dragons with small stylized clouds. This cup was originally a part of a large dinner service, custom ordered by most likely a wealthy English family.

At some point in the early life of the cup, the original porcelain handle snapped off. But rather than simply toss out the damaged goods as we would today, it was brought to a metalsmith, who fashioned a bronze replacement handle in the same form as the original. To me, the dark color and sculptural quality of the replacement handle makes this embellished cup much more interesting than its “perfect” counterpart.

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This tea cup still has its original handle intact.

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Photo courtesy of Hundred & One Antiques

Creamware motto mug, c.1800

Saturday, August 16th, 2014

This simple creamware pottery mug with cylindrical form is decorated with a black transfer decoration of the Farmer’s Toast aka God Speed the Plough. It was made in England in the late 1700s-early 1800s and measures 4-3/4″  high. A tinsmith fashioned a sturdy replacement handle, attaching it to a metal band at the top and bolting it through the body at the bottom. I love the boldness of the dark printed decoration and patinated metal handle against the stark cream color of the mug.

Let the Wealthy & Great,

Roll in Splendor & State.

I envy them not I declare it.

I eat my own Lamb,

My own Chicken & Ham.

I shear my own Fleece & wear it.

I have Lawns I have Bowers,

I have fruits I have Flowers.

The lark is my morning alarmer.

So jolly Boys now,

Here’s God speed the Plough.

Long Life & Success to

The Farmer.

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Although the black transfer decoration differs, the form is the same and shows what the simple loop handle would have looked like on my mug.

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Photo courtesy of Martyn Edgell

Signed Chinese jug with split handle, c.1740

Sunday, August 3rd, 2014

This Chinese baluster shaped porcelain jug, with molded spout in the manner of European silver, has hand painted underglaze cobalt blue Nanking decoration of houses, trees and birds. It dates from the middle of the 18th century and stands nearly 8″  tall.

Over 100 years ago when the original reeded strap handle broke off, an unusual split form metal replacement handle was added. A clever tinker reinterpreted the original handle design by forging a bronze loop handle into four extensions and adding small discs, which were riveted to the leaf terminals. The remains of an intricately woven rattan sheath are found on about one third of the handle. Most curiously, there is an engraved signature on the underside, difficult to decipher, which may be the name of the china mender or of a previous owner. If anyone knows more about this marking, please let me know.

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This jug with similar form and decoration shows what the original handle on my jug may have looked like.

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Photo courtesy of eBay

Set of 5 Mason’s Ironstone cups, c.1835

Saturday, July 26th, 2014

In the world of collecting, nothing pleases me more than stumbling upon items with matching inventive repairs, and this set of footed breakfast cups and saucers deliver five times over. Made in England by Mason’s Ironstone from 1830 to 1840, these heavy porcelain cups, measuring nearly 3-1/4″  tall, have the transfer printed “Conversation” pattern in the rare yellow scale colorway. Each cup and saucer is marked in black transfer on the underside MASON’S PATENT IRONSTONE CHINA.

I purchased the set during my last trip to London from dealer Fergus Robert Downey who later told me that he has a sixth cup with an identical replaced handle, so I am hoping to one day have the complete sextet. I can’t imagine that all of the original handles snapped off the cups at the same time, unless a particular breakfast got a bit too rowdy. More likely, one or two handles might have broken off, so in order to keep the set looking uniform, the remaining intact handles were removed and all cups were fitted with the same metal replacement. The metalsmith did a fine job, as all of the handles are well matched and expertly riveted to the cups.

Now about that sixth cup, Fergus… IMG_8477                       IMG_8479                         IMG_8483                           IMG_8485                         IMG_8486                           IMG_8487                           IMG_8489

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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This cup, in perfect condition, shows what the original handles on my cups would have looked like before they took a tumble.

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Photo courtesy of Vanbrugh West Antiques

Chinese mug with fireworks decoration, c.1760

Saturday, July 5th, 2014

In honor of Independence Day I am pleased to share with you a Chinese porcelain mug with a fireworks theme, made for export to North America and Europe during the Qianlong period (1736-1795). It stands 4-3/4″ high and is decorated in the Mandarin style with cloud-shaped cartouches executed in famille rose enamels, and containing floral sprigs and a family tableau depicting a child lighting fireworks.

I wouldn’t be surprised if during the first organized 4th of July celebration in 1777, a raucous party involving the lighting of fireworks forced this mug to fly off a table and crash to the ground, causing its handle to shatter and the bottom to fall off. Rather than throw out the expensive and cherished mug, it was brought to a local tinker who fashioned a sturdy brass replacement handle. To help insulate the handle from its hot contents, it was wrapped in decoratively woven rattan. The bottom was reattached to the body using five large brass staples with a bond so tight it could hold liquid without leaking. As china menders typically did not sign their work, there is no way to know who was responsible for this repair, but I imagine they each had their own signature style in weaving the rattan so that they could distinguish their work from each other.

These mugs of similar form show what the original handle on my mug might have looked like.

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Photo courtesy of Mount Vernon’s Mystery Midden

Miniature Chinese Kangxi teapot, c.1720

Sunday, June 29th, 2014

This wee globular form teapot was made in China during the Kangxi period (1661 – 1722) and measures just 2-1/2″ high and 4-1/4″ from handle to spout. It has Famille Vert decoration of floral bouquets tied with ribbon in blue underglaze enamel, iron red and green washes, and gilt highlights. The domed cover, decorated with plum blossoms, has a tiny vent hole, just as its full-size counterpart would have. I believe that this was part of a larger tea set purchased for a child from a wealthy family, as only the upper class were able to afford imported Chinese porcelain.

Without seeing the coin to show the lilliputian size of the teapot, I doubt you would have guessed that this is a miniature. The exquisitely crafted metal replacement spout and rattan-covered bronze handle are superior to the more standard repairs seen on most other miniatures. It seems that someone truly appreciated the stellar repair work, as is evident by the teeth marks at the end of the spout. Perhaps this was just a child’s way of saying “This new spout tastes better than the old one. Thanks, and job well done!”

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This nearly identical miniature still has its original handle and spout, but I think my teapot is the more interesting one of the pair.

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Photo courtesy of eBay

Worcester “King of Prussia” mug, c.1757

Saturday, May 31st, 2014

I purchased this first period bell-shaped Worcester porcelain mug from a dealer in the UK who has been feeding my compulsive desire for antiques with inventive repairs for many years. It has a black transfer print of Frederick the Great, the King of Prussia, along with military trophies, an angel blowing a trumpet, and a putto with a wreath. It is dated 1757 under his left arm and marked RH (for Robert Hancock) Worester and an anchor mark for Richard Holdship (a rebus for his last name.) The decoration was taken from Richard Houston’s engraving after a painting by Antoine Pesne.

This is one of those items that if I saw one in a shop in “perfect” condition, I would secretly wish it had an early repair, as I am drawn to strong graphic images on ceramics. Luckily for me, this one has a metal replacement handle, attached by a metalsmith after the original loop handle broke off, as well as two metal staples to help stabilize a crack.

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During my recent visit to the UK, I spotted the same transfer decoration on numerous pieces of ceramics included in many different museum collections. This jug can be found in the fabulous ceramics collection at the V&A.

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This mug, with similar form, decoration, and its original handle intact, shows what the handle on my mug looked like before it snapped off.

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Photo courtesy of Stockspring Antiques